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Darmani

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Darmani

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character: hibiki_ryouga, sharp lines, vivid colors, high contrast, ink strokes, tall, long torso, broad shoulders, muscular arms, abs, slim midsection, athletic, muscle_enhancer, Character design sheet for RYOGA HIBIKI titled "THE BARBERED PAGE — YIELDED FORM", plain neutral off-white paper-textured background ruled with thin grid lines. character: ryoga_hibiki, redesigned form. Squared-off heavyweight martial physique: a compact dense-block silhouette — broader, thicker, harder-edged than a slim athlete, more square-shouldered and heavy-limbed, like a chiseled powerlifter who kept his martial speed. Dense heavy muscle mass evenly distributed across chest, deltoids, traps, lats, forearms, core, quadriceps. Wider hips than peak-Ranma, but cleanly proportioned, not soft. Body hair regrows in rugged patches — chest, abdominal trail, forearms, upper legs — that he keeps cropped short and tidy, the Akari-barbered look. THE BARBERED STATE — hair is no longer the wild unkempt mane; medium-length swept-back mane, neatly trimmed, the top gathered in a small short ponytail or low tail at the nape, the front neatly combed back. Face: filed human teeth (no longer the long protruding fangs; subtle ghost of canine sharpness but a normal bite), square jaw, compact brow, scars across the bridge of the nose. Expression: tough loyal page-smirk, "yaa" earnestness. Page of the household — fully CLOTHED, ZERO NUDITY. Open v-neck long-sleeve pagoda-style heavy linen PULLOVER in a deep amber/mars color, sleeves rolled to mid-forearm (showing dense forearms and light body hair), over wrap-around deep charcoal hakama trousers, sturdy low work-sandals over bare feet, an indigo wrist-wrap (the dark bandana sewn into a servant's wrist-tie). No exposed intimate anatomy — everything from waist down fully covered by the hakama, no specificity, no emphasis on groin or posterior. The physique reads through the silhouette: square shoulders, broad through the chest, thick forearms, dense waist, thick thighs in the draped trousers. Layout on a tall portrait sheet: TOP STRIP three rectangular panels in a horizontal row showcasing his page-life roles: panel 1 the SQUARED STATUE POSE — front view of Ryoga hanging laundry or hauling two full water-barrels on a yoke across his shoulders, showing the dense block build under load; panel 2 the BACK WING-POSE — facing away with lats flared wide in classic bodybuilder pose, body hair visible on the traps and shoulders, the page-wardrobe taut across his crossed back; panel 3 the SPAR STANCE — facing the viewer with fists up in a martial pose, slight smirk, sleek hands ready, wrist-tie visible, ready stance. MIDDLE — 3-view turnaround vertical stack in the same page-wardrobe (deep-amber pagoda-sleeved pullover + charcoal hakama + indigo wrist-tie + work-sandals): FRONT (slight loyal page-smirk, dense chest and shoulders visible under the linen); THREE-QUARTER (showing the thick cut through the torso); SIDE BACK (showing the heavy back blocks under cloth, ponytail at the nape, slight body hair visible at collar). BOTTOM STRIP two detail panels: panel A BARBERED HAIR — his neatened swept-back trim with low tail, profile silhouette, filed close-cropped neck, Akari's hand-tool marks implied by tidy lines; panel B FILED FANGS — close-up of his mouth in a slight grin, showing normal teeth with only the faintest hint of canine prominence (the wild boar-fangs submerged under Akari's work). Soft ember-and-gold ink accents, kintsugi-style, lightly tracing the wrist-tie and the page-sleeve hem. Pulp 1950s romance-comic shading inside the cel work. Uniform soft studio lighting. Crisp lineart, no other characters in frame. Tone: solid, sturdy, well-built masculine page — built like a workhorse, not ornamented like a showpiece.
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Tsubaki.2 - AI Model cover image

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Tsubaki.2
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Sharp Ink Style
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Muscular / Muscle Enhancer v2 SDXL DiT.1 DiT.2 - AI Model cover image

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Muscular / Muscle Enhancer v2 SDXL DiT.1 DiT.2
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character: hibiki_ryouga, Character design sheet for RYOGA HIBIKI titled "THE BARBAROUS PAGE — VLAIMED FORM", plain neutral off-white paper-textured background ruled with thin grid lines. character: ryoga_hibiki, redesigned form. Squared-off heavyweight martial physique: a compact dense-block silhouette — broader, thicker, harder-edged than a slim athlete, more square-shouldered and heavy-limbed, like a chiseled powerlifter who kept his martial speed. Dense heavy muscle mass evenly distributed across chest, deltoids, traps, lats, forearms, core, quadriceps. Wider hips than peak-Ranma, but cleanly proportioned, not soft. Excessive Body hair over fair bright skin — chest, abs, arms, legs, back, lats — THE BARBERED STATE — hair is no longer the wild unkempt mane; medium-length swept-back mane, neatly trimmed, the top gathered in a small short ponytail or low tail at the nape, the front neatly combed back. Face: filed human teeth (no longer the long protruding fangs; subtle ghost of canine sharpness but a normal bite), square jaw, compact brow, scars across the bridge of the nose. Expression: tough loyal page-smirk, "yaa" earnestness. Page of the household — mostly NUDE. over wrap-around, bursted remenants of deep charcoal hakama trousers, sturdy low work-sandals over bare feet, an indigo wrist-wrap (the black bandana with yellow spots sewn). No exposed intimate anatomy — from waist down sexless, no specificity, no emphasis on groin. The physique is square shoulders, broad through the chest, thick forearms, dense waist, thick thighs in the draped trousers. Layout on a tall portrait sheet: TOP STRIP three rectangular panels in a horizontal row showcasing his page-life roles: panel 1 the SQUARED STATUE POSE — front view of Ryoga hanging laundry or hauling two full water-barrels on a yoke across his shoulders, showing the dense block build under load; panel 2 the BACK WING-POSE — facing away with lats flared wide in classic bodybuilder pose, body hair visible on the traps and shoulders, the page-wardrobe taut across his crossed back; panel 3 the SPAR STANCE — facing the viewer with fists up in a martial pose, slight smirk, sleek hands ready, wrist-tie visible, ready stance. MIDDLE — 3-view turnaround vertical stack in the same page-wardrobe (deep-amber pagoda-sleeved pullover + charcoal hakama + indigo wrist-tie + work-sandals): FRONT (slight loyal page-smirk, dense chest and shoulders visible under the linen); THREE-QUARTER (showing the thick cut through the torso); SIDE BACK (showing the heavy back blocks under cloth, ponytail at the nape, slight body hair visible at collar). BOTTOM STRIP two detail panels: panel A BARBERED HAIR — his neatened swept-back trim with low tail, profile silhouette, filed close-cropped neck, Akari's hand-tool marks implied by tidy lines; panel B FILED FANGS — close-up of his mouth in a slight grin, showing normal teeth with only the faintest hint of canine prominence (the wild boar-fangs submerged under Akari's work). Soft ember-and-gold ink accents, kintsugi-style, lightly tracing the wrist-tie and the page-sleeve hem. Pulp 1950s romance-comic shading inside the cel work. Uniform soft studio lighting. Crisp lineart, no other characters in frame. Tone: solid, sturdy, well-built masculine page — built like a workhorse, not ornamented like a showpiece., sharp lines, vivid colors, high contrast, ink strokes, tall, long torso, broad shoulders, muscular arms, abs, slim midsection, athletic, muscle_enhancer
Darmani
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Avatar image of Darmani
