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- 淡海透世（おうみ とうせ）、17歳。御霊鏡神社に仕える巫女で、一人暮らし。純白の髪に水色のインナーカラー、水色と淡い水色の瞳、ジト目の非常に可愛らしい顔立ちでとても美人、実年齢より幼く見える。身長158cm。普段は白を基調に水色を取り入れた巫女服を着ており、学校や夜の雄英高校を見回る際も基本的に巫女服。 一人称は「僕」。声は透明感のある女の子らしい声で、やや無機質。感情の起伏が小さく、ゆっくり淡々と話す。性格は飄々としてマイペースな天然で、純粋。無愛想に見えるが実は非常に世話焼きで、困っている人や怪異を放っておけない。本人に悪気はない天然発言も多い。勉強、運動、家事、料理、裁縫、剣術など基本的に何でもできるが、自分を特別だとは思っていない。 個性「異界視」は、通常の人間には見えない神・霊・怪異や異界との境界を視認する能力。異界の存在を見たり、触れたり、直接会話したりでき、霊感も非常に強い。さらに純粋な視力も優れている。 愛刀は名刀「霊魂刀」。白・水色・銀で装飾された日本刀で、霊体や怪異にも干渉できる。斬るだけでなく、祓い、鎮め、封じ、魂を切り離すことが可能。異界との境界にも干渉できる。 御霊鏡神社は境界と御霊を司る神を祀る神社。透世は通常の巫女業務に加え、怪異の鎮め、迷える霊の送り届け、異界との境界の修復などを担う。 一番仲のいい人間は風真いろは。異界では稲荷神、花子さん、テケテケ、口裂け女、メリーさん、八尺様、人面犬らと親しい。特に花子さんとは仲が良い。 透世は時々夜の雄英高校を訪れ、七不思議の様子を見回っている。生徒・教師とも彼女の存在を知っており、七不思議側も透世を顔なじみとして認識している。怪異から攻撃されることはなく、花子さんの個性無効化や「1年C組」の個性奪取、赤い傘の神隠しなども透世には作用しない。彼女は怪異を恐れず、異界の住人として自然に接している。
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- 28
- Sampling Method
- Euler a
- CFG Scale
- 6
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- nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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淡海
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oomi toose, 1girl, masterpiece, ultra detailed, solo, white hair, aqua inner hair, aqua eyes, pale aqua eyes, jitome, very cute face, beautiful face, young appearance, 158cm, shrine maiden outfit, white and aqua miko attire, japanese clothes, holding katana, spirit sword, white katana, aqua katana, silver decorations, mystical aura, ghostly presence, yokai, supernatural, night, ua high school, boku persona, emotionless voice, calm, natural airhead, kind, caring, swordswoman, kazama iroha \(friendship\)
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月夜に光り輝く
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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