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- Original Prompt
- masterpiece, best quality, 1boy, solo, detailed illustration, handsome,25years old, short-medium black hair, neatly styled, blunt bangs, beautiful face, long eyelashes, tear troughs, sharp gray eyes, beautiful detailed eyes, intricate pupils, narrow eyes, pearly-white skin, refined Japanese fantasy fashion, elegant traditional Japanese silhouette, traditional kimono and long hakama, kimono collar, slightly open neckline, emonnuki, lowered back collar, visible nape, wide relaxed kimono sleeves, two visible arms, two visible sleeves, hands visible emerging naturally from the kimono sleeves, long hakama, deep pleats, graceful flare, wide obi at natural waist level, horizontal obi bow, short obi tails, braided obi cord, motif centerpiece, small tassel, short decorative Japanese stole, one-shoulder placement, front placement, lightly draped over one sleeve, ends at waist to upper-thigh level, minimal rear drape, separate from kimono and obi, does not hide arms or sleeves, embroidered edge, traditional Japanese kanzashi, motif kanzashi, traditional kumihimo braided hair cord, understated Japanese-style boots, fine thread embroidery stitched directly into the fabric, delicate embroidery integrated with the textile, balanced negative space, restrained decoration
- Size
- 768 x 1280
- Sampling Steps
- 30
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked, long face, elongated face, horse face, horselike face, stretched face, narrow face, long nose, oversized nose, huge jaw, long chin, distorted face, deformed face, asymmetrical face, ugly face, bad face, facial distortion, tiny eyes, uneven eyes, crossed eyes, blurry face, blurry eyes, low detail face, bad anatomy, bad proportions, extra arms, extra hands, extra fingers, fused fingers, missing fingers, extra limbs, duplicate character, background people, crowd, staff, customers, multiple characters, text, watermark, logo
Face Fix
HiRes
Model & LoRA used
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フ
1boy, solo, tall male, slender, model physique, thin, lanky, extremely handsome, devastatingly beautiful, ethereal beauty, melancholy aura, alluring, bewitching, every gesture is seductive, pale skin, black eyes, long black hair, blunt ends, hair past thighs, loose low side ponytail, white ribbon, hime cut, narrow tsurime eyes, long eyelashes, pale pink lips, tinted eye area, dangerous beauty, captivating, black-based japanese clothing, kimono, score_9, score_8_up, score_7_up, source_anime, (((masterpiece, intricate details, ultra hires, illustration, detailed, 4k, highest quality, ultra hd, high resolution, absurdres, 8k, official visual, sharp lines, vivid contrast, glossy texture, aesthetic))), sketch, messy sketch, creamy rendering, messy render, semi-realistic, semi-realistic style, muted soft colors, sketchy details, sharp lineart, subtle shading, expressive eyes
フランベ
可愛い
りぅ
フ
1boy, solo, tall male, slender, model physique, thin, lanky, extremely handsome, devastatingly beautiful, ethereal beauty, melancholy aura, alluring, bewitching, every gesture is seductive, pale skin, black eyes, long black hair, blunt ends, hair past thighs, loose low side ponytail, white ribbon, hime cut, narrow tsurime eyes, long eyelashes, pale pink lips, tinted eye area, dangerous beauty, captivating, black-based japanese clothing, kimono, score_9, score_8_up, score_7_up, source_anime, (((masterpiece, intricate details, ultra hires, illustration, detailed, 4k, highest quality, ultra hd, high resolution, absurdres, 8k, official visual, sharp lines, vivid contrast, glossy texture, aesthetic))), sketch, messy sketch, creamy rendering, messy render, semi-realistic, semi-realistic style, muted soft colors, sketchy details, sharp lineart, subtle shading, expressive eyes
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Kaza
NicoSinMas
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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