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AI art "アイリス"
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アイリス

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IrisBW, 1girl, solo, dark-skinned female, dark skin, brown eyes, long hair, big hair, two side up, purple hair, two side up, low-tied long hair, yellow shirt, long sleeves, pink skirt, waist bow, white leggings, on bed sheets, IrisBW, 1girl, solo, dark-skinned female, dark skin, brown eyes, long hair, big hair, two side up, purple hair, two side up, low-tied long hair, yellow shirt, long sleeves, pink skirt, waist bow, white leggings
Show Parameters
Original Prompt
IrisBW, 1girl, solo, dark-skinned female, dark skin, brown eyes, long hair, big hair, two side up, purple hair, two side up, low-tied long hair, yellow shirt, long sleeves, pink skirt, waist bow, white leggings, シーツの上,
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Model & LoRA used

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character: nessa_(pokemon) 1girl, dakimakura (medium) design, two-sided pillow cover layout, two full-length views of the same woman, front view on the left half, back view on the right half, seam splitting the two halves, single continuous printed fabric, solo, long_hair, black_hair, blue_hair, two-tone_hair, hair_bun, single_hair_bun, blue_eyes, dark_skin, dark-skinned_female, hoop_earrings, smile, half-closed eyes, looking at viewer in the front view, looking back over shoulder in the back view, lying, on side in the back view, arms up behind head in the front view, hand on hip in the back view, casual athletic loungewear, black sports crop top, teal high-waisted shorts, single glove on the right hand, bare left hand, armlet, full body, feet to head within frame, bedsheet backdrop, studio flat print, character sheet composition, symmetrical halves, clean lineart, cel shading, soft printed colour A flat, printed body-pillow cover shown straight-on, edge to edge, the surface divided down the middle by a vertical seam: the left half holds the front view, the right half the back view, and both views belong to the same dark-skinned woman with a long two-tone mane — black hair sweeping through a blue lower half — gathered into a single high bun on the crown, with loose strands falling past her shoulders. On the left, she lies on her back across the sheet field, head near the top of the half, one arm folded up behind her head and her weight settled into the mattress so the pillowcase fabric creases under her shoulder; her blue eyes look directly out of the print at the viewer and her mouth curves in an easy, confident smile. Hoop earrings hang from both ears and swing slightly with the tilt of her chin. On the right, the same figure is turned fully away from the camera in a true back view: her spine and shoulder blades face the print, the bun sits high and her two-tone hair spills down her back and across the sheets, and her head is turned just enough in profile that a single blue eye and a sliver of cheek catch the light, that eye angled back toward the seam rather than at the viewer. Her right hand rests on her hip; a single glove covers that hand while the left runs bare, an armlet banding the upper arm. Both views wear the same close-fitting black crop top and high-waisted teal shorts, drawn in a crisp cel-shaded ink line with flat, evenly lit colour — the light is a diffuse printing-plate flatness with no directional source, and shadow only pools where the body compresses the bedding, a soft crescent under every shoulder, hip and heel. The palette is disciplined to black, teal, deep blue and the pale unbleached ground of the sheet, with warm skin as the only midtone; hair, glove and top hold the black, shorts and armlet hold the teal. The sheet fabric wrinkles radiate from the points where the body presses hardest, and along the central seam the printed image breaks and resumes a hair off register, so the two halves sit a millimetre out of true — a single mechanical imperfection that reads as a real pillow cover. Quietly composed, intimately commercial.
Rider 09 MK2 (Rider09)
AI artwork
r0
character: nessa_(pokemon) 1girl, dakimakura (medium) design, two-sided pillow cover layout, two full-length views of the same woman, front view on the left half, back view on the right half, seam splitting the two halves, single continuous printed fabric, solo, long_hair, black_hair, blue_hair, two-tone_hair, hair_bun, single_hair_bun, blue_eyes, dark_skin, dark-skinned_female, hoop_earrings, smile, half-closed eyes, looking at viewer in the front view, looking back over shoulder in the back view, lying, on side in the back view, arms up behind head in the front view, hand on hip in the back view, casual athletic loungewear, black sports crop top, teal high-waisted shorts, single glove on the right hand, bare left hand, armlet, full body, feet to head within frame, bedsheet backdrop, studio flat print, character sheet composition, symmetrical halves, clean lineart, cel shading, soft printed colour A flat, printed body-pillow cover shown straight-on, edge to edge, the surface divided down the middle by a vertical seam: the left half holds the front view, the right half the back view, and both views belong to the same dark-skinned woman with a long two-tone mane — black hair sweeping through a blue lower half — gathered into a single high bun on the crown, with loose strands falling past her shoulders. On the left, she lies on her back across the sheet field, head near the top of the half, one arm folded up behind her head and her weight settled into the mattress so the pillowcase fabric creases under her shoulder; her blue eyes look directly out of the print at the viewer and her mouth curves in an easy, confident smile. Hoop earrings hang from both ears and swing slightly with the tilt of her chin. On the right, the same figure is turned fully away from the camera in a true back view: her spine and shoulder blades face the print, the bun sits high and her two-tone hair spills down her back and across the sheets, and her head is turned just enough in profile that a single blue eye and a sliver of cheek catch the light, that eye angled back toward the seam rather than at the viewer. Her right hand rests on her hip; a single glove covers that hand while the left runs bare, an armlet banding the upper arm. Both views wear the same close-fitting black crop top and high-waisted teal shorts, drawn in a crisp cel-shaded ink line with flat, evenly lit colour — the light is a diffuse printing-plate flatness with no directional source, and shadow only pools where the body compresses the bedding, a soft crescent under every shoulder, hip and heel. The palette is disciplined to black, teal, deep blue and the pale unbleached ground of the sheet, with warm skin as the only midtone; hair, glove and top hold the black, shorts and armlet hold the teal. The sheet fabric wrinkles radiate from the points where the body presses hardest, and along the central seam the printed image breaks and resumes a hair off register, so the two halves sit a millimetre out of true — a single mechanical imperfection that reads as a real pillow cover. Quietly composed, intimately commercial.
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