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- 荒野の真ん中,小さいコンクリートの小屋の後ろで頭を抱え体操座りで膝に顔を埋める少女,小屋の前から歩いてくる巨大な怪物,怪物は黒く布のように垂れた物があり5本足顔が動物の骨,怪物の後ろから砂煙が立ち嵐が起きている
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- lowres, worst quality, low quality, bad anatomy, explicit
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1girl, 1monster, giant, size difference, wasteland, wilderness, storm, sandstorm, dust, dust cloud, small concrete shack, crouching, clutching head, covering ears, trembling, fear, terrified, hiding, ragged clothes, towering monster, animal skull, skull face, draped cloth, black cloth, shredded fabric, tattered, low angle, wide shot, dynamic composition, cinematic lighting, ominous
From a low-angle wide perspective positioned close to the ground behind a small, weathered concrete shack, a terrified young girl cowers in the dirt, pressed hard against the rough exterior wall. She is huddled in a tight defensive ball, knees tucked to her chest and both hands clamped frantically over her head and ears, knuckles white as she trembles. Her windblown dark hair and dusty, simple tunic whip in the violent eddies of air, her eyes clenched shut and face scrunched down toward the gravel in desperate concealment. Looming colossally over the roof from the front of the shack, a gargantuan black monster strides forward across the arid ground, dwarfing the entire concrete structure. Its towering body is draped in thick, shredded black fabric that hangs like funeral shrouds and tears in ragged strips against the wind, while its countenance is formed entirely of an immense, bleached animal bone skull with deep hollow sockets. Behind the advancing colossus, a ferocious sandstorm churns across the barren wilderness, throwing up massive plumes of beige dust and choking sand that twist into dark, tempestuous storm clouds overhead. Loose grit and pebbles stream horizontally across the arid earth, skirting past the concrete corner that shields the girl from the full brunt of the gale. Filtered ochre light cuts through the churning squall, casting heavy, abyssal shadows across the ground beneath the monster's stomping footfalls. Suffocating dread.
まな
Nightmare’s head resembles a vaguely humanoid silhouette, though its exact shape seems to subtly change whenever it is observed. Dark red and black surfaces shift beneath a thin layer of shadow, not like flesh moving, but like an endless depth existing behind the suggestion of a face. There is no mouth, nose, or ears. Two dark green eyes stare outward from the shifting darkness, unnaturally clear and perfectly still. Two thin, perfectly straight horns extend vertically from the crown of his head. They appear almost too geometrically precise to be natural, disappearing upward into the fog. At times, they seem impossibly distant despite being only inches above his head. When Nightmare chooses to open his face, it does not move like an ordinary mouth. The entire shape of his face simply divides along impossible vertical and horizontal lines, unfolding into a four-part opening that reveals an infinite-looking darkness filled with rows of pitch-black teeth. The interior seems far larger than his head should physically allow. From this darkness emerges a long, slender tongue-like appendage. Its movements are slow and deliberate, almost curious. At its tip is a single bloodshot eye that constantly watches from a different direction than Nightmare's other eyes. His neck is unnaturally long and slender, connecting his head to a vaguely humanoid torso. His proportions are subtly wrong, as though they were calculated from an unfamiliar understanding of anatomy. His arms are extremely long and thin, extending farther than they should. Their lower portions dissolve into flowing red-black tendrils that constantly drift and rearrange themselves, never quite maintaining the same shape. Each hand possesses three elongated fingers, though their exact number occasionally seems impossible to determine. The fingers taper into tendril-like points and are coated in a dark red substance that falls upward into the fog rather than downward. His torso resembles the suggestion of a skeletal frame rather than an actual skeleton. An enormous open ribcage surrounds a seemingly bottomless interior. Rather than organs, there is only an abyss of shifting crimson and black shapes. Looking into the space between his ribs gives the disturbing impression of looking somewhere that is not physically present. His lower body is even less comprehensible. Fourteen extremely long, insect-like appendages descend into the fog, supporting a lower form whose silhouette constantly changes. At a glance, the legs resemble those of some enormous arthropod, but their joints do not consistently bend in the same directions. Some seem to disappear entirely before reappearing farther away. The rest of his lower body is concealed within an ever-moving mass of darkness, faint red shapes, and indistinct geometric structures. Nothing about it remains completely consistent for more than a moment. A long, impossibly thin, tendril-like appendage extends behind him. It moves independently of his body, drifting through the air as though submerged in invisible water. At its end is something resembling a human hand. The hand is unnaturally symmetrical. Its long fingers slowly flex and unfold, sometimes pointing toward things that Nightmare himself does not appear to notice. Occasionally, the hand seems to be several feet away from the end of the tail without the intervening appendage actually becoming longer.
Bunny D. Kubo
Nightmare’s head resembles a vaguely humanoid silhouette, though its exact shape seems to subtly change whenever it is observed. Dark red and black surfaces shift beneath a thin layer of shadow, not like flesh moving, but like an endless depth existing behind the suggestion of a face. There is no mouth, nose, or ears. Two dark green eyes stare outward from the shifting darkness, unnaturally clear and perfectly still. Two thin, perfectly straight horns extend vertically from the crown of his head. They appear almost too geometrically precise to be natural, disappearing upward into the fog. At times, they seem impossibly distant despite being only inches above his head. When Nightmare chooses to open his face, it does not move like an ordinary mouth. The entire shape of his face simply divides along impossible vertical and horizontal lines, unfolding into a four-part opening that reveals an infinite-looking darkness filled with rows of pitch-black teeth. The interior seems far larger than his head should physically allow. From this darkness emerges a long, slender tongue-like appendage. Its movements are slow and deliberate, almost curious. At its tip is a single bloodshot eye that constantly watches from a different direction than Nightmare's other eyes. His neck is unnaturally long and slender, connecting his head to a vaguely humanoid torso. His proportions are subtly wrong, as though they were calculated from an unfamiliar understanding of anatomy. His arms are extremely long and thin, extending farther than they should. Their lower portions dissolve into flowing red-black tendrils that constantly drift and rearrange themselves, never quite maintaining the same shape. Each hand possesses three elongated fingers, though their exact number occasionally seems impossible to determine. The fingers taper into tendril-like points and are coated in a dark red substance that falls upward into the fog rather than downward. His torso resembles the suggestion of a skeletal frame rather than an actual skeleton. An enormous open ribcage surrounds a seemingly bottomless interior. Rather than organs, there is only an abyss of shifting crimson and black shapes. Looking into the space between his ribs gives the disturbing impression of looking somewhere that is not physically present. His lower body is even less comprehensible. Fourteen extremely long, insect-like appendages descend into the fog, supporting a lower form whose silhouette constantly changes. At a glance, the legs resemble those of some enormous arthropod, but their joints do not consistently bend in the same directions. Some seem to disappear entirely before reappearing farther away. The rest of his lower body is concealed within an ever-moving mass of darkness, faint red shapes, and indistinct geometric structures. Nothing about it remains completely consistent for more than a moment. A long, impossibly thin, tendril-like appendage extends behind him. It moves independently of his body, drifting through the air as though submerged in invisible water. At its end is something resembling a human hand. The hand is unnaturally symmetrical. Its long fingers slowly flex and unfold, sometimes pointing toward things that Nightmare himself does not appear to notice. Occasionally, the hand seems to be several feet away from the end of the tail without the intervening appendage actually becoming longer.
Bunny D. Kubo
Killing European Sons (Version3)
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