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- Original Prompt
- hoshino ai,设计成俏皮张扬的超近景角色肖像海报,采用竖幅画面、平视视角与轻微广角透视,脸部位于画面中央偏左并占据主要视觉面积,身体略微侧转靠近镜头;一只手从右上方伸入前景,在额头与眼睛旁张开拇指和食指,形成夸张的 L 形取景框手势,因靠近镜头而明显放大,另一只手从左下方抬起,以横向手指托住嘴角并让食指轻贴唇边,构成两层交错的框景关系,表情带有小恶作剧般的微笑,脸颊泛红,目光直接看向观者。<主体拥有深靛紫色长发、紫红色细挑染、轻盈碎刘海和带巨大白色星芒的紫红渐变瞳孔。><头发后方束起小型发髻,并佩戴红色花朵、蝴蝶结或传统发饰。>长发从脸颊两侧向下垂落,部分发束扫过肩部与手腕,细长发丝沿画面对角线自然飘散,形成轻盈的动态边缘。服装采用宽松的传统和风浴衣或现代改良和服,具有交叠领口、宽大袖摆和柔软褶皱,面料铺满珊瑚粉、朱红、玫红、浅黄与少量草绿色组成的抽象花卉、纸片和笔触图案,服装本身成为画面的大面积装饰色块;袖口和衣襟自然堆叠,在前景形成柔软弧线,与手指的锐利几何形态产生对比。背景彻底平面化,以高亮暖白色为底,铺设大小悬殊的紫色、洋红色与粉色五角星,其中部分星形覆盖规则黑色网点,另一些保持纯色或半透明;大星星被画框大胆裁切,小星星则散布在人物周围并穿插于头发、手臂和衣袖前后,形成贴纸拼贴般的多层空间。整体采用精致日本商业动画插画、少女漫画彩页、偶像纪念图与 Y2K 流行海报融合风格,轮廓线纤细清楚,局部略带传统蘸水笔的不均匀手绘感;五官圆润秀气,眼睛硕大通透,虹膜具有高饱和渐变、玻璃反光和强烈星形瞳孔,睫毛浓密,鼻尖与嘴唇用极少线条概括,脸颊铺设细密斜线腮红。使用大面积赛璐璐平涂、简洁硬边阴影和少量柔和渐变,发丝以细长粉紫高光、白色碎点和锐利反光表现,手掌与手指使用温暖粉红阴影强调近大远小的透视,布料褶皱则以大块深红阴影和不规则花纹表现。光线为均匀明亮的高调正面柔光,皮肤保持柔白通透,主要阴影集中在刘海下方、手指交叠处、袖口内侧和颈部,不设置真实环境光源或复杂投影;色彩以紫罗兰、洋红、珊瑚粉、朱红和暖白为主,辅以浅黄与草绿作为服装图案的跳色,形成甜美、热烈、俏皮而略带复古感的视觉氛围。画面模拟丝网印刷、复古漫画彩印和扫描纸张的混合媒介质感,覆盖均匀细砂颗粒、半色调网点、轻微油墨渗色、纸张纤维和若有若无的套色偏移,保留哑光印刷触感;空间深度主要依靠夸张的前景手掌、脸部、衣袖与背景星形之间的遮挡和大小差异建立,弱化真实透视与景深。信息密度集中于眼睛、双手、和服花纹和星形符号,背景保留约三分之一明亮负空间,使高饱和主体仍然清晰;姿态像自拍或舞台互动中的瞬间定格,发丝、衣袖和漂浮星形带有向外扩散的动势,但轮廓保持锐利,不使用运动模糊。高分辨率,精细二次元单人插画,面部端正清楚,双眼焦点一致,双手前后关系明确,拇指、食指和其余手指数量准确,透视自然,和服图案丰富而不杂乱;避免照片写实、三维塑料质感、厚重油画、低饱和灰暗色调、真实复杂场景、过度景深、头发粘连、重复手掌、畸形手指、遮挡错误、杂乱文字、水印、签名和品牌标识。
- Mode
- pro
- Size
- 1232 x 1632
- Negative
- lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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