Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store โ€” Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively wโ€ฆ

View details
AI art "The Master Blacksmith Orc at Work"
Generate New ArtworkGenerate for FreeGenerate for Free

The Master Blacksmith Orc at Work

I'm absolutely captivated by the quiet focus of this master blacksmith as she meticulously crafts a golden prosthetic. The way the pixel art captures the warmth of the forge and her impressive strength creates such a compelling and cozy atmosphere. If you enjoy this piece, please give it a like and follow for more fantasy-inspired creations, and let me know what you think in the comments!

Contest Entry
The World of Pixel Art
#Pixel art#blue hair#blue eyes#Girl#Green Skin#Blacksmith#Muscular female#Female orc
Avatar image of Gundam Enjoyer
avatar-frame

Gundam Enjoyer

More to See

Comments

beautiful light, best shadow, color blink, anime_style, highly polished anime artwork, clean and bold lineart, polished cel shading, strong light and shadow separation, clean shadow shapes, dimensional character rendering, strong three-dimensional depth, polished digital painting, vibrant colors, realistic depth, highly detailed background, atmospheric scene, detailed eyes, cinematic angle, coarse pixel art, low-resolution pixel art, chunky pixelation, pixelated edges, limited color palette, stepped shading, pixelated shading, hard color transitions, jagged pixel outlines, A horizontal wide shot, three-quarter view from her left side and slightly above, the camera at the height of her workbench, inside Kryseia's forge by the lake at dusk: the fire of the forge burns low and orange in the hearth at the back on the right, the anvil stands at the back of the frame, iron tools hang on the wall, the quench trough and a water barrel stand on the left, and the open doorway at the back shows the blue dusk over the water. Exactly one woman is in this picture, and nobody else is in the forge. The centre of the image is her bent head and her right hand with the screwdriver on the golden arm lying on the bench in front of her. Kryseia: an adult orc woman, 29 years old, 210 cm tall, built like an athlete rather than a labourer, with dark olive-green skin, lean hard defined muscle across her shoulders, her arms and her back, wide shoulders, a strong back, a hard flat stomach and a strong waist, no heavy bulk on her, a medium chest, firm, coarse dark tufts of hair under her arms that she has never shaved, long blue hair with the sides of her head shaved short and the rest of it tied back off her face, small tusks rising from her lower jaw, pointed ears, dark eyes, both of them healthy, open and normal, and no scars on her face. She is dressed for the work: a coarse grey tank top soaked dark with sweat, a thick heavy leather apron over it that hangs from its single strap over her right shoulder, long work trousers of heavy dark cloth, and reinforced work shoes. Her right arm is her own, thick and muscled, covered in small pale burns and old cuts from the forge. Her left arm was cut off just below the elbow and the end of it is wrapped in a few tight turns of clean white cloth; her left elbow is hers, of flesh and bone, and it is bent, with the short wrapped end of her left arm resting on the edge of the bench. She sits on a low wooden stool with her back straight and her shoulders bent forward over the work, her knees apart and her feet planted flat on either side of the stool, and her long trousers hang straight and flat over her hips and her thighs. Her right hand is closed around the handle of a thin steel screwdriver: its tip is set into a small brass screw on the shoulder plate of the golden arm and her wrist is turning it, and her fingers are steady around the handle. Lying on the bench in front of her is her artificial arm, taken off and half taken apart: it is the heavy golden sleeve of plate armour that she forged herself, deliberately simple and plain, made of overlapping plates of burnished gold riveted together with darker brass rivets and ending in a thick hand of gold with five short blunt fingers and a thumb, with no nails, the knuckles of each finger riveted with dark pins; the gold is burnished and matte rather than shining, worn and scratched from the forge, with dark patina sitting in the crevices between the plates, and the edges of the plates are hammered and uneven. Three of its plates are off and lying open beside it on the bench, its single wrist joint is open and shows the dark leather padding inside it, and its thin dark leather straps and its little brass screws and rivets are laid out in a neat row along the front edge of the bench. The bench itself is heavy dark