📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

Experiment - Failed Outlaw Country comic

I had a thought that might make comic generation cheaper to create. Create images with multiple characters in them and, when using them as reference images, describe the order of characters within the one reference image. The idea here is to have an image with 2 to 3 characters in it and use it as a reference image instead of their respective 2 to three individual character reference images. In the case of this image, why pay the cost for five reference images when you can only pay the cost for two? It seemed like a good idea at first, and there was a good deal of success...but with every generation, there was always something off that made the image...unsatisfactory. Perhaps I'm being a perfectionist, but I believe in a certain degree of quality and that (I hope) is reflected in what I publish. What you see here is one of the funnier images that came out of this experiment. It captured everything I wanted...but each character's depiction is wrong! 🤣 My reaction is torn between "This is [INSERT KNOCKOFF BRAND NAME HERE] Outlaw Country" and "Hey, this scene has everyone's stunt doubles in it!" I have a good idea of how I want to go forward with the next part in the chapter Camp Life, but I'm posting this to show you part of the creative process (and to get the 1,000 credits. Every little bit helps).

#Cardigan#Denim#Dress#Child#Outdoors#Bow#Bald#Black hair#Jeans#Family#Nature#Necktie#3-koma#Formal wear#Parted bangs#Beard#Forest#Bow Tie#Facial Hair#Pants#Bag#Holding#Bush
More to See

Comments4

The people in Reference Image #1, going from left to right, are Addams, Mei-Lin, and Mirei. The people in Reference Image #2, going from left to right, are Akinori and Morris. Draw a three panel comic, featuring these characters. The top panel consists of everyone in both Reference Images facing and greeting one another along a dirt trail in a pine tree forest. The middle panel is an aerial shot that features everyone but Mei-Lin engaged in a pleasant conversation. Mei-Lin, however, is looking up at the viewer and is confused. The bottom panel is a copy of the middle panel, but everyone is looking up at the viewer and Mei-Lin is pointing at the viewer. There are no word bubbles in this comic.
Show Parameters
Size
512 x 512

Model & LoRA used

Similar Images

Show more
AI artwork
Avatar image of Darmani
character: okusawa_misaki Warm illustrated novel cover, slice-of-life family romance, clean anime style with soft painterly cel shading and delicate linework. A posed family photograph on the wide wooden veranda of a ranch-style manor home, white columns and warm clapboard walls behind them, golden late-afternoon light. Five people face the viewer directly, arranged like a proud portrait. In the center towers Tsutomu, a 29-year-old giant at 340 pounds, tall and enormously broad like a heavyweight wrestler, a gentle mountain of a man with a calm happy smile, warm brown eyes under strong sleek low-set eyebrows, his black hair neatly combed and gelled with a few stubborn spikes escaping at the crown, wearing a well-fitted sage-green button-down shirt that flatters his size. Beside him his wife Misaki, 29, short and curvy and soft with post-pregnancy fullness, chin-length auburn hair dulled from vivid red, careful observant eyes and a quietly content smile, small strong hands resting on the shoulder of their daughter, in a flattering wine-red midi dress. In front of them stands Reina, their 8-year-old daughter, small for her age with a vivid unruly mop of red hair she refuses to brush sticking out in every direction, her father's warm brown eyes, a gap-toothed grin, a bandage on one scraped knee, wearing a yellow sundress. On Tsutomu's left stands Tomoki, 27, a modest-height man with a round face and rounded head, black hair cropped close, a neat black mustache, the only one with facial hair, wearing a brown cardigan over a collared shirt, his smile a little shy but genuine. On Tsutomu's right stands Takuo, lean and dancer-built with messy dark green-black hair falling into bright sharp mischievous eyes, wearing an open-collar white shirt with rolled sleeves, his signature arm slung around Tsutomu's enormous shoulder, grinning like the photo was his idea. Full-figure group portrait, eye-level wide shot, everyone's faces clearly visible, warm golden-hour glow, cozy prosperity, tender comedy mood, cover composition with clean open sky space at the top.
Darmani
AI artwork
tz
Please imitate the image quality, direction, and techniques of modern cutting-edge animation. The quality is that of an animation produced for theatrical release. The shading, light, metal, sense of air, and the textures and expressions of cloth and wood are of first-class quality. The protagonist girl's face, hairstyle, body type, and costume must be completely consistent throughout the entire video. The protagonist girl must remain consistent from the beginning to the end of the video, ensuring that her face does not change, the number of people does not increase, and her seating position does not change. Please ensure that the person does not change. The location is inside a forest overflowing with nature, with a view of a lake at a travel destination. An autumn-clear, crisp, perfectly clear blue sky spreads across. Gentle waves are visible on the lake's surface, and a breeze is blowing enough to sway the trees. Autumn-colored leaves are fluttering in the wind and dancing in the air. It is a scene from the autumn sightseeing season. The protagonist of this video is a girl. She is wearing a cute backpack and is looking this way. The sound of the rustling wind can be heard. The girl smiles and waves her hand toward this side. It is a smiling gesture that would make the person on this side who is being waved to feel very happy. The girl brightly begins to speak, saying, 「そういえばさぁ。。」. She says, 「このあいだの、あの話なんだけど。。。。」 in a suggestive manner. After finishing speaking, she looks down slightly. After a short pause, as if having realized something, she continues in a calm tone of voice, 「いいよ」. And then, 「いいのいいの、大丈夫。気にしないでね。。。。」. It is a tone of voice acting brave, clearly disappointed that the expected answer did not return. It is just like a scene from a drama. It is a situation where anyone would be curious about the feelings hidden inside the girl and would want to empathize with her poignant feelings.
TropicallZuck

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