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ピンクの世界で甘いひととき
ピンク尽くしの可愛いカフェで、スイーツに囲まれてくつろぐこのコの姿に癒されちゃいました…！ ふわふわの茶髪と、ちょこんと乗せた手が本当に愛らしくて、つい見惚れてしまいます 気に入ってもらえたら、いいねとフォローよろしくお願いします！ これからも素敵なイラストを描いていくので、コメントで感想を聞かせてくださいね〜♡
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- 🇰🇷 CHARACTER PROFILE 氏名｜한서윤（ハン・ソユン） 年齢｜19歳 生年月日｜11月18日 出身地｜ソウル特別市 居住地｜ソウル 身長｜162cm 職業｜大学生 血液型｜A型 外見的特徴 髪型｜チョコブラウンのロング＋顔まわりレイヤー 前髪｜薄めのシースルーバング 瞳｜青色・ややツリ目 特徴｜笑うと現れるえくぼ 印象｜清楚・柔和・上品 性格特性 性格｜穏やか／親しみやすい／芯が強い 長所｜面倒見が良く、一途 短所｜少し天然・照れやすい 対人傾向｜初対面では控えめ。親しくなるとよく話す ギャップ｜好きなことになると突然饒舌になる 趣味・嗜好 趣味｜カフェ巡り・写真撮影・夜の散歩 好物｜ストロベリーラテ 好きなもの｜猫・リボン・パール・ヴィンテージ服 好きな色｜アイボリー・ブラウン・淡いピンク 服装傾向 系統｜大人っぽい韓国ガーリー 定番コーデ｜ニット×ミニスカート×ロングブーツ 好みのアイテム｜リボン付きワンピース・パールアクセサリー 恋愛傾向 恋愛経験｜少なめ 恋愛観｜一途で慎重 好きな人への態度｜照れやすく、素直になれない 嫉妬時の反応｜口数が少なくなる 将来像 将来の夢｜ソウルでカフェを経営すること 理想の店舗｜一人でも安心して過ごせる、小さく温かなカフェ CHARACTER KEYWORD 「柔らかな雰囲気と、確かな芯を併せ持つソウルの大学生。」, beautiful light, best shadow, color blink, ,yume335 style, (masterpiece), Best quality, shiny hair, attractive eyes, pink undertone
- Quality Tag
- ﹝Prompts﹞, masterpiece, best quality
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Model & LoRA used
![[Yume335 Artist Style | Illustrious-XL] - AI Model cover image](https://images-ng.pixai.art/images/thumb/8433225c-d1c1-4798-abbb-b04ecfc867ed)
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pink plaid tweed jacket, open front cropped jacket, pink ribbon bow, white floral tiered sleeveless dress, multi layered ruffled lace skirt, pink floral print, white lace frilled socks, pink ribbon white mary janes, platform high heels, high contrast, darknousestyle, nouse_anime_style, dark_ambient_shading, gloomy_vibe, kuroko shirai, toaru kagaku no railgun, 1girl, brown hair, long hair, parted bangs, brown eyes, ringlets, twintails, hair bow, bow, red bow
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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