wood, scarred and burned, with an iron vice clamped at its right end. Her whole body is wet and shining with sweat: drops of it run down her temples and past her ears, down her neck and her collarbone, and more of it is beaded on her bare shoulders and down her right arm; the dark wet cloth of her tank top is stuck flat to her chest and her back, with the sweat spreading in dark patches under her arms and down the middle of her back. She still has the marks of the work on her: matte black smudges of soot are smeared across her right hand and up her right forearm to the elbow, a stripe of soot crosses her cheek and her temple, and the sweat has cut thin clean lines through it; the soot is dry and matte and it stands out against the wet shine of her skin. Her face is concentrated: her head is bent down, her chin tucked toward her chest, her dark eyes are fixed down on the screw and on the tip of the screwdriver, her brows are drawn together and low over them, her mouth is closed and pressed flat, and her jaw is set. The warm orange light of the forge is the key light and it falls exactly where the work is, on her bent face, on her right hand and on the gold of the arm lying on the bench, with a rim light along her bare left shoulder and the white cloth on the end of her left arm; the cold blue dusk comes in through the open doorway at the back on the left and rims her back and her shaved temple; the two lights do not meet and the anvil stays half in the dark. Shallow depth of field: the anvil, the tools on the wall, the water barrel and the open doorway blur into soft dark bokeh. Everything is frozen at one instant: the tip of the screwdriver stops against the head of the screw, a drop of sweat stops on the edge of her jaw, the sparks of the forge hang in the air over the hearth without falling, the small screws and the plates stay exactly where they are on the bench, and nothing in the frame is moving. Deep shadows, iron tools on the wall, the open doorway with the blue dusk beyond it, high contrast dark moody anime illustration, mature., kawaii, detailed illustration, realistic style, surrealism, hdr, high contrast, masterpiece, best quality, photorealistic, ultra realistic details, detailed skin, 8k wallpaper., cinematic lighting, soft light, color detail, backlighting, depth of field, long exposure, light steps, intricate colors, semi-realistic style, painted illustration, defined facial features, thick eyelashes, gradient shading, subtle blush, soft shadows, high-detail rendering., flawless anatomy, beautiful body, intricate texture details, elegant accessories, anime eyes, douyin eyes, high detail eyes, multicolored iris, detailed iris, full lashes, dark lashes
Show Parameters
Original Prompt
A horizontal wide shot, three-quarter view from her left side and slightly above, the camera at the height of her workbench, inside Kryseia's forge by the lake at dusk: the fire of the forge burns low and orange in the hearth at the back on the right, the anvil stands at the back of the frame, iron tools hang on the wall, the quench trough and a water barrel stand on the left, and the open doorway at the back shows the blue dusk over the water. Exactly one woman is in this picture, and nobody else is in the forge. The centre of the image is her bent head and her right hand with the screwdriver on the golden arm lying on the bench in front of her. Kryseia: an adult orc woman, 29 years old, 210 cm tall, built like an athlete rather than a labourer, with dark olive-green skin, lean hard defined muscle across her shoulders, her arms and her back, wide shoulders, a strong back, a hard flat stomach and a strong waist, no heavy bulk on her, a medium chest, firm, coarse dark tufts of hair under her arms that she has never shaved, long blue hair with the sides of her head shaved short and the rest of it tied back off her face, small tusks rising from her lower jaw, pointed ears, dark eyes, both of them healthy, open and normal, and no scars on her face. She is dressed for the work: a coarse grey tank top soaked dark with sweat, a thick heavy leather apron over it that hangs from its single strap over her right shoulder, long work trousers of heavy dark cloth, and reinforced work shoes. Her right arm is her own, thick and muscled, covered in small pale burns and old cuts from the forge. Her left arm was cut off just below the elbow and the end of it is wrapped in a few tight turns of clean white cloth; her left elbow is hers, of flesh and bone, and it is bent, with the short wrapped end of her left arm resting on the edge of the bench. She sits on a low wooden stool with her back straight and her shoulders bent forward over the work, her knees apart