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AI art "Dante" featuring #Dante and #Devil May Cry
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Dante

Starting today's art making session with Dante.

#Dante#Devil May Cry
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crimson709

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character: dante_(devil_may_cry). A medium shot from a low-angle perspective captures dante_(devil_may_cry) standing centrally in the middle of a burning battlefield at nighttime. He is posed with a confident, badass expression, aiming his twin pistols directly at the viewer with both hands gripping the weapons firmly. He wears his iconic long red coat over dark clothing, paired with black fingerless gloves. Beside him stands his demonic motorcycle, its metallic surface reflecting the surrounding chaos. The environment is a hellish landscape filled with swirling embers, leaping flames, and scorched earth under a pitch-black night sky. The scene is illuminated by the intense, warm glow of fires, creating high-contrast lighting with deep shadows and vivid orange highlights, evoking a cinematic and aggressive atmosphere.
Show Parameters
Mode
standard
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.11k

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1boy, solo, male, short white hair, combed hair, swept-back white hair, red battle coat, long coat, coat tails flaring, blue pants, battle boots, heavy black boots, holding huge black sword, holding sword one-handed, holding white pistol, dual wielding, purple ghost dagger, floating dagger, translucent purple blade, ghostly dagger flying, dynamic pose, mid-lunge, twisted torso, from below, low angle, foreshortening, dutch angle, looking down at viewer, clenched teeth, grin, :d, open mouth, furrowed brow, windblown, motion blur on coat tails, debris, dust kicked up, sparks, dark battlefield ground, dramatic backlight, rim light, high contrast, cool shadow palette with red and violet accents. The camera sits low and close to the ground, tilted a few degrees off level, looking steeply up so the man's boots and the leading knee dominate the lower frame and his head sits high against a wall of dark sky — a three-quarter view from below, his right side turned toward the lens and his left shoulder pulled back. He is caught mid-lunge: weight driven onto his forward left boot, sole pressed flat and dust spraying out from under the heel, rear right leg extended behind with the boot toe scraping a furrow in the ground, hips twisted, spine coiled and already beginning to uncoil. His right arm is thrown across his body low and forward, fist clamped around the hilt of a huge black sword whose massive cleaver-wide blade is foreshortened almost to a slab as it scythes toward the lens, the blackened edge catching one hot streak of rim light; his left arm is cocked back near his shoulder, white pistol gripped barrel-up, the muzzle angled past his jaw and the white polymer stark against the black glove and the red sleeve. His short white hair is combed back from his forehead and a few strands at the temple have broken loose from the wind of his own motion; sweat at the hairline, one brow dropped low and the other arched high, teeth bared in a grin, and his eyes are aimed straight down the camera axis, half-lidded with a hard downward stare. A single purple ghost dagger hangs in the air to his left, a hand's width off his shoulder, its translucent violet blade doubled by a faint inner glow and its trailing edge smeared by motion blur as it flies inward ahead of him — no hand grips it, and its violet light spills onto the underside of his sleeve and the plane of his cheek. The coat is the wind's instrument: its long red tails belly out and snap backward behind his hips, the fabric pulled into ridges and folds that follow the lunge, hem kicked up higher on the trailing side, and the coat's red is the loudest warm note in the frame. Blue pants break into deep creases at the hips and knees; the black boots are scuffed and heavy, laced tight, the forward one bowed under load and the rear one dragging. Below and around him the ground is a dark scuffed battlefield plate — churned grit, a few stones knocked loose and hanging in the air close to his forward boot, radiating cracks where the boot has bitten down. Light comes from low and behind on the far side: a cold white-violet backlight that rims his shoulders, the top edge of the sword and the flat of the pistol slide, while his front sits in cool blue shadow broken only by the hot red bounce off the inside of his coat and the small violet bloom of the flying dagger. Beyond the rim, the darkness is total and unbroken — no horizon, no second light. Palette disciplined to red, black, cold blue and a single violet accent. High-contrast cel-shaded rendering with crisp linework and hard-edged shadows. Aggressive and electric.
Black-fox
#Boots#Gun#Weapon

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