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木漏れ日を貴方と土生 アザミさん
やっぱアザミさんは何を着ても似合いますよねということで
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- Original Prompt
- (((Ultra-high definition))), (high resolution), (highest quality), exquisitely detailed eyes, beautiful 1girl "Azami Habu" (Blue Archive) (solo); Azami has golden eyes; her hair is primarily black, but the center of her bangs and the long hair down her back are white (the tips of the long white hair at her back transform into six living white snakes); a gray halo; a sleeveless white vertical-ribbed sweater with a bold vertical cutout revealing the center of her chest, paired with a white miniskirt; bare legs with black socks; flushed cheeks; voluptuous, massive breasts; alluring thighs; captivating lips; composition emphasizing her huge bust; looking at the camera; lifting her own voluptuous, massive breasts while resting them upon her crossed arms; casting a gentle, alluring, sidelong glance with eyes holding a bewitching, enchanting gleam (wearing a gentle, happy smile that reveals deep, heartfelt affection and fondness, even while looking slightly bashful); a serene scene set in a forest with soft, warm, midday sunlight filtering through the trees (featuring a halo in the sky, consistent with the Blue Archive world)
- Mode
- lite
- Size
- 768 x 1280
Model & LoRA used
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이
A woman with bluish white hair and deep blue eyes, wearing a white off-shoulder one-piece dress with light blue lace, is lying on the grass in a dreamlike forest with a gentle smile. A white snake is wrapped around one of her arms. cel shading, best quality, textured hair, androgynous face, soft texture, small mouth, pale features, messy layered bangs, delicate linework, soft shading, soft blush, moist lips, (detailed hair), (detailed eyes), (ligne claire), (manga cover).
이민아
k0
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ツインテールロリな土生 アザミさん
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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