and her feet planted flat on either side of the stool, and her long trousers hang straight and flat over her hips and her thighs. Her right hand is closed around the handle of a thin steel screwdriver: its tip is set into a small brass screw on the shoulder plate of the golden arm and her wrist is turning it, and her fingers are steady around the handle. Lying on the bench in front of her is her artificial arm, taken off and half taken apart: it is the heavy golden sleeve of plate armour that she forged herself, deliberately simple and plain, made of overlapping plates of burnished gold riveted together with darker brass rivets and ending in a thick hand of gold with five short blunt fingers and a thumb, with no nails, the knuckles of each finger riveted with dark pins; the gold is burnished and matte rather than shining, worn and scratched from the forge, with dark patina sitting in the crevices between the plates, and the edges of the plates are hammered and uneven. Three of its plates are off and lying open beside it on the bench, its single wrist joint is open and shows the dark leather padding inside it, and its thin dark leather straps and its little brass screws and rivets are laid out in a neat row along the front edge of the bench. The bench itself is heavy dark wood, scarred and burned, with an iron vice clamped at its right end. Her whole body is wet and shining with sweat: drops of it run down her temples and past her ears, down her neck and her collarbone, and more of it is beaded on her bare shoulders and down her right arm; the dark wet cloth of her tank top is stuck flat to her chest and her back, with the sweat spreading in dark patches under her arms and down the middle of her back. She still has the marks of the work on her: matte black smudges of soot are smeared across her right hand and up her right forearm to the elbow, a stripe of soot crosses her cheek and her temple, and the sweat has cut thin clean lines through it; the soot is dry and matte and it stands out against the wet shine of her skin. Her face is concentrated: her head is bent down, her chin tucked toward her chest, her dark eyes are fixed down on the screw and on the tip of the screwdriver, her brows are drawn together and low over them, her mouth is closed and pressed flat, and her jaw is set. The warm orange light of the forge is the key light and it falls exactly where the work is, on her bent face, on her right hand and on the gold of the arm lying on the bench, with a rim light along her bare left shoulder and the white cloth on the end of her left arm; the cold blue dusk comes in through the open doorway at the back on the left and rims her back and her shaved temple; the two lights do not meet and the anvil stays half in the dark. Shallow depth of field: the anvil, the tools on the wall, the water barrel and the open doorway blur into soft dark bokeh. Everything is frozen at one instant: the tip of the screwdriver stops against the head of the screw, a drop of sweat stops on the edge of her jaw, the sparks of the forge hang in the air over the hearth without falling, the small screws and the plates stay exactly where they are on the bench, and nothing in the frame is moving. Deep shadows, iron tools on the wall, the open doorway with the blue dusk beyond it, high contrast dark moody anime illustration, mature. ,kawaii,detailed illustration, realistic style, surrealism, hdr, high contrast, masterpiece, best quality, photorealistic, ultra realistic details, detailed skin, 8k wallpaper.,cinematic lighting, cinematic angle, soft light, color detail, backlighting, depth of field, long exposure, light steps, intricate colors, vibrant colors,semi-realistic style, painted illustration, defined facial features, detailed eyes, thick eyelashes, gradient shading, subtle blush, soft shadows, high-detail rendering.,flawless anatomy, beautiful body, intricate texture details, elegant accessories,anime eyes, douyin eyes, detailed eyes, high detail eyes, multicolored iris, detailed iris, full lashes, dark lashes,
Mode
pro
Size
768 x 1280
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.94k
Cinematic Lighting - AI Model cover image

User LoRA

Cinematic Lighting
6.33k
Beautiful colors V2 - AI Model cover image

User LoRA

Beautiful colors V2
9.30k
NSFW tsubaki.3 anime style - AI Model cover image

User LoRA

NSFW tsubaki.3 anime style
35
่’ใƒ‰ใƒƒใƒˆ็ตต้ขจ / Coarse Pixel Art - AI Model cover image

User LoRA

่’ใƒ‰ใƒƒใƒˆ็ตต้ขจ / Coarse Pixel Art
29

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
์Œ์•ˆ
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์Œ๋ญ์ง€ ์•ˆ๋˜์„œ ๋‹ค์‹œ ๋ถ€๊ณ„๋งŒ๋“ฌ
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile