๐Ÿ“ข Login Issue Resolved โ€” Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known serโ€ฆ

View details

bter

Contest Entry
Nasu's Tokyo Journey#PixAI Nasu
More to See

Comments

A striking pulp-sci-fi pin-up pilot stands on a dusty red-rock landing pad of a frontier space settlement, caught in a confident three-quarter pose: her weight shifted onto her back leg, front knee slightly bent, one hand resting on her hip and the other hooked casually through the strap of a leather flight jacket slung over her shoulder, chin lifted, gazing off toward the horizon with a windswept, adventurous half-smile. Body and proportions: She stands roughly 172 cm tall, with a dramatic pin-up hourglass figure: soft, rounded shoulders, a long elegant neck, a large, full, rounded bust that strains gently against her unzipped flight suit, a deeply cinched, narrow waist, wide, flared hips, and full, thick thighs tapering into shapely, toned calves. Her stance elongates her legs, and the slight backward lean of her upper body pushes her chest forward and her hips back, emphasizing every curve. Face and skin: Her face is classic pulp-cover pretty: high, soft cheekbones, a small straight nose, and a strong but delicate jawline. Her lips are full and painted a glossy cherry red, slightly parted. Her eyes are wide-set and almond-shaped, a vivid emerald green, framed by long dark lashes and sharp, precisely winged black eyeliner sweeping upward, paired with soft warm-toned eyeshadow. Her brows are neatly arched and defined. Her skin is fair with a warm golden flush across her cheeks and nose bridge, as though sun-kissed despite the alien setting, a few faint freckles scattered across her nose, and a light sheen of sweat at her collarbone from the heat of the landing pad. wide hips, very wide hips, wide ass, inner thigh, Hair: Her hair is a rich auburn-red, with A wolf cut, past her shoulders and caught mid-motion by a gust of settlement wind. A pair of vintage aviator goggles is pushed up into her hair, resting just above her forehead, the lenses tinted amber and the leather strap slightly worn. Primary outfit: She wears a fitted retro-futuristic flight suit in burnt-orange canvas, cinched tight at the waist with a wide brown leather belt bearing a chrome buckle shaped like a starburst. The suit's high collar is unzipped low down the chest, the zipper pull dangling loosely and catching the light, revealing a fitted white lace chemise underneath that hugs her bust, and exposes her navel, midriff and linea alba. The suit's sleeves are rolled to the elbow, showing a pair of thick leather cuffs on each forearm, each fitted with small analog dials, toggle switches, and a glowing amber gauge. The suit's fabric is worn and weathered, with visible stitched patches at one knee and the opposite elbow, faint oil smudges along one hip, and a subtle sheen where the canvas catches the light. The suit's legs are tucked into knee-high brown leather boots with thick rubber soles, buckled straps up the outer calf, and a small holster strapped to the outside of one boot. The suit comes down to mid thigh, with an elastic hem, exposing her toned thick thighs, Jacket and accessories: cropped brown leather aviator jacket lined with cream shearling at the collar, several embroidered mission patches sewn along the chest and one sleeve, including a small circular patch depicting a rocket and stars. on her thighs, is a sheath with a sleek chrome-and-black futuristic glowing ray gun with a glowing blue power cell visible at its base, secured in a fitted holster with a leather thigh strap wrapped around one thick thigh. She wears a pair of thin dog tags on a chain, tucked partially into her tank top, and a chunky analog wristwatch with multiple dials on her opposite wrist. Setting and background: Behind her looms a massive chrome-and-rivet rocket ship, its polished hull reflecting the warm light of a setting alien sun, fins swept back in classic pulp-novel style, with a boarding ramp lowered and steam venting softly from a side exhaust port. The landing pad is rough red rock and packed dust, with small scattered equipment crates, coiled fuel hoses, and a weathered signpost with settlement markings nearby. In the far background, low geodesic domes and radio towers of the frontier settlement are visible against a dusky sky, where two small moons hang low near the horizon alongside a scattering of early stars. Lighting and color: The lighting is warm and dramatic, golden-hour sunlight raking low across the scene from the left, casting long shadows from the rocket and equipment, with a soft rim light along her hair, shoulders, and the edge of her jacket. Secondary cool blue-violet light spills faintly from the rocket's exhaust vents and control panel glow, creating a warm-cool contrast across her skin and suit. The overall palette is burnt orange, chrome silver, dusty red, and deep indigo-violet in the sky. Composition and style: Vertical portrait framing, capturing her from mid-thigh upward with the rocket filling the background, shallow depth of field softly blurring the ship and settlement behind her while keeping her sharply in focus. Rendered in a polished, painterly retro pulp-illustration style, reminiscent of vintage sci-fi paperback cover art, with bold clean linework, rich color saturation, dramatic lighting contrast, and native 2K fine detail across fabric texture, hair strands, and skin. deep cleavage, highly revealing, large breasts, freckles, ((wide shot, absurdly wide shot, zoomed out)), full body, beautiful light, best shadow, color blink,semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin ,sketch, flat color, soft skin, sketch lines
Show Parameters
Mode
pro
Style Code
HI646699
Size
864 x 1152
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution, anime, ugly, blurred face, low detail, small breasts, obese, fat, ugly,

Model & LoRA used

Similar Images

Show more
AI artwork
b
A striking pulp-sci-fi pin-up pilot stands on a dusty red-rock landing pad of a frontier space settlement, caught in a confident three-quarter pose: her weight shifted onto her back leg, front knee slightly bent, one hand resting on her hip and the other hooked casually through the strap of a leather flight jacket slung over her shoulder, chin lifted, gazing off toward the horizon with a windswept, adventurous half-smile. Body and proportions: She stands roughly 172 cm tall, with a dramatic pin-up hourglass figure: soft, rounded shoulders, a long elegant neck, a large, full, rounded bust that strains gently against her unzipped flight suit, a deeply cinched, narrow waist, wide, flared hips, and full, thick thighs tapering into shapely, toned calves. Her stance elongates her legs, and the slight backward lean of her upper body pushes her chest forward and her hips back, emphasizing every curve. Face and skin: Her face is classic pulp-cover pretty: high, soft cheekbones, a small straight nose, and a strong but delicate jawline. Her lips are full and painted a glossy cherry red, slightly parted. Her eyes are wide-set and almond-shaped, a vivid emerald green, framed by long dark lashes and sharp, precisely winged black eyeliner sweeping upward, paired with soft warm-toned eyeshadow. Her brows are neatly arched and defined. Her skin is fair with a warm golden flush across her cheeks and nose bridge, as though sun-kissed despite the alien setting, a few faint freckles scattered across her nose, and a light sheen of sweat at her collarbone from the heat of the landing pad. wide hips, very wide hips, wide ass, inner thigh, Hair: Her hair is a rich auburn-red, with A wolf cut, past her shoulders and caught mid-motion by a gust of settlement wind. A pair of vintage aviator goggles is pushed up into her hair, resting just above her forehead, the lenses tinted amber and the leather strap slightly worn. Primary outfit: She wears a fitted retro-futuristic flight suit in burnt-orange canvas, cinched tight at the waist with a wide brown leather belt bearing a chrome buckle shaped like a starburst. The suit's high collar is unzipped low down the chest, the zipper pull dangling loosely and catching the light, revealing a fitted white lace chemise underneath that hugs her bust, and exposes her navel, midriff and linea alba. The suit's sleeves are rolled to the elbow, showing a pair of thick leather cuffs on each forearm, each fitted with small analog dials, toggle switches, and a glowing amber gauge. The suit's fabric is worn and weathered, with visible stitched patches at one knee and the opposite elbow, faint oil smudges along one hip, and a subtle sheen where the canvas catches the light. The suit's legs are tucked into knee-high brown leather boots with thick rubber soles, buckled straps up the outer calf, and a small holster strapped to the outside of one boot. The suit comes down to mid thigh, with an elastic hem, exposing her toned thick thighs, Jacket and accessories: cropped brown leather aviator jacket lined with cream shearling at the collar, several embroidered mission patches sewn along the chest and one sleeve, including a small circular patch depicting a rocket and stars. on her thighs, is a sheath with a sleek chrome-and-black futuristic glowing ray gun with a glowing blue power cell visible at its base, secured in a fitted holster with a leather thigh strap wrapped around one thick thigh. She wears a pair of thin dog tags on a chain, tucked partially into her tank top, and a chunky analog wristwatch with multiple dials on her opposite wrist. Setting and background: Behind her looms a massive chrome-and-rivet rocket ship, its polished hull reflecting the warm light of a setting alien sun, fins swept back in classic pulp-novel style, with a boarding ramp lowered and steam venting softly from a side exhaust port. The landing pad is rough red rock and packed dust, with small scattered equipment crates, coiled fuel hoses, and a weathered signpost with settlement markings nearby. In the far background, low geodesic domes and radio towers of the frontier settlement are visible against a dusky sky, where two small moons hang low near the horizon alongside a scattering of early stars. Lighting and color: The lighting is warm and dramatic, golden-hour sunlight raking low across the scene from the left, casting long shadows from the rocket and equipment, with a soft rim light along her hair, shoulders, and the edge of her jacket. Secondary cool blue-violet light spills faintly from the rocket's exhaust vents and control panel glow, creating a warm-cool contrast across her skin and suit. The overall palette is burnt orange, chrome silver, dusty red, and deep indigo-violet in the sky. Composition and style: Vertical portrait framing, capturing her from mid-thigh upward with the rocket filling the background, shallow depth of field softly blurring the ship and settlement behind her while keeping her sharply in focus. Rendered in a polished, painterly retro pulp-illustration style, reminiscent of vintage sci-fi paperback cover art, with bold clean linework, rich color saturation, dramatic lighting contrast, and native 2K fine detail across fabric texture, hair strands, and skin. deep cleavage, highly revealing, large breasts, freckles, ((wide shot, absurdly wide shot, zoomed out)), full body, beautiful light, best shadow, color blink,semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin ,sketch, flat color, soft skin, sketch lines
bter
AI artwork
b
A striking pulp-sci-fi pin-up pilot stands on a dusty red-rock landing pad of a frontier space settlement, caught in a confident three-quarter pose: her weight shifted onto her back leg, front knee slightly bent, one hand resting on her hip and the other hooked casually through the strap of a leather flight jacket slung over her shoulder, chin lifted, gazing off toward the horizon with a windswept, adventurous half-smile. Body and proportions: She stands roughly 172 cm tall, with a dramatic pin-up hourglass figure: soft, rounded shoulders, a long elegant neck, a large, full, rounded bust that strains gently against her unzipped flight suit, a deeply cinched, narrow waist, wide, flared hips, and full, thick thighs tapering into shapely, toned calves. Her stance elongates her legs, and the slight backward lean of her upper body pushes her chest forward and her hips back, emphasizing every curve. Face and skin: Her face is classic pulp-cover pretty: high, soft cheekbones, a small straight nose, and a strong but delicate jawline. Her lips are full and painted a glossy cherry red, slightly parted. Her eyes are wide-set and almond-shaped, a vivid emerald green, framed by long dark lashes and sharp, precisely winged black eyeliner sweeping upward, paired with soft warm-toned eyeshadow. Her brows are neatly arched and defined. Her skin is fair with a warm golden flush across her cheeks and nose bridge, as though sun-kissed despite the alien setting, a few faint freckles scattered across her nose, and a light sheen of sweat at her collarbone from the heat of the landing pad. wide hips, very wide hips, wide ass, inner thigh, Hair: Her hair is a rich auburn-red, with A wolf cut, past her shoulders and caught mid-motion by a gust of settlement wind. A pair of vintage aviator goggles is pushed up into her hair, resting just above her forehead, the lenses tinted amber and the leather strap slightly worn. Primary outfit: She wears a fitted retro-futuristic flight suit in burnt-orange canvas, cinched tight at the waist with a wide brown leather belt bearing a chrome buckle shaped like a starburst. The suit's high collar is unzipped low down the chest, the zipper pull dangling loosely and catching the light, revealing a fitted white lace chemise underneath that hugs her bust, and exposes her navel, midriff and linea alba. The suit's sleeves are rolled to the elbow, showing a pair of thick leather cuffs on each forearm, each fitted with small analog dials, toggle switches, and a glowing amber gauge. The suit's fabric is worn and weathered, with visible stitched patches at one knee and the opposite elbow, faint oil smudges along one hip, and a subtle sheen where the canvas catches the light. The suit's legs are tucked into knee-high brown leather boots with thick rubber