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AI art "墜落凡間的天使" featuring #solo, #Wings, #Girl and #Tsubaki.3
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墜落凡間的天使

這張作品捕捉了天使俯首跪地的瞬間，那種在幽暗光影中展現的脆弱與神聖感深深吸引著我。看著那雙潔白的羽翼，總讓我感受到一種安靜卻強大的力量。如果你也喜歡這種唯美氛圍，請幫我點個讚並關注我，也歡迎在評論區分享你的想法喔！

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#solo#Wings#Girl
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character: hatsune_miku_(aile_d'ange) A high-angle bird's-eye view photograph looking almost straight down at an anime girl kneeling collapsed on a bare, dark stone or concrete floor in a vast empty dark space. She is crumpled forward with her body curled inward, her knees folded beneath her and her torso bowed down, her face hidden and turned away from the camera. She has lilac hair falling loosely around her head and shoulders. She wears a long flowing dark blue dress or robe that pools around her body on the floor, the fabric spreading outward in soft folds and creases like spilled liquid. From her back extend a pair of large white feathered angel wings — real, physical, three-dimensional wings with layered flight feathers and soft downy coverts. The wings are partially spread open to either side, not fully extended but splayed out in a pose of exhaustion or surrender, as if she collapsed mid-flight and the wings simply fell where they landed. The feathers are detailed and volumetric — individual primary feathers fan out at the wing tips while the inner wing shows denser layered plumage. The wings glow with an almost ethereal luminosity where the light catches them, the white feathers appearing to emit a soft radiance against the surrounding darkness. A single shaft of moonlight enters from the upper right of the frame, pouring down through what appears to be a tall unseen window high above. This beam of light cuts through the darkness at a steep diagonal angle and falls directly onto the figure and the floor immediately around her, creating a geometric patch of illumination — the window frame's mullions cast sharp-edged shadow lines across the lit area, projecting a cross-like or grid pattern of light and shadow onto the stone floor and across her sliver dress and white wings. The light has a cold, pale white quality, almost moonlight-like, giving the entire lit area an otherworldly icy glow. Where the light strikes the wing feathers, they bloom into bright luminous white-blue, almost overexposed. Where the wings and dress fall outside the light beam, they quickly fade into the surrounding darkness. Everything outside this single shaft of light is near-total blackness — the floor, the walls, the space around her dissolves into deep black void. The upper right corner of the frame shows a faint glimpse of the light source — perhaps the bottom edge of a high window or skylight, with what might be white curtain fabric barely visible. The overall color palette is extremely limited — essentially monochromatic with a strong cool blue-green-teal color cast over everything, as if shot on expired or cross-processed film stock. The blacks have a slightly greenish-teal undertone rather than pure neutral black. The whites of the dress and wings lean blue-cyan rather than warm. A subtle film grain texture covers the entire image, adding an analog photographic quality — the grain is visible in the dark areas as noisy texture and in the highlights as fine organic particulate. The edges of the image are slightly soft with a vignette-like falloff, enhancing the tunnel-vision focus on the illuminated figure. The composition places the girl slightly off-center in the lower-left portion of the frame, with the diagonal light beam creating a dynamic slash across the image from upper-right toward lower-left. The vast surrounding darkness emphasizes her isolation and smallness. The mood is profoundly melancholic, sacred, and haunting — a fallen angel who has come to rest on cold stone in an empty cathedral-like space, bathed in one last beam of indifferent light, wings spread in quiet defeat. The scene carries the weight of religious iconography — part Baroque painting, part contemporary photography — evoking the still, heavy silence after a fall from grace.
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Original Prompt
A high-angle bird's-eye view photograph looking almost straight down at an anime girl kneeling collapsed on a bare, dark stone or concrete floor in a vast empty dark space. She is crumpled forward with her body curled inward, her knees folded beneath her and her torso bowed down, her face hidden and turned away from the camera. She has lilac hair falling loosely around her head and shoulders. She wears a long flowing dark blue dress or robe that pools around her body on the floor, the fabric spreading outward in soft folds and creases like spilled liquid. From her back extend a pair of large white feathered angel wings — real, physical, three-dimensional wings with layered flight feathers and soft downy coverts. The wings are partially spread open to either side, not fully extended but splayed out in a pose of exhaustion or surrender, as if she collapsed mid-flight and the wings simply fell where they landed. The feathers are detailed and volumetric — individual primary feathers fan out at the wing tips while the inner wing shows denser layered plumage. The wings glow with an almost ethereal luminosity where the light catches them, the white feathers appearing to emit a soft radiance against the surrounding darkness. A single shaft of moonlight enters from the upper right of the frame, pouring down through what appears to be a tall unseen window high above. This beam of light cuts through the darkness at a steep diagonal angle and falls directly onto the figure and the floor immediately around her, creating a geometric patch of illumination — the window frame's mullions cast sharp-edged shadow lines across the lit area, projecting a cross-like or grid pattern of light and shadow onto the stone floor and across her sliver dress and white wings. The light has a cold, pale white quality, almost moonlight-like, giving the entire lit area an otherworldly icy glow. Where the light strikes the wing feathers, they bloom into bright luminous white-blue, almost overexposed. Where the wings and dress fall outside the light beam, they quickly fade into the surrounding darkness. Everything