Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

Francaca

More to See

Comments

wide shot, full perspective, one-point perspective, cyberpunk, apocalyptic, santiago de chile, broad avenue, massive skyscrapers, futuristic brutalist architecture, car crash, pileup, crushed vehicles, burning cars, fire, smoke, shattered glass, blood on pavement, corpses in windows, bodies in trees, heavy rain, wet asphalt, puddle reflections, night, red ambient glow, neon lighting, obsidian black, ash gray, crimson red, amber flame, magenta neon, electric violet, cyan neon, anime style A wide-angle, deep one-point perspective looks down the center of a devastated multi-lane avenue in an apocalyptic cyberpunk Santiago de Chile. On both flanks, towering mega-skyscrapers constructed from matte ash gray and obsidian black concrete thrust upward into a dense, rain-choked sky tinted in an oppressive crimson red glow, with the distant, storm-obscured jagged silhouette of the Andes mountains faintly visible at the far end of the thoroughfare. Vertical strips and holographic panels of neon along the high-rises illuminate the mist in saturated hot pink, magenta, electric violet, acid green, and cyan, including a flickering, shattered roadside sign displaying the word "ALAMEDA" in magenta letters and a damaged overhead transit barrier glowing with cyan text that reads "EVACUACIÓN". The wide roadway is strewn with total vehicular devastation: battered, dented hover-cars and ground vehicles in ruined condition are piled in violent collisions, with several crushed chassis driven deep into the ground-floor pillars and shattered glass lobbies of the monolithic buildings. Searing amber and fiery orange flames erupt from ruptured engine blocks and burning tires, sending pluming black smoke into the downpour. Pools and spatters of deep crimson blood streak across the cracked pavement, mixing with rain runoff along the gutters. High above the asphalt, the limp silhouettes of dead bodies are visible slumped against the interior glass panes of illuminated skyscraper windows, while along the avenue's urban median, lifeless figures hang caught among the snapped branches of rain-soaked trees. Heavy rainfall descends in visible diagonal sheets, where oil and blood form thin, iridescent films across spreading street puddles that mirror the burning wreckage and neon glow. The composition is executed as a gray-leaning anime illustration built from clean color blocks and soft painterly gradients, featuring minimal linework, smooth metallic surfaces, and controlled highlights across the wreckage. Apocalyptic desolation.
Show Parameters
Original Prompt
An avenue, futuristic neon cyberpunk estructure but in santiago of chile, the buildings are hige with color grey and blsck and neon , blood , bodies in the windows , fore also. All cars are in poorly conditions. Car accidents , fire , crash in buildings , all in the night , a rainy night with a red Full perspective of an apocalipsis cyberpunk
Mode
pro
Style
Grey Wash
Quality Tag
﹝Prompts﹞
Size
1408 x 1408
Style: Grey Wash
Prompt Helper

Model & LoRA used

Similar Images

Show more
AI artwork
Avatar image of Francaca
wide shot, full perspective, one-point perspective, cyberpunk, apocalyptic, santiago de chile, broad avenue, massive skyscrapers, futuristic brutalist architecture, car crash, pileup, crushed vehicles, burning cars, fire, smoke, shattered glass, blood on pavement, corpses in windows, bodies in trees, heavy rain, wet asphalt, puddle reflections, night, red ambient glow, neon lighting, obsidian black, ash gray, crimson red, amber flame, magenta neon, electric violet, cyan neon, anime style A wide-angle, deep one-point perspective looks down the center of a devastated multi-lane avenue in an apocalyptic cyberpunk Santiago de Chile. On both flanks, towering mega-skyscrapers constructed from matte ash gray and obsidian black concrete thrust upward into a dense, rain-choked sky tinted in an oppressive crimson red glow, with the distant, storm-obscured jagged silhouette of the Andes mountains faintly visible at the far end of the thoroughfare. Vertical strips and holographic panels of neon along the high-rises illuminate the mist in saturated hot pink, magenta, electric violet, acid green, and cyan, including a flickering, shattered roadside sign displaying the word "ALAMEDA" in magenta letters and a damaged overhead transit barrier glowing with cyan text that reads "EVACUACIÓN". The wide roadway is strewn with total vehicular devastation: battered, dented hover-cars and ground vehicles in ruined condition are piled in violent collisions, with several crushed chassis driven deep into the ground-floor pillars and shattered glass lobbies of the monolithic buildings. Searing amber and fiery orange flames erupt from ruptured engine blocks and burning tires, sending pluming black smoke into the downpour. Pools and spatters of deep crimson blood streak across the cracked pavement, mixing with rain runoff along the gutters. High above the asphalt, the limp silhouettes of dead bodies are visible slumped against the interior glass panes of illuminated skyscraper windows, while along the avenue's urban median, lifeless figures hang caught among the snapped branches of rain-soaked trees. Heavy rainfall descends in visible diagonal sheets, where oil and blood form thin, iridescent films across spreading street puddles that mirror the burning wreckage and neon glow. The composition is executed as a gray-leaning anime illustration built from clean color blocks and soft painterly gradients, featuring minimal linework, smooth metallic surfaces, and controlled highlights across the wreckage. Apocalyptic desolation.
Francaca
AI artwork
Avatar image of ニニモモ(ニュモ)
wide shot, from below, city, cityscape, tokyo, cyberpunk, night, neon lights, futuristic, rainy weather, puddles, wet surfaces, high-tech, skyscrapers, holographic billboards, crowded street, cables, wires, glowing accents, blue and magenta palette A wide shot from a low angle looking up from a rain-slicked street in a futuristic Tokyo. The perspective is dominated by towering skyscrapers that lean inward, their obsidian surfaces reflecting the saturated magenta and electric blue neon of colossal holographic billboards that wrap around the buildings. Dense clusters of glowing cables and humming power lines crisscross the narrow gaps between structures, dripping with rainwater. In the midground, the street is a river of wet asphalt and shimmering puddles, mirroring the chaos of neon signage above. A few distant, anonymous figures with glowing optic implants are blurred silhouettes, walking away from the camera into the haze. The primary light sources are the flickering neon signs and massive holograms, casting sharp, coloured highlights on the edges of metallic pipes and wet concrete, while deep, ink-black shadows pool in the alleys. A thin, luminous mist clings to the ground, catching the blue light of a distant hovering vehicle. Cyberpunk, oppressive yet electric.
ニニモモ(ニュモ)
AI artwork
Avatar image of ニニモモ(ニュモ)
wide shot, from below, city, cityscape, tokyo, cyberpunk, night, neon lights, futuristic, rainy weather, puddles, wet surfaces, high-tech, skyscrapers, holographic billboards, crowded street, cables, wires, glowing accents, blue and magenta palette A wide shot from a low angle looking up from a rain-slicked street in a futuristic Tokyo. The perspective is dominated by towering skyscrapers that lean inward, their obsidian surfaces reflecting the saturated magenta and electric blue neon of colossal holographic billboards that wrap around the buildings. Dense clusters of glowing cables and humming power lines crisscross the narrow gaps between structures, dripping with rainwater. In the midground, the street is a river of wet asphalt and shimmering puddles, mirroring the chaos of neon signage above. A few distant, anonymous figures with glowing optic implants are blurred silhouettes, walking away from the camera into the haze. The primary light sources are the flickering neon signs and massive holograms, casting sharp, coloured highlights on the edges of metallic pipes and wet concrete, while deep, ink-black shadows pool in the alleys. A thin, luminous mist clings to the ground, catching the blue light of a distant hovering vehicle. Cyberpunk, oppressive yet electric.
ニニモモ(ニュモ)

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