soles, buckled straps up the outer calf, and a small holster strapped to the outside of one boot. The suit comes down to mid thigh, with an elastic hem, exposing her toned thick thighs, Jacket and accessories: cropped brown leather aviator jacket lined with cream shearling at the collar, several embroidered mission patches sewn along the chest and one sleeve, including a small circular patch depicting a rocket and stars. on her thighs, is a sheath with a sleek chrome-and-black futuristic glowing ray gun with a glowing blue power cell visible at its base, secured in a fitted holster with a leather thigh strap wrapped around one thick thigh. She wears a pair of thin dog tags on a chain, tucked partially into her tank top, and a chunky analog wristwatch with multiple dials on her opposite wrist. Setting and background: Behind her looms a massive chrome-and-rivet rocket ship, its polished hull reflecting the warm light of a setting alien sun, fins swept back in classic pulp-novel style, with a boarding ramp lowered and steam venting softly from a side exhaust port. The landing pad is rough red rock and packed dust, with small scattered equipment crates, coiled fuel hoses, and a weathered signpost with settlement markings nearby. In the far background, low geodesic domes and radio towers of the frontier settlement are visible against a dusky sky, where two small moons hang low near the horizon alongside a scattering of early stars. Lighting and color: The lighting is warm and dramatic, golden-hour sunlight raking low across the scene from the left, casting long shadows from the rocket and equipment, with a soft rim light along her hair, shoulders, and the edge of her jacket. Secondary cool blue-violet light spills faintly from the rocket's exhaust vents and control panel glow, creating a warm-cool contrast across her skin and suit. The overall palette is burnt orange, chrome silver, dusty red, and deep indigo-violet in the sky. Composition and style: Vertical portrait framing, capturing her from mid-thigh upward with the rocket filling the background, shallow depth of field softly blurring the ship and settlement behind her while keeping her sharply in focus. Rendered in a polished, painterly retro pulp-illustration style, reminiscent of vintage sci-fi paperback cover art, with bold clean linework, rich color saturation, dramatic lighting contrast, and native 2K fine detail across fabric texture, hair strands, and skin. deep cleavage, highly revealing, large breasts, freckles, ((wide shot, absurdly wide shot, zoomed out)), full body, beautiful light, best shadow, color blink,semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin ,sketch, flat color, soft skin, sketch lines
bter
AI artwork
b
A striking pulp-sci-fi pin-up pilot stands on a dusty red-rock landing pad of a frontier space settlement, caught in a confident three-quarter pose: her weight shifted onto her back leg, front knee slightly bent, one hand resting on her hip and the other hooked casually through the strap of a leather flight jacket slung over her shoulder, chin lifted, gazing off toward the horizon with a windswept, adventurous half-smile. Body and proportions: She stands roughly 172 cm tall, with a dramatic pin-up hourglass figure: soft, rounded shoulders, a long elegant neck, a large, full, rounded bust that strains gently against her unzipped flight suit, a deeply cinched, narrow waist, wide, flared hips, and full, thick thighs tapering into shapely, toned calves. Her stance elongates her legs, and the slight backward lean of her upper body pushes her chest forward and her hips back, emphasizing every curve. Face and skin: Her face is classic pulp-cover pretty: high, soft cheekbones, a small straight nose, and a strong but delicate jawline. Her lips are full and painted a glossy cherry red, slightly parted. Her eyes are wide-set and almond-shaped, a vivid emerald green, framed by long dark lashes and sharp, precisely winged black eyeliner sweeping upward, paired with soft warm-toned eyeshadow. Her brows are neatly arched and defined. Her skin is fair with a warm golden flush across her cheeks and nose bridge, as though sun-kissed despite the alien setting, a