Show Parameters
- Original Prompt
- year_2024, year_2025, (Quality Meta): high quality, (Style Information): a 2D anime character integrated into a realistic photographic city, clean character linework and controlled matte shading, photographic concrete and weathered architecture, bright cinematic golden-hour lighting, warm highlights and softly illuminated blue-gray shadows, extreme close wide-angle action photography, dramatic near-to-far perspective, directional peripheral motion blur, (Character - Ruri): Ruri_thoc, jet black hair, long hair, blue eyes, deep blue eyes, tsurime, A single white straight bar-shaped hairpin is clipped to the side of her hair, medium breasts, a slender athletic build, an open charcoal hooded jacket with vivid cobalt-blue lining, the hood lowered behind her neck, sleeves pushed back below the elbows, a plain white crew-neck shirt, slim dark-gray cargo trousers with articulated knees and utility pockets, black low-top sneakers with cobalt-blue accents and dark laces, gray rubber outsoles with dark segmented tread and small blue inserts, a simple dark wristwatch on her left wrist, (Object - Departure Parapet): a low concrete rooftop parapet, a continuous horizontal cap beneath both supporting hands, chipped edges and exposed aggregate, clearly visible palm-contact surfaces beside her hips, (Object - Receiving Rooftop): a broad neighboring rooftop across a short gap, its horizontal landing surface slightly below the departure parapet, a sunlit concrete floor continuing beneath the camera, a visible foreground roof edge with open landing space beyond it, (Object - Windblown Leaves): a few dry golden-brown leaves lifted from the rooftop, thin curled surfaces and irregular natural edges, sparse leaves at distinctly different distances from the camera, warm translucent edges catching the sunset, (Environment - Sunset City): a dense photographic city in warm evening sunlight, layered rooftops, ventilation units, windows and exposed pipes, a deep street corridor along the far-right background, tiny cars and repeated windows establishing height, warm window reflections and a narrow sunset skyline, (S-V-O-A Narrative - Sole-Dominant Frontal Dash Vault): Layer 1 (Foreground - Advancing Shoes, Ruri and Rooftop Contact): A large sneaker outsole fills much of the left foreground, rushing directly toward the lens. Behind it, Ruri completes the supported push of a `parkour` dash vault toward the neighboring rooftop. The camera is immediately in front of her advancing right shoe. Her right sole is much closer to the lens than her knees and face. The lens faces the sole almost squarely, revealing its full toe-to-heel tread pattern. This nearest sole occupies much of the left foreground and more than half the image height. Its toe rises toward the upper-left area. Its heel approaches the lower-left area. The shoe nearly touches the left border, with minimal empty space around its silhouette. Her left shoe appears in the lower-center foreground. It remains farther from the lens, approximately two-thirds the apparent length of the nearest shoe. Both soles are clearly visible at different depths. Her right leg extends farther toward the camera. Her left knee remains slightly more bent. The legs form a natural staggered feet-first pose. The nearest shoe overlaps much of its own shin. The lower legs recede steeply toward the knees and pelvis. The depth sequence is clear: foreground soles, receding legs, airborne hips, torso and face. The shoes retain natural proportions within this exaggerated perspective. Her face occupies the upper center-right, clearly visible above the foreground footwear. Her head remains large enough for her blue eyes and expression to read. Her shoulders and flowing hair fill the upper frame. Her face and both soles form a strong triangular composition. Behind her hips, both palms remain firmly planted on the departure parapet's horizontal cap. The right hand is visible beside her hip at image-left. The left hand is visible beside her other hip at image-right. Concrete extends directly beneath each complete palm. Her palm heels and spread fingers press against the top surface. Small contact shadows join the hands to the concrete. Her wrists and nearly straight supporting arms carry her body above the wall. Her pelvis has passed the camera-facing edge of the parapet. A narrow visible gap separates her seat from the wall. Her legs lead toward the receiving rooftop while her arms finish the forward push. She looks toward the nearby camera and the landing route beyond it, with a composed, confident smile. Her shoulders remain lifted and her chin angles slightly downward. Her long black hair fans backward in sweeping strands. Her open jacket flares behind her torso, revealing vivid cobalt-blue lining. Hair and fabric trail toward the departure rooftop. The receiving rooftop enters along the bottom edge. Its horizontal concrete top is visible beneath and between the shoes. The landing floor broadens toward the viewer and continues underneath the camera. Both shoes project above this receiving surface. The receiving roof edge remains below the shoes, leaving both tread patterns unobstructed. A short separation between the two rooftops is visible behind the feet. Warm rim light outlines her hair, jacket and shoes. Soft frontal skylight illuminates her face and blue eyes. Reflected light brightens her white shirt and supporting forearms. Her dark clothing retains readable folds. The rubber tread receives enough soft light to show its texture. Layer 2 (Background - City Depth and Windblown Motion): The departure rooftop recedes behind her hands and shoulders. Ventilation units and rooftop seams establish her approach route. Building facades fall away along the far-right background. Tiny cars and repeated windows reveal the street several floors below. The street lies beside the crossing route, while the receiving roof remains directly beneath her advancing feet. The close camera tracks backward over the receiving rooftop. Foreground concrete texture sweeps toward the lower corners. Nearby pipes and facade edges stretch into directional motion streaks. Distant architecture retains recognizable forms with shorter trails. A passing gust lifts a few dry leaves from the roof. Two tiny leaves tumble above the departure rooftop in the distance. One curled golden-brown leaf crosses the open space near the right border, below the level of her supporting hand. Its tilted surface catches a brief warm highlight. A short diagonal motion smear follows its tumbling movement. One much nearer leaf sweeps past the lens at the extreme lower-right corner. It appears several times larger than the distant leaves. Part of it extends beyond the frame. Its curled silhouette is strongly defocused and stretched diagonally toward the lower-right edge by motion blur. This foreground leaf passes over peripheral floor texture, leaving the central landing route clearly visible. The leaves occupy separate depths and uneven positions. Their apparent sizes and blur increase toward the lens. The nearest leaf creates a brief impression of something flashing past the tracking camera. Ruri's face, foreground tread patterns and supporting hands remain sharp. The concrete immediately beneath each palm stays clearly resolved. The receiving roof edge remains readable through the peripheral blur. The leaves leave her face, both soles and both hand contacts unobstructed. (Direction): landscape 4:3, sole-dominant frontal action composition, extreme close camera distance to the leading shoe, strong wide-angle foreshortening, nearest sole filling much of the left foreground, second sole smaller and farther back at lower center, visible difference in foot depth, face in the upper center-right, tight framing and minimal empty sky, slight clockwise camera roll, both palms firmly contacting the departure parapet, airborne pelvis beyond the wall, feet leading toward the lens, receiving rooftop visible beneath the shoes, open landing floor continuing under the camera, a few windblown golden-brown leaves, tiny distant leaves and one large blurred foreground leaf, strong diagonal motion smear at the extreme lower-right corner, clear face, soles, hand contacts and landing route, bright character exposure, warm rim light and soft frontal fill, sharp face, rubber tread and hand contacts, flowing hair and trailing blue jacket lining, directional peripheral motion blur, one clean character silhouette, plain unprinted clothing.
- Mode
- pro
- Size
- 1152 x 864
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Model & LoRA used
Similar Images
Show moregm
1girl, solo, young adult woman, standing on rooftop edge, extreme worm's-eye view, looking down at viewer, confident smile, slightly amused expression, amber eyes, windblown bangs, long dark purple hair, flowing hair, hair blown back, sunset, orange light, dark navy jacket, light gray shirt, loose black trousers, white sneakers, silver necklace, minimalist earrings, thin bracelet, lavender nails, hand in pocket, holding jacket edge, wind, one foot forward, enormous sky, brilliant orange horizon, deep violet sky, cobalt blue sky, massive clouds, illuminated clouds, distant skyscrapers, tall buildings, floating particles, falling leaves, wide-angle lens, cinematic composition, golden backlighting, violet ambient light, rim lighting, lens flare, depth of field, detailed anime eyes, natural skin shading, realistic fabric folds, polished cinematic rendering, masterpiece, ultra detailed, expansive, powerful atmosphere
Gooner Miracle
gm
1girl, solo, young adult woman, standing on rooftop edge, extreme worm's-eye view, looking down at viewer, confident smile, slightly amused expression, amber eyes, windblown bangs, long dark purple hair, flowing hair, hair blown back, sunset, orange light, dark navy jacket, light gray shirt, loose black trousers, white sneakers, silver necklace, minimalist earrings, thin bracelet, lavender nails, hand in pocket, holding jacket edge, wind, one foot forward, enormous sky, brilliant orange horizon, deep violet sky, cobalt blue sky, massive clouds, illuminated clouds, distant skyscrapers, tall buildings, floating particles, falling leaves, wide-angle lens, cinematic composition, golden backlighting, violet ambient light, rim lighting, lens flare, depth of field, detailed anime eyes, natural skin shading, realistic fabric folds, polished cinematic rendering, masterpiece, ultra detailed, expansive, powerful atmosphere
Gooner Miracle
gm
1girl, solo, young adult woman, standing on rooftop edge, extreme worm's-eye view, looking down at viewer, confident smile, slightly amused expression, amber eyes, windblown bangs, long dark purple hair, flowing hair, hair blown back, sunset, orange light, dark navy jacket, light gray shirt, loose black trousers, white sneakers, silver necklace, minimalist earrings, thin bracelet, lavender nails, hand in pocket, holding jacket edge, wind, one foot forward, enormous sky, brilliant orange horizon, deep violet sky, cobalt blue sky, massive clouds, illuminated clouds, distant skyscrapers, tall buildings, floating particles, falling leaves, wide-angle lens, cinematic composition, golden backlighting, violet ambient light, rim lighting, lens flare, depth of field, detailed anime eyes, natural skin shading, realistic fabric folds, polished cinematic rendering, masterpiece, ultra detailed, expansive, powerful atmosphere
Gooner Miracle
Rooftop Run / Kohaku
林敏明 / Toshiaki Hayashi
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