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- Original Prompt
- 赤い背景、ライトの当たる、背景に小物はひとつも無い、周辺減光、長い白髪のウルフカット、三つ編みを編み込んでいる、片目を隠す長く柔らかい前髪、赤い瞳、細めたつり目、笑顔、ギザギザの歯、一人の青年、白い肌、ハイライトの無い瞳、白いワイシャツに白のベストに赤い蝶ネクタイに白のスーツ、黒の手袋、高品質、高画質、立っている、ダイナミックな構図、うさぎの耳の形をしたカチューシャ、インパクトのある光のエフェクト、口に片手の人差し指を当てる手もう片方の手は下ろしていてナイフを握っている、見下ろし覗き込んでくる目、足を組む、ローアングル、下からのアングル、前後感のあるエフェクト、光る瞳に収束するエフェクト、赤のインクの飛び散りが頬に着いている、周辺減光、黒い背景にキャラクターの周りは光る、華やかな、綺麗な塗り、コントラストが強い、色彩が鮮やか、色が強い塗り、影がハッキリしている、cel shading, best quality, textured hair、beautiful light, best shadow, color blink
- Mode
- pro
- Size
- 960 x 1280
- Negative
- worst quality, photorealistic, bad anatomy, blur, low resolution
Model & LoRA used
Similar Images
Show more配
Ი𐑼.*˚
配信用X
man, white hair, boyish wolf cut, white eyelashes, red eyes, rabbit ears and tail, circus-style white, grey and silver outfit, white hat with white feathers.
Background red.
glossy shading, vivid colors, soft gradients, flat shading, soft gradient, clean lineart
るなさん
cutie style, cute face, soft ennui, downer aesthetic, soft half style, simple texture, heavy paint style, androgynous face, male character, white rabbit beastman with white rabbit ears and tail, white hair, red eyes, lean muscular build, host bar outfit in white and red.
꼼아
cutie style, cute face, soft ennui, downer aesthetic, soft half style, simple texture, heavy paint style, androgynous face, male character, white rabbit beastman with white rabbit ears and tail, white hair, red eyes, lean muscular build, host bar outfit in white and red.
꼼아
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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