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AI art "物語はいつだって人がいる"
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物語はいつだって人がいる

Avatar image of ちみ

ちみ

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beautiful light, best shadow, color blink, p1xel, semi-realistic anime illustration, pixelated anti-aliased edges, crayon-textured linework, parallel hair hatching, high-contrast eye detail, flat overexposed skin, loose gestural marks, scattered sparkle bloom, muted palette with vivid chromatic pop, painterly style, thick oil paint texture, impasto, soft ambient lighting, cinematic atmospheric perspective, layered brushstrokes, sketch-like quality, visible texture, expressive brushwork, rough textures, stylized forms, artistic brushstrokes, textured, masterpiece, best quality, ultra-high resolution, extremely detailed description, semi-realistic anime style illustration, painterly digital rendering, soft textured brush touches, warm cinematic tones, soft film grain, cinematic composition. Soft aerial perspective, a world shining in refreshing light. An atmosphere announcing the start of a beautiful day. First-person perspective, trying to read a book spread on the floor. Hands are placed on the edge of the open book. Wood grain floor. Cozy aesthetic, beautiful colors, lighting effects, dramatic shadows, detailed textures, cinematic lighting, high dynamic range, soft light bloom, golden hour, masterpiece.
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Original Prompt
傑作、最高品質、超高解像度、極めて緻密な描写、セミリアルなアニメ調イラスト、絵画的なデジタルレンダリング、柔らかな質感のブラシタッチ、暖かい映画的な色調、柔らかなフィルムグレイン、シネマティック構図。柔らかな空気遠近法、清々しい光に輝く世界。美しい一日の始まりを告げる空気感。一人称視点、床に本を広げて読もうとしている。手は開いた本の端に置いてある。木目の床。居心地の良い美学、美しい色彩、光の演出、ドラマチックな陰影、緻密なディテール、映画的な照明、ハイダイナミックレンジ、柔らかな光の滲み（ブルーム）、ゴールデンアワー、傑作。
Mode
standard
Size
1280 x 960

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
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