outside this single shaft of light is near-total blackness — the floor, the walls, the space around her dissolves into deep black void. The upper right corner of the frame shows a faint glimpse of the light source — perhaps the bottom edge of a high window or skylight, with what might be white curtain fabric barely visible. The overall color palette is extremely limited — essentially monochromatic with a strong cool blue-green-teal color cast over everything, as if shot on expired or cross-processed film stock. The blacks have a slightly greenish-teal undertone rather than pure neutral black. The whites of the dress and wings lean blue-cyan rather than warm. A subtle film grain texture covers the entire image, adding an analog photographic quality — the grain is visible in the dark areas as noisy texture and in the highlights as fine organic particulate. The edges of the image are slightly soft with a vignette-like falloff, enhancing the tunnel-vision focus on the illuminated figure. The composition places the girl slightly off-center in the lower-left portion of the frame, with the diagonal light beam creating a dynamic slash across the image from upper-right toward lower-left. The vast surrounding darkness emphasizes her isolation and smallness. The mood is profoundly melancholic, sacred, and haunting — a fallen angel who has come to rest on cold stone in an empty cathedral-like space, bathed in one last beam of indifferent light, wings spread in quiet defeat. The scene carries the weight of religious iconography — part Baroque painting, part contemporary photography — evoking the still, heavy silence after a fall from grace.
Mode
pro
Quality Tag
﹝Prompts﹞
Size
2048 x 2048
Seed
465589835113126
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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ん？
A high-angle bird's-eye view photograph looking almost straight down at an anime girl kneeling collapsed on a bare, dark stone or concrete floor in a vast empty dark space. She is crumpled forward with her body curled inward, her knees folded beneath her and her torso bowed down, her face hidden and turned away from the camera. She has dark hair falling loosely around her head and shoulders. She wears a long flowing white dress or robe that pools around her body on the floor, the fabric spreading outward in soft folds and creases like spilled liquid. From her back extend a pair of large white feathered angel wings — real, physical, three-dimensional wings with layered flight feathers and soft downy coverts. The wings are partially spread open to either side, not fully extended but splayed out in a pose of exhaustion or surrender, as if she collapsed mid-flight and the wings simply fell where they landed. The feathers are detailed and volumetric — individual primary feathers fan out at the wing tips while the inner wing shows denser layered plumage. The wings glow with an almost ethereal luminosity where the light catches them, the white feathers appearing to emit a soft radiance against the surrounding darkness. A single shaft of cold light enters from the upper right of the frame, pouring down through what appears to be a tall unseen window high above. This beam of light cuts through the darkness at a steep diagonal angle and falls directly onto the figure and the floor immediately around her, creating a geometric patch of illumination — the window frame's mullions cast sharp-edged shadow lines across the lit area, projecting a cross-like or grid pattern of light and shadow onto the stone floor and across her white dress and wings. The light has a cold, pale blue-teal quality, almost moonlight-like, giving the entire lit area an otherworldly icy glow. Where the light strikes the wing feathers, they bloom into bright luminous white-blue, almost overexposed. Where the wings and dress fall outside the light beam, they quickly fade into the surrounding darkness. Everything outside this single shaft of light is near-total blackness — the floor, the walls, the space around her dissolves into deep black void. The upper right corner of the frame shows a faint glimpse of the light source — perhaps the bottom edge of a high window or skylight, with what might be white curtain fabric barely visible. The overall color palette is extremely limited — essentially monochromatic with a strong cool blue-green-teal color cast over everything, as if shot on expired or cross-processed film stock. The blacks have a slightly greenish-teal undertone rather than pure neutral black. The whites of the dress and wings lean blue-cyan rather than warm. A subtle film grain texture covers the entire image, adding an analog photographic quality — the grain is visible in the dark areas as noisy texture and in the highlights as fine organic particulate. The edges of the image are slightly soft with a vignette-like falloff, enhancing the tunnel-vision focus on the illuminated figure. The composition places the girl slightly off-center in the lower-left portion of the frame, with the diagonal light beam creating a dynamic slash across the image from upper-right toward lower-left. The vast surrounding darkness emphasizes her isolation and smallness. The mood is profoundly melancholic, sacred, and haunting — a fallen angel who has come to rest on cold stone in an empty cathedral-like space, bathed in one last beam of indifferent light, wings spread in quiet defeat. The scene carries the weight of religious iconography — part Baroque painting, part contemporary photography — evoking the still, heavy silence after a fall from grace.
ん？
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beautiful light, best shadow, color blink, painterly style, thick oil paint texture, impasto, soft ambient lighting, cinematic atmospheric perspective, layered brushstrokes, sketch-like quality, visible texture, expressive brushwork, rough textures, stylized forms, artistic brushstrokes, textured One woman, white hair, wearing a flowing white dress, large majestic wings, sitting on the ground, clutching her chest, sorrowful and fragile expression, side view, black background, divine light shining down from above, dramatic lighting, glowing particles, strong contrast, ethereal atmosphere, angelic presence, cinematic composition, highly detailed, fantasy art, masterpiece, high quality
私の名前はペンです

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