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AI art "パワー × ミカサ・アッカーマン × C.C."
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パワー × ミカサ・アッカーマン × C.C.

Contest Entry
PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#Code Geass: Lelouch of the Rebellion#C.C.#Attack on Titan#Mikasa Ackerman#Chainsaw Man#Power
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3girls, group shot, dark dynamic action scene, low angle full shot, power (chainsaw man), long blonde hair, red horns, unbuttoned shirt and tie, holding blood scythe, standing on the left, wild grin, mikasa ackerman, short black hair, red scarf, survey corps uniform, dual blades, standing in center, intense glare, c.c. (code geass), long green hair, white straightjacket outfit, standing on the right, glowing green geass symbol in background, ruined urban background, debris and smoke, vivid colors
Show Parameters
Mode
pro
Quality Tag
(masterpiece:1.4), (best quality:1.4), (extremely high detail:1.3), (Manga style, high-end graphic novel art:1.2), strong lines, , ﹝Prompts﹞
Size
1632 x 1232
Negative
lowres, worst quality, low quality, bad anatomy, explicit (human skin, face, bare skin, clean armor, cute, bright background, low quality, worst quality, blurry, boy, girl:1.2),

Model & LoRA used

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AI artwork
la
character: makima_(chainsaw_man), esdeath, mikasa_ackerman 3 girls, makima \(chainsaw man\), esdeath, mikasa ackerman, standing, full body, group shot, from below, dutch angle, low angle, dark trench coat, black trench coat, long coat, boss uniform, dark pants, black pants, collared shirt, black necktie, braided ponytail, red hair, long hair, sidelocks, ringed eyes, yellow eyes, general uniform, white military uniform, peaked cap, military hat, blue hair, very long hair, hair between eyes, blue eyes, holding sword, sabre, gloved hands, survey corps uniform, brown jacket, white leather pants, red scarf, black hair, short hair, black eyes, thigh strap, boots, three subjects, looking at another, serious, wind, outdoor, stone terrace, overcast daylight, cool palette Three women stand in a loose diagonal line on a wide stone terrace, seen from a low, slightly tilted angle that makes the three of them tower against a pale overcast sky. On the left, the woman in the dark trench coat stands with her weight on her back right leg and her left foot set forward, one gloved hand pushed into her coat pocket, the other hanging relaxed at her side, the long dark coat falling open in a clean vertical column over her dark trousers, her braided ponytail lifted and drifting to her left in the wind, her chin slightly down and her ringed yellow eyes fixed on the viewer with a calm, unbothered stare. In the center, the general stands squarely, one hand gripping the hilt of a curved sabre whose blade rests point-down against the flagstones, both boots planted and her white uniform coat flaring at the hem, her very long blue hair streaming sideways and the brim of her peaked cap casting a hard shadow across her eyes as she looks away toward the right edge of the frame, a faint, thin smile at one corner of her mouth. On the right, the scout stands with her hips angled away and her shoulders turned back toward the others, one hand lifting the red scarf loose at her throat, the brown jacket sitting over the white leather trousers and the thigh straps, her short black hair pushed across her cheek by the wind, her eyes cutting sidelong toward the general with a flat, wary tension in her brow. The wind is the one force in the picture: all three sets of hair and every loose hem pull to the same side, the general's sabre tassel snaps the opposite way as it trails, and the fine grit on the flagstones streams in low streaks along the joints between the slabs. Diffuse overcast light comes from high and behind the camera, flattening the far side of each face into cool shadow while a thin rim of brighter sky catches their hair and shoulders; no hard cast shadows except the one the cap brim lays over the general's eyes. The palette is held to cool grey stone, black, white and brown, with the one warm note being the red of the scarf and the red of the braided ponytail, nothing else admitted. The camera sits low enough to see up under the coat hems and the cap brim, compressing the distance between the three figures so they read as one block of authority. Cold, still, faintly ominous.
Luis antonio Canche koyoc

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