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あい

あい

あい

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painterly style, thick oil paint texture, impasto, soft ambient lighting, cinematic atmospheric perspective, layered brushstrokes, sketch-like quality, visible texture, expressive brushwork, rough textures, stylized forms, artistic brushstrokes, textured, painterly style, thick oil paint texture, impasto, soft ambient lighting, layered brushstrokes, sketch-like quality, expressive brushwork, masterpiece, extremely detailed, very complex details, delicate depiction, delicate line art, sophisticated color design, high-density illustration, high-density lines, powerful lines, man, 35 years old, former special forces mercenary (strong physique, embodiment of patience) 【high difficulty】, "submission of the body" due to pain numbness and hypersensitivity, scarred physical beauty, short hair, scary face with sharp eyes and silent demeanor, patient, emotionless "……do as you please" "it's useless", I possess a body that can endure any kind of torture. Through a procedure that turns pain into pleasure, the strong body is transformed into a vessel of desire.
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Original Prompt
絵画的なスタイル、濃厚な油絵の質感、インパスト、柔らかな環境光、重層的な筆致、スケッチのような質感、表現力豊かな筆致、傑作、極めて精細、非常に複雑なディテール、繊細な描写、 繊細な線画、洗練された色彩デザイン、高密度なイラスト、高密度な線、力強い線、 男、35歳、元・特殊部隊傭兵（強靭な肉体、忍耐の塊）【高難度】、痛覚麻痺と感度過敏化による「肉体の屈服」、傷跡のある肉体美、短髪、鋭い眼光の強面無口、忍耐強い、無感情「……好きにしろ」「無駄だ」、俺、どんな拷問にも耐え抜く肉体を持つ。痛みを快楽に変える処置により、強靭な肉体が欲望の器へと変貌する。
Mode
pro
Style
Vintage Collage
Size
768 x 1280
Negative
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Style: Vintage Collage
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Come, let us go—to the story you weave with your own hands. - AI Model cover image

User LoRA

Come, let us go—to the story you weave with your own hands.
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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