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Show moreCreate an image of the woman in the first reference image, except change her outfit to being more like a causal style, Blouse, skirt , sandals. Change her hair color to be a more golden blonde, give her a long side ponytail. White background, Casual pose. Perfect image quality. Highly detailed. High resolution. Anime screen cap.
AI-san
Create an image of the woman in the first reference image, except change her outfit to being more like a causal style, Blouse, skirt , sandals. Change her hair to be the little more similar to the 2nd reference image. White background, Casual pose. Perfect image quality. Highly detailed. High resolution. Anime screen cap.
AI-san
グ
こしたん
グレイテストアシッド
character: shiina_mahiru_(otonari_no_tenshi-sama), copyright: otonari_no_tenshi-sama_ni_itsu_no_mani_ka_dame_ningen_ni_sarete_ita_ken
1girl, solo, shiina mahiru, long hair, very long hair, straight hair, blonde hair, flaxen hair, golden hair, long straight bangs, amber eyes, yellow eyes, gradient iris, detailed eyes, eye highlights, gentle smile, closed mouth, large breasts, standing, three-quarter view, angled from front, full body, empty hands, bare hands, holding nothing, arms relaxed at sides, summer school uniform, short sleeves, white shirt, button-up shirt, collared shirt, red ribbon, ribbon tie, brown plaid skirt, pleated skirt, miniskirt, white knee-high socks, dark brown shoes, mary janes, feet, feet visible, from below, plain white background, simple background, no text, no logo, no watermark, clean lineart, official anime screenshot, soft even lighting
The camera sits low and slightly in front of her, tilted up just enough that she reads tall and luminous — a full-body three-quarter view with her body turned about thirty degrees toward the viewer's right, her face turned back toward the lens so both amber eyes are catchable. She stands with her weight settled on her left leg, right knee bent and right toe set a touch forward, hips slung a little off-level; her shoulders follow the same asymmetry, the left one lower. Both arms hang loose and entirely empty at her sides, fingers relaxed and slightly apart, palms turned in toward her thighs, nothing held and nothing closed around anything — the bare hands read clean against the white of the shirt cuffs. Her chin lifts a fraction, eyes meeting the viewer with a faint, warm closed-lip smile, the corners of her mouth lifted just enough to soften the line, lashes lowered a hair at the outer ends.
Her long flaxen-golden hair is perfectly straight, falling past her waist in one heavy undisturbed mass, the long straight bangs cut blunt just above her brows, a couple of fine strands of the side locks hanging free beside her jaw; the strands nearest her shoulders lift and separate very slightly, as if an idle indoor draft moved through them. The short-sleeved white button-up is buttoned to the throat but open at the collar, collar points flat, the red ribbon tie knotted snugly at the center and hanging straight down in two short tails; the sleeve hems end mid-upper-arm and the fabric pulls a little across her chest because of the fullness beneath it, with soft tension folds running from the buttons out toward the armscyes and a slight gap opening between two buttons under the bust. The brown plaid pleated miniskirt sits high on her waist, its pleats falling in even creased blades that open a shallow bell at the hem where the skirt swings a touch toward her bent right knee, the plain brown-and-tan tartan running true to the pleats' folds. White knee-high socks hug her calves and stop just below the knee in a straight band, and dark brown Mary Jane shoes enclose her feet with a single strap across the instep and a rounded toe — both feet fully in frame and clearly visible, the toes angled slightly apart.
The light is soft and even, a broad studio diffusion from just above and in front, so it lays a gentle gradient down each iris — bright amber-gold at the lower edge of the pupil darkening to deeper honey at the outer rim — puts a single crisp pinpoint highlight in each eye, and leaves only the faintest soft shadow under her chin and beneath the skirt hem onto her thighs. Everything else is a completely empty, seamless white field with no horizon, no floor line, no props and no lettering of any kind anywhere in the frame. Clean thin lineart, flat-to-gradient cel shading, official-illustration digital finish; calm, luminous, effortlessly graceful.
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