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- Original Prompt
- アイドルマスター橘ありす 赤いプラグスーツ おじさん アレを握る 白濁液塗れ
- Mode
- lite
- Size
- 768 x 1280
Model & LoRA used
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character: souryuu_asuka_langley, makinami_mari_illustrious, mary_(ib)
2girls, cowboy shot, from below, looking at another, sideways glance, plugsuit, sci-fi pilot suit, red bodysuit, pink bodysuit, interface headset, eyeglasses, red-framed glasses, long hair, orange hair, twintails, brown hair, blue eyes, arms crossed, leaning forward, smirk, pout, blush, standing, metal catwalk, industrial hangar, yellow hazard stripes, rim lighting, atmospheric haze.
Seen from a low angle in a cowboy shot framing both figures from mid-thigh up, the two pilots stand close together on an elevated steel catwalk. On the left, the girl in the glossy scarlet-red pilot suit stands with her weight planted firmly on her left hip, arms locked tightly across her chest. Her long orange hair sweeps down past her shoulder blades, anchored by twin red-and-black interface clips above her temples; her head is turned three-quarters away, but her blue eyes cast an irritated, sharp sideways glare to her right, her eyebrows drawn down in an annoyed pout with a faint pink blush across the bridge of her nose. Leaning into her personal space from behind her right shoulder, the second girl wears a sleek magenta-and-pink pilot suit and red-rimmed spectacles. She tilts her upper body forward at a jaunty angle, one hand raised with index and middle fingers lightly steadying the bridge of her glasses, while her blue eyes lock playfully onto her companion with a smug, teasing open-mouthed grin. Her dark brown hair is tied into long twin tails, several locks of which drape directly across the crimson shoulder armor of the first girl's suit, bending across the contoured synthetic material. Behind them, the cavernous industrial launch bay stretches into atmospheric blue-grey distance, filled with heavy structural girders, yellow caution markings on the deck plate, and distant amber status beacons. A cold, overhead cyan floodlight acts as the primary key source, etching crisp specular highlights along the glossy surface of their pilot suits and catching the fine flyaway strands of their hair in brilliant rim light, while the metal floor grating beneath them casts crisp grid-patterned shadows into the misty lower depths. Teasing tension.
Gabriel duran clavijo
f
character: souryuu_asuka_langley, Dramatic cinematic anime illustration of souryuu_asuka_langley in her iconic red plugsuit, striking a dynamic battle-ready pose with a confident expression, captured in a medium shot from a low three-quarter angle within the high-tech NERV headquarters laboratory. She stands with legs apart in a power stance, right hand gripping an invisible progressive knife at her side, left arm extended forward in a defensive gesture with palm open, her long orange hair with hair_between_eyes flowing dynamically, piercing blue eyes locked on the viewer. Behind her, metallic walls with glowing blue panels line the futuristic facility interior, a large glass observation window reveals silhouettes of scientists in lab coats as dark shadows. Dramatic lighting features blue and orange accent lights reflecting off the glossy plugsuit surface with intricate seams, zippers, and "02" emblem, atmospheric perspective softens distant details, highly detailed mechanical environment with subtle lens flares and volumetric god rays, Evangelion anime style with great quality and best quality.
fred
copyright: neon_genesis_evangelion
anime-style full color illustration. A gender-bent female version of Ikari Shinji's silhouette reimagined as a muscular and voluptuous Eva pilot. She stands in an Evangelion launch bay in front of the towering silhouette of Eva Unit-01, with industrial catwalks, green status lamps, and NERV equipment glinting around her. Her hair is short, dark brown, with the same swooping fringe and the crown-flip that Shinji is known for — like a slightly longer version of his boy cut, falling just past the jaw on the sides, tucked behind one ear. Her eyes are calm, slightly melancholic blue, the same quiet gaze as Shinji Ikari, lips pressed in a small, restrained half-smile that hints at self-conscious determination. Her body is fit, athletic, and unmistakably feminine at once: an ample, heavy bust that strains the chest plate and clearly stretches the form-fitting suit, narrow waist, and a sharply defined six-pack abdomen with visible abdominal muscle lines carved beneath the sheen of the suit - the muscle definition is clearly readable as if pressed through a thin layer. The plugsuit itself is the standard Evangelion design — white chest plate over the bust, teal-blue midsection wrapping around the torso and thighs, orange accent stripes along the arms and ribs, the unit designation 「01」 engraved on the upper chest piece, a circular orange interface sphere at the throat, glossy latex-like surface with subtle reflections of the bay's neon lamps. One hand holds the entry-plug helmet casually at her hip, exposing soft short brown hair; the other arm is relaxed at her side, slightly turned to present a three-quarter view of her figure. Lighting is dramatic neon — cold steel-blue from above, warm sodium-orange from below, sharp rim-light along her silhouette. Cinematic mid-shot, vertical portrait, anime cel-shading style inspired by Sadamoto Yoshiyuki, line-art density resembling the original Evangelion aesthetic. Masterpiece, best quality, intricate details, soft diffused lighting paired with hard rim-light, dynamic pose, sci-fi mecha atmosphere.,Ultra-sharp intricate details, hyper-detailed 3D, hyper-compressed densely packed spatial world, face with dimensional shading in anime-style realistic 3D, hair at the limit of unreal 3D, body at the limit of photorealism, ultimate texture quality, crystal clear expression at the depiction limit, hyper-saturated colors, three-dimensional shading, extreme three-dimensionality, glossy skin, warm skin, cute girl, fluffy delicate hair and fur are ultra-transparent, ,chibi hand-drawn anime catgirl with dramatically long fluffy cat ears, dense fur volume rendered in beautiful cel shading style, oversized head tiny body,ultra-sharp intricate details, hyper-detailed 3d, face with dimensional shading in anime-style realistic 3d, hair at the limit of unreal 3d, body at the limit of photorealism, muscles that bite, bulging muscles, slightly muscular and slender body, brown skin,beautiful, slim waist, hourglass figure with large breasts, intricately detailed, Delicate hair detailing,big eyes,finely detailed lighting,yoneyama,yoneyama mai,big eyes,one girl,cute,beautiful face, long eyelashes, glitter, soft light, glare, painting texture, paint texture, vivid colors, semi-realistic anime style, mesmerizing atmosphere, scattering of light, glow.,1girl, masterpiece, best quality, ultra-detailed, 8k, uhd, highly detailed hair, highly detailed clothes, highly detailed skin, natural colors, natural lighting, 3d rendering, Background depiction with depth, Flatline, Flat vector illustration, Vivid colors, white thick outline, outline, Blue Inner hair color, watercolor, soft light,(masterpiece,highest quality,ultra hd,high resolution,absurdres,8k,official visual,sharp lines,vivid contrast),ethereal, masterpiece, best quality, ultra-detailed, semi-realistic anime style, atmospheric lighting, glowing light effects, sparkles, floating particles, iridescent highlights, high contrast chiaroscuro, painterly rendering, elegant, rich texture
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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