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帥氣與空靈兼具的初音未來
一直以來都非常喜歡初音未來，這次嘗試了這種帶點冷冽與空靈感的風格，呈現出她獨特的氣質。看著她隨風飄逸的長髮，總讓我覺得特別著迷。如果你也喜歡這張作品，請幫我按讚並追蹤，歡迎在留言區跟我交流，之後還會分享更多創作！
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- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 960 x 1280
- Sampling Steps
- 16
- Sampling Method
- Euler
- CFG Scale
- 5
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name,3d, render, glossy skin, shiny skin, plastic skin, over-saturated, vivid colors, harsh lighting, heavy digital shading, generic anime style, masterpiece, best quality, low quality
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帥氣爆表的初音未來
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初音未來·頹廢與夢幻交織的初音
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Hatsune Miku, (art by naku999ziye:1.2), in the naku999ziye style, with detailed thin lineart. The young, slender girl has very long, aqua hair styled in twintails, delicate messy strands of hair framing her face. She has aqua eyes that are melancholic and contemplative, looking slightly away from the viewer. She wears a white, collared shirt with detached sleeves, revealing her bare shoulders, and a necktie. Her attire suggests a sleeveless shirt or dress, but the focus is on her upper body and expression. The muted color palette uses soft blues, whites, and grays. Soft ambient shadow gently defines her form, creating a quiet, introspective mood. The atmospheric anime illustration feels serene and slightly sad, with a diffuse, gentle light source. The background is minimal, allowing the character's emotion and the delicate rendering to take center stage.
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初音未來·空靈白裙
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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