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AI art "The Girl in the Ruins"
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The Girl in the Ruins

I'm completely captivated by the surreal beauty of this piece—there's something so haunting yet ethereal about a lone girl standing amidst the debris of a broken city with such a serene smile. The vibrant energy flowing around her really makes me feel like she's the calm in the middle of a storm. If this scene resonates with you, please drop a like and follow for more art!

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Pollux

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A cinematic anime illustration. A young woman walks slowly toward the viewer through the center of a ruined city street. She holds both hands in front of her body, palms facing each other, with a compact sphere of extremely powerful luminous energy between her hands. She is beginning to levitate slightly above the street, only a few centimeters, with her feet clearly separated from the ground; her hair and clothing float gently. The space around the girl is rotating around her like a gigantic three-dimensional mechanical structure, visible through solid objects. Large fragments of the surrounding city, including sections of buildings, walls, balconies, windows, street surfaces, pieces of pavement, signs, and architectural structures, are rotating through three-dimensional space around her. Some pieces remain in their normal orientation, some are rotated sideways by 90 degrees, some are completely upside down, and some sections of the street appear vertically in the air. Some building fragments curve around the girl in large rotational arcs. The street directly beneath her remains recognizable and mostly normal. Behind her, the city rotates in separate layers, with buildings appearing sideways or upside down. Small pieces of rubble, glass, and stone rotate around her in clear circular trajectories. The girl remains completely stable, calm, and sharply defined at the center; her body, face, and proportions are normal and not distorted. The camera is stable and straight at street level, looking directly toward her. Use strong depth and overlapping layers of architecture. No smoke, no fog, no dust vortex, no giant circular energy ring, no tunnel, no portal, no fisheye lens, no top-down view, no camera rotation, no abstract colorful spiral, no explosion, and no collapsing city. The rotation is communicated primarily by physical buildings, streets, and architectural fragments rotated through three-dimensional space. The scene is surreal and powerful. LoRA:FILM_MAGIC, Convert_to_translucent_cels, layered_translucent_cels, colored_translucent_material, transparent_cel_craft, visible_layer_structure, internal_color_diffusion, color_density_through_overlap, transmitted_light, backlit_translucency, precision_cut_transparent_pieces, interlocking_transparent_parts, embedded_transparent_color, natural_light_integration, rich_translucent_material_texture, smooth_translucent_surface, natural_skin_texture, face_visible, sls_zc style, dynamic pose, three-quarter view, perspective, outside border, masterpiece, highest quality, ultra hd, high resolution, official anime visual, sharp lines, vivid contrast, glossy texture, graphic art, bold composition, expressive linework, layered texture, expressive sketch lines, textured paper, abstract composition, intricate details, hand drawn background.
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Original Prompt
Create a cinematic anime illustration based closely on the reference image. A young woman walks slowly toward the viewer through the center of a ruined city street. Keep the original character, clothing, hairstyle, city, street-level camera angle and overall composition. She holds both hands in front of her body, palms facing each other. Between her hands is a compact sphere of extremely powerful luminous energy. She is beginning to levitate slightly above the street, only a few centimeters. Her feet are clearly separated from the ground. Her hair and clothing float gently. THE MAIN EFFECT IS ROTATION OF REALITY. The space around the girl is beginning to rotate around her like a gigantic three-dimensional mechanical structure. The rotation must be visible through SOLID OBJECTS, NOT SMOKE. Large fragments of the surrounding city are being pulled into rotation around her. Sections of buildings, walls, balconies, windows, street surfaces, pieces of pavement, signs and architectural structures are rotating through three-dimensional space around the girl. Some pieces remain in their normal orientation. Other pieces are rotated sideways by 90 degrees. Some pieces are rotated completely upside down. Some sections of the street appear vertically in the air. Some building fragments curve around the girl in large rotational arcs. The important visual effect is that recognizable pieces of the SAME CITY are orbiting around the girl at different orientations. The street directly beneath her remains recognizable and mostly normal. Behind her, the city begins to rotate in separate layers. A building on the left may be sideways, while a building farther behind her is upside down. Another section of pavement can appear vertically in the background. These are real architectural objects physically rotating through space, not distorted drawings. Small pieces of rubble, glass and stone also rotate around her in clear circular trajectories. The rotation should create a strong sense of three-dimensional movement, as if reality itself has become a giant rotating structure centered on the girl. The girl remains completely stable, calm and sharply defined at the center. Her body, face and proportions remain normal and are NOT distorted. The camera remains completely stable and straight, at street level, looking directly toward her. The viewer must immediately understand: THE GIRL IS STABLE — THE WORLD AROUND HER IS ROTATING. Use strong depth and overlapping layers of architecture to make the rotation obvious. NO smoke. NO fog. NO dust vortex. NO giant circular energy ring. NO tunnel. NO portal. NO fisheye lens. NO top-down view. NO camera rotation. NO abstract colorful spiral. NO explosion. NO collapsing city. Do not use atmospheric effects to represent the rotation. The rotation must be communicated primarily by PHYSICAL BUILDINGS, STREETS AND ARCHITECTURAL FRAGMENTS BEING ROTATED THROUGH THREE-DIMENSIONAL SPACE. The scene should feel surreal, powerful and physically impossible, as if the laws of orientation and gravity are breaking around her. , , , , 〈LoRA:FILM_MAGIC〉Convert_to_translucent_cels:［］, layered_translucent_cels, colored_translucent_material, transparent_cel_craft, visible_layer_structure, internal_color_diffusion, color_density_through_overlap, transmitted_light, backlit_translucency, precision_cut_transparent_pieces, interlocking_transparent_parts, embedded_transparent_color, natural_light_integration, rich_translucent_material_texture, smooth_translucent_surface, natural_skin_texture, face_visible, , , , sls_zc style, dynamic pose, three-quarter view, perspective, outside border,, masterpiece, highest quality, ultra hd, high resolution, official anime visual, sharp lines, vivid contrast, glossy texture,, graphic art, bold composition, expressive linework, layered texture, expressive sketch lines, textured paper, abstract composition, intricate details, hand drawn background
Mode
lite
Size
1024 x 1024

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
18.93k
SLS_ZC Style - AI Model cover image

User LoRA

SLS_ZC Style
189
FILM_MAGIC - AI Model cover image

User LoRA

FILM_MAGIC
18
Graphic Sketch Art Style - AI Model cover image

User LoRA

Graphic Sketch Art Style
8

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음안
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