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AI art "仲良しショット[Tsubaki.3]ver"
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仲良しショット[Tsubaki.3]ver

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#blush#Red Hair#pink hair#Shiitake Eyes#Multiple Girls#Ocean#Looking at viewer#Selfie#Medium Breasts#Bocchi the Rock!#Hitori Gotoh#Kita Ikuyo
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character: gotoh_hitori, kita_ikuyo 『original art style model(絵柄model, a[dit3])』, Gotoh Hitori, Kita Ikuyo, extreme close-up, low angle, selfie, two young women taking a playful selfie outdoors during golden hour, seen through a smartphone photo camera interface. Kita Ikuyo is in the foreground with red hair, large glossy eyes, a playful smile, and a joyful expression. Gotoh Hitori has long pink hair, a strained smile with a tired expression, and is making a peace sign toward the lens. Their faces are framed by two separate yellow rectangular face detection boxes, with small yellow square brackets around each face. Slightly imperfect hand-drawn details, clean graphic composition. A full-screen smartphone photo camera interface with a large central camera preview showing the selfie, surrounded by solid black interface panels across the entire top and bottom edges of the image. The top black panel contains a small white camera icon and labels: a lightning flash icon, a Live Photo icon represented by a small concentric circle symbol, a timer clock icon, and a camera settings icon, all evenly spaced at the top edge. The bottom black panel contains a small square photo thumbnail on the left edge showing a miniature preview of a previously taken photo, a large white circular shutter button in the center, and a camera flip icon with two curved arrows on the right edge. Directly above the shutter button is a horizontal camera mode selector with clearly legible white sans-serif text labels "SLO-MO", "VIDEO", "PHOTO", "PORTRAIT", and "PANO", with "PHOTO" placed in the center and highlighted by a thin white underline, and other modes in smaller muted white text. Above the shutter button is a small white zoom control with "1x" and a sun-shaped exposure icon near the focus indicator. The top and bottom interface panels are solid black with no transparency, clearly separating the camera controls from the colorful photo preview. All interface text and icons are white, thin, minimal, evenly spaced, and clearly legible. Warm sunset light, soft golden light glow, dynamic perspective, playful candid snapshot atmosphere, slight fisheye distortion, looking down at the viewer, blocky illustration, loose texture pencil line art, crayon-like linear art, flat minimal shading, dry brush texture transitions, chalky stippling, bold saturated tone palette, high contrast color blocks, sketchy blocky illustration, dreamy surreal atmosphere, loose chunky gestural line art, flat minimal shading, soft digital grain, cross-star glow motifs, parallel cheek hatching, blocky-like illustration, loose texture pencil line art, crayon-like linear art, flat minimal shading, dry brush texture transitions, chalky stippling, bold saturated tone palette, high contrast color blocks, Omori, sketchy blocky illustration, dreamy surreal atmosphere, loose chunky gestural line art, saturated blue-purple tone palette, sketch blue accents, flat minimal shading, soft digital grain, cross-star sparkle motifs, parallel cheek hatching, 『original art style model(絵柄model,a[dit3])』
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Original Prompt
後藤ひとり、喜多郁代、極端なクローズアップ、ローアングル、セルフィー、ゴールデンアワーの屋外で遊び心のある自撮りをしている若い女性2人、スマートフォンのフォトカメラインターフェースを通して見る。喜多郁代は手前に赤の髪、大きな光沢のある目、遊び心のある笑顔、楽しそうな表情をしている。後藤ひとりは長いピンク色の髪、疲れた表情の引きつり笑いで、レンズに向かってピースサインをしている。彼らの顔は2つの別々の黄色い長方形の顔検出ボックス、1つは 各顔の周りには、小さな黄色い角括弧があります。少し不完全な手描きのディテール、きれいなグラフィック構成。フルスクリーンのスマートフォンフォトカメラインターフェイスと、セルフィーを示す大きな中央カメラプレビューがあり、画像の上下の端全体に黒いソリッドインターフェイスパネルに囲まれています。一番上の黒いパネルには、小さな白いカメラアイコンとラベルが含まれています。稲妻フラッシュアイコン、小さな同心円のシンボルで表されるライブ写真アイコン、タイマー時計アイコン、 そして、上端に均等に配置されたカメラ設定アイコン。一番下の黒いパネルには、左端に以前に撮影された写真のミニチュアプレビューを示す小さな正方形の写真サムネイル、中央に大きな白い円形のシャッターボタン、そして右端に2つの曲線矢印が描かれたカメラフリップアイコンが含まれています。シャッターボタンの真上には、はっきりと読める白いサンセリフのテキストラベル「SLO-MO 」 「 VIDEO 」 「 PHOTO 」 「 PORTRAIT 」 「 PANO」が入った横向きのカメラモードセレクターがあり、 「PHOTO」は中央に配置され、薄い白い下線で強調表示され、他のモードはより小さいミュートされた白いテキストです。シャッターボタンの上に「1x」を備えた小さな白いズームコントロールと、フォーカスインジケーターの近くに太陽型の露出アイコンがあります。上下のインターフェースパネルは透明のない黒の無地で、カメラコントロールとカラフルな写真プレビューを明確に分離しています。すべてのインターフェーステキストとアイコンは白で薄く、最小限で、均等に配置されており、はっきりと読み取ることができます。暖かい夕焼けの光、柔らかい金色の光 グロー、ダイナミックな遠近法、遊び心のある率直なスナップショットの雰囲気、わずかな魚眼の歪み、視聴者を見下ろすこと、ブロック状のイラスト、ゆるいテクスチャの鉛筆の線画、クレヨンのようなリニアット、フラットミニマルシェーディング、ドライブラシのテクスチャの遷移、チョーキーの点字、大胆な飽和トーンパレット、ハイコントラストのカラーブロック、スケッチのブロック状のイラスト、夢のようなシュールな雰囲気、ゆるいチャンキーのジェスチャーの線画、フラットミニマルシェーディング、ソフトデジタルグレイン、クロススターの輝きのモチーフ、平行 チークハッチング、ブロッキーのようなイラスト、ゆるいテクスチャの鉛筆線画、クレヨンのようなリニアレット、フラットミニマルシェーディング、ドライブラシのテクスチャの遷移、チョーキースティップリング、大胆な飽和トーンパレット、ハイコントラストカラーブロック、Om0ri、スケッチブロックのようなイラスト、夢のようなシュールな雰囲気、ゆるいチャンキージェスチャー線画、飽和ブルーパープルトーンパレット、スケッチブルーアクセント、フラットミニマルシェーディング、ソフトデジタルグレイン、クロススタースパークルモチーフ、パラレルチーハッチング、,『original art style model(絵柄model,a[dit3])』
Mode
pro
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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PixAI DiT.3

Tsubaki.3
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絵柄model ALICE
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character: alina_gray, misono_karin Alina Gray , Karin Misono, extreme close-up, low angle, selfie, two young women taking a playful selfie outdoors during golden hour, viewed through a smartphone photo camera interface. Karina have a playful pout, and a surprised expression. Alina have a curious expression, making a peace sign toward the lens. their faces are framed by two separate yellow rectangular face detection boxes, one around each face, with small yellow corner brackets. slightly imperfect hand-drawn details, clean graphic composition. full-screen smartphone photo camera interface with a large central camera preview showing the selfie, surrounded by solid black interface panels along the entire top and bottom edges of the image. the top black panel contains small white camera icons and labels: a lightning bolt flash icon, a live photo icon represented by a small concentric circle symbol, a timer clock icon, and a camera settings icon, evenly spaced across the top edge. the bottom black panel contains a small square photo thumbnail at the far left showing a miniature preview of the previously taken photo, a large white circular shutter button in the center, and a camera flip icon with two curved arrows at the far right. directly above the shutter button, a horizontal camera mode selector with clearly legible white sans-serif text labels "SLO-MO", "VIDEO", "PHOTO", "PORTRAIT", and "PANO", with "PHOTO" centered and highlighted by a thin white underline, while the other modes are smaller muted white text. a small white zoom control with "1x" above the shutter button and a sun-shaped exposure icon near the focus indicator. the top and bottom interface panels are solid black with no transparency, clearly separating the camera controls from the colorful photo preview. all interface text and icons are white, thin, minimal, evenly spaced, and clearly legible. warm sunset light, soft golden glow, dynamic perspective, playful candid snapshot atmosphere, slight fisheye distortion, looking down at the viewer, yami kawaii, jirai, menhera, menhera kei, creepy cute, sickly cute, (desaturated), soft shading, sketchy line art, rendered, highlightless eyes, cute girl, eyebags, soft features, disheveled hair, glossy highlights, beautiful colors
callmeemi
#Puella Magi Madoka Magica#Magia Record: Puella Magi Madoka Magica Side Story#Misono Karin

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
4#Attack on Titan#Mikasa Ackerman
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