Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

エレシュキガル&イシュタル・Fate/Grand Order

「Fate/Grand Order」から、エレシュキガルとイシュタルが仲良く手を繋いでいる姿を描きました!二人の絆を感じられるこの瞬間がとても好きで、見ていると心が和みます。気に入っていただけたら、いいねとフォローをお願いします!コメントで感想も聞かせてくださいね。

#Fate series#Fate/Grand Order#Ishtar#Ereshkigal#Honkai Series
More to See

Comments

character: ishtar_(fate), ereshkigal_(fate). A medium shot from a front-facing angle shows ishtar_(fate) and ereshkigal_(fate) walking side-by-side on a date, holding hands and looking at the viewer with joyful smiles. To the left, ishtar_(fate) has long black hair tied into high twin side-tails with black ribbons, wearing a light blue and white Gothic Lolita dress. To the right, ereshkigal_(fate) has long blonde hair tied into high twin side-tails with red ribbons, wearing a white and pink Gothic Lolita dress. Ishtar wears a black crown-like ornament on the back of her head. They are positioned centrally in the frame, their fingers interlaced as they walk. The background is a soft, blurred street scene. The visual style is an anime illustration reflecting Takashi Takeuchi's art style, featuring clean line work, a bright color palette, and a cheerful, romantic atmosphere.
Show Parameters
Original Prompt
FGOイシュタルが一人だけ 黒髪高い位置でツインサイドテールで黒いリボン 後ろに黒い王冠のようなもの FGOエレシュキガルが一人だけ 金髪高い位置でツインサイドテールで赤いリボン エレシュキガルは白色とピンク色のゴスロリ衣装、イシュタルは水色と白色のゴスロリ衣装を着て手繋ぎデート 笑顔はこちらへ 武内崇風の作画 膝まで描く それぞれの腕は2本までしか描かない
Mode
lite
Size
1280 x 768

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