few faint freckles scattered across her nose, and a light sheen of sweat at her collarbone from the heat of the landing pad. wide hips, very wide hips, wide ass, inner thigh, Hair: Her hair is a rich auburn-red, with A wolf cut, past her shoulders and caught mid-motion by a gust of settlement wind. A pair of vintage aviator goggles is pushed up into her hair, resting just above her forehead, the lenses tinted amber and the leather strap slightly worn. Primary outfit: She wears a fitted retro-futuristic flight suit in burnt-orange canvas, cinched tight at the waist with a wide brown leather belt bearing a chrome buckle shaped like a starburst. The suit's high collar is unzipped low down the chest, the zipper pull dangling loosely and catching the light, revealing a fitted white lace chemise underneath that hugs her bust, and exposes her navel, midriff and linea alba. The suit's sleeves are rolled to the elbow, showing a pair of thick leather cuffs on each forearm, each fitted with small analog dials, toggle switches, and a glowing amber gauge. The suit's fabric is worn and weathered, with visible stitched patches at one knee and the opposite elbow, faint oil smudges along one hip, and a subtle sheen where the canvas catches the light. The suit's legs are tucked into knee-high brown leather boots with thick rubber soles, buckled straps up the outer calf, and a small holster strapped to the outside of one boot. The suit comes down to mid thigh, with an elastic hem, exposing her toned thick thighs, Jacket and accessories: cropped brown leather aviator jacket lined with cream shearling at the collar, several embroidered mission patches sewn along the chest and one sleeve, including a small circular patch depicting a rocket and stars. on her thighs, is a sheath with a sleek chrome-and-black futuristic glowing ray gun with a glowing blue power cell visible at its base, secured in a fitted holster with a leather thigh strap wrapped around one thick thigh. She wears a pair of thin dog tags on a chain, tucked partially into her tank top, and a chunky analog wristwatch with multiple dials on her opposite wrist. Setting and background: Behind her looms a massive chrome-and-rivet rocket ship, its polished hull reflecting the warm light of a setting alien sun, fins swept back in classic pulp-novel style, with a boarding ramp lowered and steam venting softly from a side exhaust port. The landing pad is rough red rock and packed dust, with small scattered equipment crates, coiled fuel hoses, and a weathered signpost with settlement markings nearby. In the far background, low geodesic domes and radio towers of the frontier settlement are visible against a dusky sky, where two small moons hang low near the horizon alongside a scattering of early stars. Lighting and color: The lighting is warm and dramatic, golden-hour sunlight raking low across the scene from the left, casting long shadows from the rocket and equipment, with a soft rim light along her hair, shoulders, and the edge of her jacket. Secondary cool blue-violet light spills faintly from the rocket's exhaust vents and control panel glow, creating a warm-cool contrast across her skin and suit. The overall palette is burnt orange, chrome silver, dusty red, and deep indigo-violet in the sky. Composition and style: Vertical portrait framing, capturing her from mid-thigh upward with the rocket filling the background, shallow depth of field softly blurring the ship and settlement behind her while keeping her sharply in focus. Rendered in a polished, painterly retro pulp-illustration style, reminiscent of vintage sci-fi paperback cover art, with bold clean linework, rich color saturation, dramatic lighting contrast, and native 2K fine detail across fabric texture, hair strands, and skin. deep cleavage, highly revealing, large breasts, freckles, ((wide shot, absurdly wide shot, zoomed out)), full body, beautiful light, best shadow, color blink,semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin ,sketch, flat color, soft skin, sketch lines
bter

Recommended Users

You might like

AI artwork
์Œ์•ˆ
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์Œ๋ญ์ง€ ์•ˆ๋˜์„œ ๋‹ค์‹œ ๋ถ€๊ณ„๋งŒ๋“ฌ