Neferpitou | Hunter x Hunter
Contest Entry
PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
Show Parameters
- Original Prompt
- image of neferpitou, in this retro 90s anime style. image must be in cityscape, where she is in a city, night time, in fashionable trendy 90s clothes. you can see cars going down the street, and focus is on character. she is looking at the viewer, view is from below, view in dutch angle. she is wearing a white abstract graphic print crop top with overhang, grey jeans, green nike shoes, large black and red hoop earrings. impressionist style, lively image, abstract background details with proper definition.,chiaroscuro(dark tones and high contrast colors),digital painting art,delicate bristle paint texture,delicate face,exterme detail,calm atmosphere,cool-toned main light source,dim light in the environment,flare,boken,dark theme,. make all background details impressionist and vague. give the image a determined, confident, futurism vibes,semi-realistic anime illustration, rough painterly anime illustration, painterly digital rendering, chunky brushwork, broad opaque strokes, hard-edged shading, soft tonal transitions, diffused highlights, subtle bloom, ambient lighting, cinematic lighting, normal walking pose, curvy figure, painterly style, extreme perspective, strong orange-red irises, luminant eyes, sidewalk,jj_summer_manhwa, warm sunlight, golden hour, soft painterly rendering, korean illustration style, clean lineart, soft color blending, character closeup, near viewer, natural lighting, dreamy atmosphere, lush green background, sparkling water, high detail, ((cat ears, creepy sullen eyes, cute face, bags under eyes))
- Mode
- pro
- Size
- 864 x 1152
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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