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新山聡美(プリンセス体験)

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3

#MILF #Window #Dress #Stained glass #Chair #Wedding ring #Long skirt #full body #Long dress #Side view #Sound! Euphonium #Satomi Niiyama

Published on Sep 30, 2026

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, very wide almond-shaped eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, thick eyelashes, center part starting high on the crown, middle-aged women, 33-year-old, medium breasts, if the left ring finger is drawn, place a wedding ring only on the left ring finger. A scene depicting a single woman standing in front of a beautiful stained-glass window inside a heavy wooden Western-style mansion or a classical resort hotel, capturing an elegant and quiet moment. Give it the atmosphere of classical Western architecture reminiscent of the late 19th to early 20th century, carefully expressing antique furniture, decorative windows, and the texture of warm wood. Maintain a natural atmosphere as if photographing an actual historical mansion, while depicting the person in a delicate and beautiful anime style. Combine natural light streaming through the window with warm indoor light, with the light passing through the stained glass reflecting softly on the woman's clothing and the wooden walls. The camera captures the woman from a slightly distant position from a diagonal front angle, using a landscape composition that fits the woman's full body, the giant stained-glass window, an antique chair, and the lamp and furniture on the right into a single screen. The woman stands alone directly in front of the stained-glass window, her body slightly turned sideways relative to the camera. Not completely facing forward, she angles her body slightly and directs her gaze toward the window, creating an elegant silhouette close to a profile. Her back is naturally straight, and she has a calm standing posture with relaxed shoulders. She does not arch her body excessively or twist her waist significantly, maintaining a natural pose as if quietly gazing at the view from the window. One of the woman's hands is naturally raised from her chest toward her face in an elegant gesture with fingertips lightly open. The other hand is placed naturally near her waist, lightly touching the fabric of her long dress. Both arms are placed softly and naturally, without flaring the elbows wide. The fingers are delicate and natural, expressed as an elegant gesture fitting for classical attire. The woman turns her face slightly to the side, looking at the light coming through the stained glass or outside the window. Her gaze is directed naturally toward the window, not toward the camera. Her expression is quiet and serene, with a very modest smile on her lips. Avoid large smiles or strong emotional expressions, evoking the dignity and composure of a woman standing quietly in an old mansion. The attire is a luxurious and elegant long dress reminiscent of an upper-class woman from the late 19th to early 20th century. The upper body is tailored from deep emerald green or dark green fabric, with long sleeves featuring modest puffing at the shoulders characteristic of the era. Fine gold embroidery and lace decorations are applied from the chest to the sleeves, making the delicate gold threads shine when they catch the light. The neckline is high and elegantly finished, keeping skin exposure modest. The bodice follows the lines of the body moderately without clinging too tightly, creating a classical silhouette. The waist is slim, leading down to a large, bell-shaped long skirt. The skirt is centered around subdued tones ranging from pale sage green to near champagne gold, using a heavy, lustrous fabric. The fabric has fine drapes and rich folds, spreading out naturally due to her standing posture. Very fine gold embroidery and decorative patterns are applied to the front and hem of the dress. Antique-style embroidery combining plant vines, flowers, and curvilinear arabesque patterns spreads around the hem, becoming richer toward the bottom. The embroidery is gold but not too flashy, possessing the subdued luster of an old high-end garment. Fine ruffles and overlapping fabric are added to the hem of the skirt, making it a very long dress that reaches the floor. From the waist to the back of the dress, layers of the same green-toned fabric and pale lace material flow naturally backward. These trailing fabrics have a soft translucency, creating an elegant vertical flow to her standing figure. The overall outfit is luxurious but not gaudy, summarized as an elegant antique dress suitable for a historical mansion. The woman has small, elegant decorations on her head, and her hair is in a classical updo gathered elegantly at the back. Priority is given to the character LoRA for the hair's shape, with a few soft stray hairs left around the face. The hair accessories use small gemstones, pearls, or delicate metal decorations, remaining elegant and not too large. She wears a small amount of antique-style accessories to match the dress. Small earrings, a thin necklace, and a modest bracelet are used, unified in gold or pearl textures. Avoid modern, flashy accessories to harmonize with the era of the clothing and building. If necessary, the woman wears elegant lace gloves. The color is ivory or pale beige, reaching from the wrist to slightly below the elbow. The fine knit of the lace is visible, connecting naturally with the dress cuffs and gold embroidery. To the woman's left is a large, arched or Gothic-style vertical stained-glass window. The window frame is made of dark brown wood with detailed decorative carvings. The stained glass uses multiple colors including yellow, orange, blue, pale purple, white, and green, with plant motifs such as flowers, vines, and leaves continuing vertically. The center features patterns that look like abstractions of a bright blue sky or lush green landscapes, making the overall window look like an artistic Tiffany-style stained glass. Sunlight passing through the stained glass enters the room, casting soft colored light on the floor, the woman's dress, and the wooden walls. Yellow, blue, and green lights reflect faintly on the floor and walls, making the window itself look like a part of the interior lighting. However, the colored light is not extremely strong and is expressed as natural indirect light. Behind the woman, to the right of the window, is a single large antique-style wooden armchair. The chair has a dark brown wooden frame with fine carvings, and the backrest and seat are upholstered in deep olive green or dark green fabric. The chair is positioned slightly behind the woman so as not to overlap too much with her dress. It should be clear that the chair is of a natural size for a person to sit in. On the right side of the screen is a low dark brown wooden cabinet or side table, upon which a single large Tiffany-style stained-glass lamp is displayed. The lampshade is a vividly colored stained glass with flower and leaf motifs, combining small pieces of yellow, green, blue, and orange glass. The lamp looks natural as an interior decoration and is not so large as to overshadow the woman or the large window. The walls are covered in dark brown wooden panels, with the wood grain and fine seams visible. Different textures are given to the window, chair, cabinet, floor, and dress to form a heavy classical interior. The floor is made of pale beige or ivory-toned stone or tile, creating a contrast with the wooden walls and furniture. The large stained-glass window is on the left from the camera's perspective, the woman is near the center, and the antique chair and lamp are placed from behind the woman toward the right. By having the woman stand between the window and the chair, a clear sense of foreground and background is created. The window on the left is sufficiently large, with a vertical shape extending from the top to near the floor. Furniture fills the space on the right side of the screen, but it does not obstruct the woman's full body or the hem of her dress. The woman's entire body is captured from head to toe within the screen, making the spread of the huge skirt and the embroidered hem clearly visible. Ensure the hem of the dress is not cut off at the bottom of the screen, naturally depicting the point of contact with the floor. The person is not placed too largely in the center of the screen, allowing the entire interior, including the window and furniture, to be visible. The primary light source is the warm natural light entering from the window; the interior is slightly dim, but bright enough for the details of the person and clothing to be fully visible. Soft highlights are given to the woman's face, hair, and the gold embroidery of the dress, with warm reflections on the wooden furniture. The colored glass of the stained glass shines vividly as light passes through, giving the room a quiet fantasy-like quality. Overall, depict this as a classical interior scene evoking dignity and silence, like a captured moment of a single woman dressed in an elegant antique dress standing quietly in front of a beautiful stained-glass window of a historical mansion, gazing toward the window.

新山聡美(プリンセス体験)

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