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Vanessa T. Correa
Show Parameters
- Size
- 1280 x 720
- Sampling Steps
- 16
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model & LoRA used
Similar Images
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vt
no humans, multiple views, vehicle focus, turnaround, model sheet, concept art, custom car, hybrid vehicle, 1967 chevrolet impala, 1959 cadillac eldorado, black car, tailfins, bullet taillights, chrome trim, front view, back view, side view, simple background, white background
A multi-angle automotive concept turnaround sheet arranged across an entirely seamless, unadorned solid pure white background, depicting three distinct views of a single custom classic hybrid vehicle without any drivers, passengers, or pedestrians present. The main rendering in the upper left presents a front three-quarter view, establishing the muscular front fascia of a 1967 Impala with its wide horizontal blacked-out grille, recessed quad circular headlights, long sculpted hood with a central spine, and a low, raked windshield bordered in thin silver trim. The second rendering in the upper right presents a rear three-quarter view, focusing entirely on the transplanted 1959 Eldorado rear section with soaring, razor-sharp tailfins sweeping up from the rear fenders, dual ruby-red bullet taillight lenses set in conical chrome housings, and an ornate, heavy chrome bumper wrapping around the lower valence. Below them, a third rendering shows a clean, horizontal side elevation view, charting the continuous body line where the low-slung, coke-bottle waist of the front section transitions seamlessly into the elongated rear deck and rising fin profile. The car is coated in a mirror-sheen obsidian black paint, defined by sharp, energetic contour linework and stylized, angular geometric specular highlights running along the fender creases. Highly polished chrome gleams on the bumpers, side trim spears, side mirrors, and deep-dish steel wheels shod in thin whitewall tires. Dark tinted glass reveals a completely empty, dark two-door cabin interior. Each view is grounded by a tight, hard-edged dark grey elliptical cast shadow resting directly under the contact patches of the tires, anchoring the vehicle's heavy steel weight to the clean ground plane. Sleek, menacing.
Vanessa T. Correa
nl
Car only, empty background, no color, low quality
NeaL Night
vt
copyright: hazbin_hotel
1car, 1967 chevrolet impala, black car, gothic style, elegant, white background, full body, side view, studio lighting, screenshot
A side-profile screenshot of a 1967 Chevrolet Impala, rendered in a sharp, stylized gothic aesthetic. The car body is a deep, polished obsidian black with a high-gloss finish that reflects the stark white void of the background. The design is exaggerated and elegant: the chassis is elongated and lowered, the chrome bumpers are replaced with sharp, blackened silver accents, and the headlights glow with a faint, ominous red light. The tires are wide and matte black, pressing firmly into the seamless white ground, leaving no shadow. The lines of the car are sleek and sweeping, with sharp, pointed edges on the grille and fins that echo a demonic, high-fashion sensibility. The lighting is clean and clinical, striking the upper curves of the fenders to create stark, white specular highlights against the void-black paint. Effortlessly stylish.
Vanessa T. Correa
vt
The my baby Impala 67 mixed a Cadillac eldorado 59
Vanessa T. Correa
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