character: hibiki_ryouga, sharp lines, vivid colors, high contrast, ink strokes, tall, long torso, broad shoulders, muscular arms, abs, slim midsection, athletic, muscle_enhancer, Character design sheet for RYOGA HIBIKI titled "THE BARBERED PAGE — HAIRY HEAVY BOX v3", plain neutral off-white paper-textured background ruled with thin grid lines. character: ryoga_hibiki, redesigned form. REVISION HIGHLIGHTS: PELT-LEVEL body hair across every visible plane; a BLUNDER CHIN that juts forward with a slack lower-jaw fold distinguishing him from Ranma; more BOX-LIKE silhouette with minimal waist taper. BODY-AND-HAIR BUILD: a BRICK-CUT BOX silhouette — broad square shoulders nearly equal in width to deep chest, the rib-cage wide and thick, and the hips roughly matched to the shoulder-girth so the figure reads as a rectangular block — NO athletic V-taper, the waist is hardly smaller than the chest. Dense heavy muscle mass uniformly. Pelting body hair at PELT LEVEL — chest hair a thick dark mat across the full chest sweeping down a heavy abdominal trail into the belly button and across the upper groin, dense patches across the clavicle and onto the front deltoids, a heavy pelt across the upper back and shoulder-blades, hairy forearms AND upper arms, fuzzy sideburns merging into chest fur, hair along the outer lats visible from the side, thick furring down the quad and around to the inner thigh and the lower leg. The fur appears coarse and unkempt, regrown — not groomed — making him visibly beastlier than typical shonen heroes. The hair on the head stays trimmed in the swept-back mane with low ponytail at the nape, but everything from the collar down is a pelt. BLUNDER CHIN: a heavy, jutting, blunt chin that BULGES forward under the mouth with a slight slack under-jaw fold, broad and heavy across the lower face, distinctly NOT slim like Ranma's lean jaw — a square blunt lower face that gives him a brooding bulldogdy sulk at rest. The jaw's weight shows through every angle: side, three-quarter, and especially the front "scowl" expression. Filed human teeth only a faint canine ghost. Page of the household — modest TAN-COLORED FULL-COVERAGE BOXER-BRIEF underpants (snug waistband, proper boxer cut, NO thong, NO string-side, NO pouch emphasis, NO anatomical detail). NOTHING ELSE. Bare chest, bare arms, bare legs. Indigo wrist-tie retained. Layout on tall portrait sheet: TOP STRIP three rectangular panels in a horizontal row, all with the new pelt and chin: panel 1 HAUL FRONT — Ryoga facing the viewer carrying two water-barrels on a yoke across the traps, the dense pelt clearly visible across chest and belly, blunder chin jutting forward with a brooding scowl, square brick torso under load; panel 2 BACK WING-POSE — back turned, lats flared wide, dense back pelt sweeping across the shoulder-blades into a heavy mat, the brick-cut mass from behind with the brief riding high on the wide back-hip line; panel 3 SPAR STANCE — facing viewer with fists up, pelt visible across chest and belly, blunder chin jutting forward, snarl-yaa expression, fists ready. MIDDLE — 3-view turnaround vertical stack in just the tan trunks + wrist-tie: FRONT (brick-cut, broad-shouldered, deep heavy chest, thick pelt visible from clavicle to naveline, blunder chin jutting forward with slack under-fold); THREE-QUARTER (the heavy blunt jaw in profile-blend, broad rib-block, the brick waist-line with little taper, dense hair across chest and shoulders); SIDE BACK (heavy shoulder-blade pelt visible from the side, lat flare, the wide box silhouette from the side confirming the lack of taper, low ponytail at the nape). BOTTOM STRIP two detail panels: panel A BLUNDER CHIN — extreme close-up of the heavy jutting blunt chin with the slack under-fold, the brooding bulldog face from chin-up, distinguishing him from Ranma's slimmer jawline; panel B PELT DETAIL — close-up of the dense chest-and-belly pelt, hair swept across the clavicle into a thick abdominal trail, the coarse texture of the regrown fur. Soft ember-and-gold ink accents only on the wrist-tie. Pulp 1950s romance-comic shading inside the cel work. Uniform soft studio lighting. Crisp lineart. Tone: lumbering bulky page, gym-built but box-cut and pelt-burdened, sulky bulldog-brooding — clearly NOT Ranma.
Darmani
#Demon Slayer: Kimetsu no Yaiba

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