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スク水ペリカ
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- Original Prompt
- masterpiece,best quality,highly detailed,detailed illustration,sharp focus,clean lineart,beautiful composition,minimalistic anime illustration,clean line art,flat colors,simple shading,expressive faces,playful atmosphere,sketchy minimalist anime style,sketch,flat color,soft skin,sketch lines, ペリカ(アークナイツ:エンドフィールド)がスクール水着を着用して立っている。 スクール水着は白色の旧型で、Uネックである。 胸の部分には白色で長方形の横長のワッペンがあり、その中には黒字で大きく太く「ぺりか」という３文字が書かれている。 背景は真っ白で、何も描かれていない。 ペリカは恥ずかしそうな表情をしながらこちらを見ていて、顔を赤らめている。 両手を後ろで組んでいて、足は閉じている。 胸は大きめである。
- Mode
- flash
- Size
- 1056 x 1888
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Kno
すき
Change the outfit of the character in image1 to a swimsuit and increase her breast size, replacing her frilly blue and black dress. Keep her white hair, cat ears, blue eyes, blushing expression, kneeling pose with clasped hands, and the white background unchanged. The rest of the image remains the same as the input image1.
overlay text: The words 'ご…ご主人様がこっち見てる…' are written inside the blue thought bubble on the left. The words 'ドキドキ…' are written below the thought bubble.
すき
Kno
s
saku
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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