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- Original Prompt
- ときのそら Tokino Sora ホロライブ 最高品質、傑作、超高精細、緻密な描写、美しい陰影 派手ではない実用的な冒険者装備 革のジャケット 動きやすいシャツ 革のベルト 革のポーチ ポシェット 丈夫なショートブーツ 革の手袋 マント 旅で使い込まれた装備 少し泥や埃が付いている ポシェットから金貨や宝石のお宝が少し覗いている 全力で逃げている 身体を大きく前へ傾けて走っている 片手でポシェットを押さえている もう片方の手でバランスを取っている 慌てて後ろを振り返っている 焦った表情 口を少し開けて息を切らしている 美しい瞳 印象的な瞳 瞳のハイライトが美しく輝いている 目に強いキャッチライト 生き生きとした瞳 表情重視 人物が画面の主役 全身が画面いっぱいに映る構図 少しローアングル 苔むした巨大洞窟 濡れた岩肌 古代遺跡 ひび割れた石壁 壁の亀裂から淡く光るぬめぬめしたピンク色の触手が次々と現れている 洞窟の奥から伸びる無数の幻想的な触手 床に散らばる古代の金貨 宝箱 壊れた石像 青白く光る鉱石 天井から差し込む一筋の光 舞い上がる埃 幻想的な霧 映画のワンシーン ファンタジーアドベンチャー シネマティックライティング 高コントラスト リムライト ボリューメトリックライト 空気感重視 物語性重視 環境描写重視 dynamic pose natural body language fashion model pose editorial fashion photography cinematic composition focus on character storytelling movie still 35mm film ((perfect_hands:15)) ((masterpiece, best quality, ultra detailed, detailed eyes, high resolution, correct anatomy, proportional anatomy, detailed fingers, perfect hands, cute girl, dynamic angle)) ,((improve_image)),.
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 614 x 1024
- Sampling Steps
- 21
- Sampling Method
- Euler
- CFG Scale
- 6
- Negative
- bad quality, low quality, worst quality, lowres, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name, Sweat, motion lines, action lines, speed lines, dynamic lines, impact lines, shaking lines, comic lines, manga lines, expressive lines
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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