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AI art "DEFCON1" featuring #Ahoge, #Cloud, #Girl, #Backlighting, #Crying and #Cloudy sky
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DEFCON1

真夜中を超えた

#Ahoge#Cloud#Girl#Backlighting#Crying#Cloudy sky
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Anime screencap, (Anime coloring:1.5), source_anime, Anime screencap,(Anime coloring:1.5),source_anime, Tokyo turned into scorched earth. A girl with a sad expression. In the background, a dull-colored sky spreads out, and ash and black liquid are falling from the sky. The Tokyo Tower in the background is collapsed from the middle upward.
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Original Prompt
Anime screencap,(Anime coloring:1.5),source_anime, 焦土と化した東京 悲しげな表情を浮かべる少女。 背後には鈍色の空が広がり、灰と黒い液体が空から降っている 背後の東京タワーは真ん中から上が崩れ落ちている。
Mode
pro
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
Avatar image of Madam Yæyeín
solo, 1girl, dark brown hair, bobcut, blunt bangs, hime bangs, green eyes, shadow on face, semi-transparent hair, golden cross-shaped markings on face, glitch effect, radio wave effect, green filter, translucent body, invisible body, from below, dutch angle, cowboy shot, looking to the side, expressionless, Tokyo Tower, night, cityscape, chromatic aberration, scan lines, dark palette Seen from a low dutch-angle cowboy shot, the girl stands alone in the foreground, her body tilted slightly off the vertical as the frame leans; her chin is lifted, and her green eyes look up past the lens toward the upper-left, past the tower. A single cold source, a pale sodium-green city glow, strikes the left side of her face so that a hard shadow cuts across the right cheek and jaw; the golden cross-shaped markings on her face catch that light, one horizontal line running across the bridge of her nose and one vertical line descending from her forehead through it, crossing at the center. Her dark brown bobcut with blunt bangs and hime bangs frames her face, the hair rendered semi-transparent — the tower's lattice and the layered city lights read dimly through the strands at the crown and tips, fraying at the edges into bands of horizontal glitch. Most of her body below the shoulders is semi-transparent and displaced: the Tokyo Tower behind her shows through her torso and arms, split into offset color-channel slabs of red and cyan that slide a few pixels out of alignment, the silhouette breaking into scan lines and stepped digital blocks at the hips and knees, though her outline stays legible. Her hands hang at her sides, fingers slightly apart and half-dissolved into static. Behind her the tower rises, its orange-lit lattice and white bands stark against a deep indigo night sky, the city lights below reduced to a scattered field of bokeh. The whole image is washed under a heavy, transparent green filter that veils the scene in cool colorlessness, desaturating everything but the cross on her face and the tower's warm glow, which push through faintly; the green is densest at the corners and thins over her eyes. Radio-wave interference ripples through the frame in concentric arcs radiating from her, as if her body is the broadcast source, and the composition holds an eerie, weightless unease.
Madam Yæyeín

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