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結局のところMio2に頼りましたw ドットの粗さ別3

ドットで構成された画面もさることながら、このスタイルだと平面性が強調されて いかにも「絵!」って感じになるのが個人的には気に入ってますね〜。 やっぱり僕はゲーム的な3DCGモデリングされたような絵ヅラよりも、 漫画!って感じの表現が好きなんすわ…

#Portrait#Multicolored hair#Gradient hair#Grin#Smile#Polka Dot#lipstick#Pink eyes#Blue Background#white shirt#My Dress-Up Darling#Marin Kitagawa
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character: kitagawa_marin 1girl, solo, gyaru, bust portrait, close-up, square composition, head and shoulders, head tilt, looking at viewer, grin, confident, playful, blonde hair, long hair, pink hair tips, two-tone hair, hair over shoulders, red eyes, white collared shirt, open collar, bare neck, bare earlobes, arms out of frame, pop art, ben-day dots, halftone, halftone dots, comic book style, screenprint, vintage comic, bold outlines, thick black lines, primary colors, print texture, coarse paper texture A square-composition bust-up pop-art portrait captures the cheerful gyaru girl cropped strictly at mid-chest, her head and shoulders fully occupying the frame while both arms remain entirely outside the view. Her head tilts slightly to one side as she directs a playful, confident open-mouthed grin straight at the viewer, her chin lifted and brow lively. Long graphic strands of hair fall across both shoulders. DOT SCALE — MEDIUM-FINE: every halftone screen in this image uses small, closely spaced halftone dots with a dot diameter of roughly 1 mm equivalent; the dots are still individually perceptible on close inspection but already merging into a smooth-looking tone from arm's length, a refined comic-print texture. Her pale complexion is raw white paper overlaid with a precise, fine matrix of magenta and cyan Ben-Day dots, the dot grid fine and even. Her eyes are concentric layers of vivid magenta dots at a small scale. She wears a white school shirt with an open collar, represented as unprinted white paper with fine blue Ben-Day dots patterning the fabric folds. Bold, crisp black brush-ink contour lines with variable graphic weight delineate every edge, silhouette, and hair lock in the manner of vintage newsprint comic plates. Behind her, the background is a flat SLATE-BLUE field covered from edge to edge in an immaculate, uniform grid of slightly darker steel-blue Ben-Day dots, the background dots small and evenly spaced. The entire piece adheres rigorously to a mechanical four-color process palette of cyan, magenta, yellow, and black ink on paper, displaying subtle paper tooth with fine dot rosettes across every square millimeter, with zero smooth gradients or continuous digital fills. Boldly playful, effortlessly stylish.
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