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Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 16
- Sampling Method
- Euler a
- CFG Scale
- 1.5
- Negative
- (nsfw:1.2), (nude:1.6), (nipple:1.2), naked, (extra digits, wrong hand, bad hands, wrong foot), (fat), Shit, Dung, Excrement, The nipple is in the wrong position, (hand and arm positions are not logical)
Model & LoRA used
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Pregnant Chika
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1girl, solo, adult, 22-year-old, pregnant, baby bump, navel-visible, large bust, very long hair, flowing hair, hair blowing in the wind, ditsy floral bikini, pink-and-white flower print bikini, string bikini, sheer beige pantyhose, legs, bare feet, standing, barefoot on white sand, one hand on belly, hand on own stomach, other arm raised, hand brushing hair back, arm up, soft happy smile, closed-lip smile, looking at viewer, head slightly tilted, from below, slightly low angle, full body, wide shot, tropical beach, turquoise ocean, white sand, palm shadows, midday sunlight, bright sunlight, backlighting rim, vivid modern anime illustration, clean cel shading, crisp lineart, saturated summer colors
The camera sits low on the wet-to-dry sand, looking slightly up at her, so the horizon of the turquoise ocean cuts her at hip height and the empty blue sky opens above her hair; she fills the vertical middle of the frame from bare feet to the top of her head. She stands off-center to the right, weight settled onto her left leg with the right knee slightly bent and the right foot set a little forward in loose white sand, so the sand is pressed into a shallow hollow around each heel and spills over her toes. Her right hand rests flat and gentle on the lower side of her rounded pregnant belly, fingers spread and relaxed, the bump pushing the palm outward; the navel sits just under her thumb, visible between the two bikini pieces. Her left arm is lifted, the elbow high, the hand sliding back through her very long hair at the temple so the strands are drawn back from her cheek and the rest of it pours over her left shoulder and streams away downwind, individual pink-lit strands separating in the breeze. Both bikini cups are full and the pink-and-white ditsy flower print stretches slightly across them, tiny scattered rosettes shrinking over the curvature; the sheer beige pantyhose sheathes both legs from waistband to ankle in a faint tan film, the bikini line visible through it, the mesh catching a soft highlight down each shin. Her chin is lifted a few degrees and her eyes meet the viewer directly, one brow raised a fraction higher than the other, the soft happy smile closed and asymmetric, the corner nearer the camera pulled up a touch more, cheeks warm with sun and a light blush across the nose bridge.
The sun stands high and just behind her left shoulder, so a bright rim burns along her hair's edge, her shoulder, the curve of the bump and the top of her thigh, while her face and the front of her body stay in open reflected light bounced up off white sand, the shadows under her chin, breasts and bump soft-edged and luminous rather than dark. Cream-white sand occupies the lower third, unmarked except her own footprints trailing in from the left edge; the water behind her runs from pale aqua at the shore to deep turquoise at the horizon line, a single thin band of white surf breaking well behind her ankles, and the wet sand at the waterline mirrors her silhouette upside down, darker and softer than the girl herself. Behind her right shoulder, three palm fronds throw sharp dark shadows across the bright sand at an angle, the shadow edges kinked exactly by the leaflet notches, and a fourth shadow crosses the very corner of the frame. The palette is saturated summer: turquoise and aqua, white sand, hot blue sky, with all the warmth carried by the pink-and-white floral print, the sun-warmed skin tones and the beige sheen of the pantyhose; nothing grey, nothing muted. Clean cel shading with crisp lineart, flat-shaded planes on the skin and a single hard terminator on each limb, and the shadow pattern on the sand is the only texture admitted, effortlessly sunny.
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Fujiwara Chika
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