Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "鶏に乗った狸"
Generate for Free

鶏に乗った狸

Avatar image of ぽん桔

ぽん桔

More to See

Comments

Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
Hidden by author
Style: Watercolor Glow
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.45k

Similar Images

Show more
AI artwork
character: kagamine_len 2girls, no humans, catboy, 1boy, 1chicken, kagamine len, blonde short hair, blue eyes, cat ears, cat tail, green plaid shirt, long sleeves rolled to the elbow, brown vest, hunter outfit, leather belt, dark trousers, boots, mid-air jump, jumping, over small forest stream, chasing a chicken, chicken hopping on stones, water splashing, splash droplets frozen mid-air, expressive cat ears pinned back, tail streaming straight out behind, wide shot, dynamic perspective, foreshortening, from above and behind, tilted horizon, dutch angle, forest setting, mossy stones, ferns, dappled sunlight, vibrant colors, high saturation The camera looks down and slightly behind the boy from a raised bank: he is caught at the top of his leap in the left-forward third of the frame, body stretched in a long diagonal from his trailing toes to his outstretched leading hand, both arms reaching low and forward after the bird. His torso twists away from the lens so we see the back of his brown vest and the crossed plaid of the shirt across his shoulders, one sleeve rolled to the elbow, the other falling loose with the jump. His knees are drawn up unevenly -- the lead leg folded, the trailing leg kicked out behind with the boot flexed -- and his weight is nowhere on the ground: the leap carries him clear over the stream on a single continuous arc, so nothing touches down. His cat ears are flattened back against his hair from the speed of the rush, and his long tail streams straight out behind him, hooked at the tip, both reading the momentum in their angle. Ahead of him and lower, the chicken is already in the air between two mossy stepping stones, wings half-spread and neck craned forward, its feet gathered beneath it in the middle of a hop, its shadow shrinking on the wet stone it just left. The bird's left eye is fixed straight down the line of its escape; the boy's face is turned after it in the same direction, jaw open in a breathless shout, one blue eye wide and one narrowed, mouth an eager open curve of a chase rather than a smile at the lens. Neither looks at the viewer -- the whole picture runs along one axis, from the boy's splashing take-off point to the bird's landing stone, and the composition's leading line is that axis. His take-off has just broken the water: the stream is a narrow ribbon of shallow clear water over pebbles, and a crown of droplets and a shivered ripple ring the rock he launched from, one wet bootprint dark on its moss. The splash fans up and forward in the direction of travel, and the droplets hang in the air between his trailing boot and the stone, catching small bright points of sun. Ferns and thin trunks line both banks; the midground is a wall of green shade softened by haze, and the brightest patch of sky breaks through the canopy at the top right, where the boy's silhouette cuts across it. Light comes from that upper-right gap in the canopy, low and warm: it rims the boy's blond hair, the flattened tips of his cat ears and the edge of his tail with a bright line, picks out the individual threads of the green plaid across his back and the worn nap of the brown vest, and leaves his chest and the underside of his leap in cool green shadow bounced up from the ferns. The chicken's white-and-russet feathers flare where the same light hits them; the stream throws broken highlights and a faint moving caustic net onto the wet stones. Palette is saturated and clean -- forest greens and moss, the green and brown of his clothes, deep blue water, his blond hair and blue eyes as the warm accents, with the chicken's pale plumage as the small bright spark that pulls the eye forward through the frame. Energetic, sunlit.
user-1828086599499188539
#zetaCollab
AI artwork
character: kagamine_len 2girls, no humans, catboy, 1boy, 1chicken, kagamine len, blonde short hair, blue eyes, cat ears, cat tail, green plaid shirt, long sleeves rolled to the elbow, brown vest, hunter outfit, leather belt, dark trousers, boots, mid-air jump, jumping, over small forest stream, chasing a chicken, chicken hopping on stones, water splashing, splash droplets frozen mid-air, expressive cat ears pinned back, tail streaming straight out behind, wide shot, dynamic perspective, foreshortening, from above and behind, tilted horizon, dutch angle, forest setting, mossy stones, ferns, dappled sunlight, vibrant colors, high saturation The camera looks down and slightly behind the boy from a raised bank: he is caught at the top of his leap in the left-forward third of the frame, body stretched in a long diagonal from his trailing toes to his outstretched leading hand, both arms reaching low and forward after the bird. His torso twists away from the lens so we see the back of his brown vest and the crossed plaid of the shirt across his shoulders, one sleeve rolled to the elbow, the other falling loose with the jump. His knees are drawn up unevenly -- the lead leg folded, the trailing leg kicked out behind with the boot flexed -- and his weight is nowhere on the ground: the leap carries him clear over the stream on a single continuous arc, so nothing touches down. His cat ears are flattened back against his hair from the speed of the rush, and his long tail streams straight out behind him, hooked at the tip, both reading the momentum in their angle. Ahead of him and lower, the chicken is already in the air between two mossy stepping stones, wings half-spread and neck craned forward, its feet gathered beneath it in the middle of a hop, its shadow shrinking on the wet stone it just left. The bird's left eye is fixed straight down the line of its escape; the boy's face is turned after it in the same direction, jaw open in a breathless shout, one blue eye wide and one narrowed, mouth an eager open curve of a chase rather than a smile at the lens. Neither looks at the viewer -- the whole picture runs along one axis, from the boy's splashing take-off point to the bird's landing stone, and the composition's leading line is that axis. His take-off has just broken the water: the stream is a narrow ribbon of shallow clear water over pebbles, and a crown of droplets and a shivered ripple ring the rock he launched from, one wet bootprint dark on its moss. The splash fans up and forward in the direction of travel, and the droplets hang in the air between his trailing boot and the stone, catching small bright points of sun. Ferns and thin trunks line both banks; the midground is a wall of green shade softened by haze, and the brightest patch of sky breaks through the canopy at the top right, where the boy's silhouette cuts across it. Light comes from that upper-right gap in the canopy, low and warm: it rims the boy's blond hair, the flattened tips of his cat ears and the edge of his tail with a bright line, picks out the individual threads of the green plaid across his back and the worn nap of the brown vest, and leaves his chest and the underside of his leap in cool green shadow bounced up from the ferns. The chicken's white-and-russet feathers flare where the same light hits them; the stream throws broken highlights and a faint moving caustic net onto the wet stones. Palette is saturated and clean -- forest greens and moss, the green and brown of his clothes, deep blue water, his blond hair and blue eyes as the warm accents, with the chicken's pale plumage as the small bright spark that pulls the eye forward through the frame. Energetic, sunlit.
user-1828086599499188539
#zetaCollab

Explore more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
11#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
4#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile