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AI art "新山聡美(トラフグ漁体験)"
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新山聡美(トラフグ漁体験)

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#MILF#Hat#Ocean#Rain boots#Ship#rubber gloves#Sound! Euphonium#Satomi Niiyama#Blue Gloves#Puffer fish
北

北宇治高校仙台分校

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, no bangs hanging over the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, very very long almond-shaped large eyes, thick eyelashes, high hairline, longer distance between hairline and eyebrows, center part starting high on the crown, middle-aged women, 33-years-old, medium breasts, if the left ring finger is depicted, place a wedding ring only on the left ring finger. Describe a natural and realistic photo-like scene capturing the work scene of a fishing boat catching wild tiger pufferfish (torafugu) in Japanese coastal waters on a sunny day. This should be depicted as an actual fishing site where wild tiger pufferfish living naturally in the sea are being caught, not general fishing. A large amount of wild tiger pufferfish are landed on the deck of the fishing boat, and wild tiger pufferfish are also inside the fishing nets. Create a realistic documentary photograph of the fishery where it is immediately clear that fishermen are handling tiger pufferfish. The entire screen is illuminated by natural sunlight under a bright clear sky, with the blue sea and a pale blue sky extending in the background. It is the deck of a small fishing boat used for actual coastal fishing, not a tourist boat. On the ship are fishing nets, ropes, hoses, metal fishing gear, fish sorting tools, and large fish crates, giving a sense of daily life and usage typical of an actual fishing operation site. Place one woman prominently in the center of the screen, engaged in the work of catching wild tiger pufferfish. The woman should be dressed in clothing that looks natural for a fishery worker catching wild tiger pufferfish on a coastal boat. She wears a white or very light gray long-sleeved shirt under white or pale light blue waterproof chest-high work overalls, making it practical clothing suitable for fishing work. She wears thick blue rubber work gloves on both hands and waterproof boots on her feet. For a hat, she wears a simple black or dark navy cap to protect her face from the strong sunlight. Avoid decorative clothes or flashy accessories, depicting her naturally as a woman actually fishing. Her long hair is tied low in a single ponytail at the back of the head so it doesn't interfere with work, with the hair flowing naturally from under the hat. The hairstyle should be practical, modest, and a natural tie that does not easily come undone during work. The woman stands near the center of the ship, using both hands to lift a green fishing net containing wild tiger pufferfish, in the middle of pulling it up onto the boat. Her body is tilted slightly forward in a natural working posture to pull the heavy net. One hand is raised high while the other firmly supports the net. Ensure the woman's blue rubber gloves and the green fishing net are clearly visible. Inside the fishing net she is lifting are several wild tiger pufferfish. The tiger pufferfish should not be typical elongated fish, but have the unique plump, rounded body shape, white to pale gray bellies, dark brown to dark gray tiger-like mottled patterns on the back, short rounded fins, and the large head and mouth characteristic of pufferfish. The surface of the fish is naturally glistening from seawater, realistically depicted as fresh wild fish. It should be immediately clear that the fish in the net are wild tiger pufferfish. The woman's gaze is directed toward the fishing net she is lifting and the wild tiger pufferfish inside it. Her expression is calm and natural while concentrating on the work. She should not look at the camera; depict it as a moment captured during the process of landing wild tiger pufferfish. In the foreground, place several large blue or light blue plastic fish crates containing a large amount of wild tiger pufferfish. The pufferfish in the crates should not be just a few, but a large quantity overlapping each other. The wild tiger pufferfish in the crates should clearly show the unique rounded plump body, white to pale gray coloration, dark brown tiger-like mottled patterns from the back to the sides, white bellies, and the characteristic round head and large mouth of a pufferfish. Do not make the fish look like typical horse mackerel, mackerel, sardines, tuna, or bonito; depict all primary fish as wild tiger pufferfish. The few fish at the very front of the crates should appear particularly large, making the body shape and mottled patterns clearly recognizable. Furthermore, place a few wild tiger pufferfish near the woman's hands that have fallen from the net to emphasize that she is actually landing tiger pufferfish. All primary fish in the net, near the woman's hands, and in the fish crates should be unified as the same wild tiger pufferfish. On the left side of the screen, place only one other fishery worker, making it look as if they are handling the net containing wild tiger pufferfish together with the woman. Treat this person as a background worker, drawing them smaller than the central woman and not applying character LoRA features. The worker on the left also wears blue waterproof work clothes and rubber gloves, supporting the net. Ensure the central woman and the background worker do not look like the same person. In the background, the wheelhouse of the small fishing boat, metal railings, ropes, fishing gear, and ship machinery are visible, with the blue sea and horizon stretching beyond. The hull is a practical small fishing boat based on white and green, with a used feel typical of a real fishing boat, including light dirt and fading due to seawater. Fishing nets and ropes used for tiger pufferfish fishing are placed haphazardly on deck, creating a sense of presence typical of a site immediately after a catch. The deck has wetness from seawater, slight gloss from fish scales and mucus, and fine dirt, creating a realistic working environment during fishing. Bright sunlight illuminates the entire ship, hitting the woman, the net, the tiger pufferfish, the fish crates, the hull, and the background person with the same natural light. There are natural reflections on the wet surfaces of the wild tiger pufferfish, and the tiger-like patterns and white bellies are clearly visible. Avoid making only the woman stand out as if in a studio shoot; ensure the people, fish, ship, and sea all exist within the same natural light. The camera is placed at approximately the same eye level as the workers on the ship, positioning the woman in the center while making the large amount of wild tiger pufferfish in the foreground crates appear large. Use a wide composition where the arm extended above the woman's head, the lifted net, the tiger pufferfish in the net, the foreground crates, the ship's gear, and the background sea can all be recognized simultaneously in one screen. Do not depict the woman simply as a model holding fish, but as "a worker in a wild tiger pufferfish fishery in the moment of pulling up and landing a net containing tiger pufferfish." Ensure that large quantities of wild tiger pufferfish with the same characteristics exist in both the fish crates and the net, so that just by looking at the image, it is clearly understood to be a site where wild tiger pufferfish are being caught. The entire photograph should emphasize natural reality, like a press or documentary photo taken at an actual coastal fishery site, faithfully depicting the fish species, the woman's working movements, the fishing net, fish crates, ship equipment, and the relationship between the sea and sky. Ensure that the woman's face, hair, and clothes are not overly beautified or like a modern commercial photo, but unified as one realistic scene of wild tiger pufferfish fishing on a fishing boat.
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Original Prompt
晴れた日の日本の沿岸海域で、天然とらふぐを漁獲する漁船の作業風景を撮影した、自然でリアルな写真のような情景を描写する。これは一般的な魚の漁ではなく、海で自然に生息している天然のとらふぐを実際に漁獲している漁の現場として描写する。漁船の甲板には天然とらふぐが大量に水揚げされ、漁網の中にも天然とらふぐが入っている。漁師がとらふぐを扱っていることが一目で分かる、臨場感のある漁業の記録写真にする。 画面全体は明るい晴天の自然光で照らされ、青い海と淡い青空が背景に広がっている。観光用の船ではなく、実際の沿岸漁業に使用されている小型漁船の甲板である。船上には漁網、ロープ、ホース、金属製の漁具、魚を選別する道具、大型の魚箱などがあり、実際に漁獲作業を行っている現場らしい生活感と使用感を持たせる。 画面中央に、天然とらふぐの漁獲作業をしている一人の女性を大きく配置する。 女性は、沿岸漁船で天然とらふぐ漁を行っている漁業従事者として自然に見える服装にする。白または非常に淡いグレーの長袖シャツの上に、白または淡い水色の防水性のある胸当て付き作業用オーバーオールを着用し、漁業作業に適した実用的な服装にする。両手には青色の厚手のゴム製作業手袋を着用し、足元は防水長靴にする。帽子は黒または濃紺のシンプルなキャップをかぶせ、強い日差しから顔を守る実用的な服装にする。装飾的な服や華美なアクセサリーは避け、実際に漁をしている女性として自然に描写する。 女性のロングヘアは漁の作業の邪魔にならないよう後頭部で低くひとつにまとめ、帽子の後ろから髪が自然に流れている状態にする。髪型は実用的で控えめにし、作業中にも崩れにくい自然なまとめ方にする。 女性は船の中央付近に立ち、天然とらふぐが入った緑色の漁網を両手で持ち上げて、船上へ引き上げている最中にする。身体はやや前方へ傾け、重い漁網を引き寄せる自然な作業姿勢にする。片方の手を高い位置に上げ、もう片方の手で網をしっかり支える。女性の青いゴム手袋と緑色の漁網が明確に見えるようにする。 女性が持ち上げている漁網の中には、複数匹の天然とらふぐが入っている。とらふぐは一般的な細長い魚ではなく、丸みを帯びてずんぐりとした独特の体形、白から淡い灰色の腹側、背側に黒褐色から濃い灰色の虎斑状の斑紋が入った体、短く丸みのある各ひれ、ふぐ特有の大きめの頭部と口元を持つ。魚の表面は海水で濡れて自然に光っており、新鮮な天然魚としてリアルに描写する。漁網の中の魚が天然とらふぐであることが一目で分かるようにする。 女性の視線は自分が持ち上げている漁網と、その中の天然とらふぐへ向ける。表情は作業に集中しながらも穏やかで自然な表情にする。カメラ目線にはせず、実際に天然とらふぐを水揚げしている作業の途中を撮影した瞬間として描写する。 画面手前には大型の青色または水色のプラスチック製魚箱を複数配置し、その中には大量の天然とらふぐが入っている。魚箱の中のとらふぐは数匹ではなく、複数匹が重なり合うほど大量に水揚げされている状態にする。 魚箱の中の天然とらふぐは、丸くふくらんだ独特の体形、白から淡い灰色の体色、背中から側面にかけて見られる黒褐色の虎斑模様、白い腹部、ふぐ特有の丸い頭部と大きめの口をはっきり見せる。魚を一般的なアジ、サバ、イワシ、マグロ、カツオなどの形にせず、すべての主要な魚を天然とらふぐとして描写する。魚箱の最も手前にある数匹は特に大きく見え、体形と虎斑模様が明瞭に認識できるようにする。 さらに女性の手元付近には、漁網からこぼれ落ちた天然とらふぐを数匹配置し、女性が実際にとらふぐを水揚げしていることを強調する。漁網の中、女性の手元、魚箱の中のすべての主要な魚が同じ天然とらふぐとして統一される。 画面左側には、女性とは別の漁業従事者を一人だけ配置し、女性と一緒に天然とらふぐの入った漁網を扱っているようにする。この人物は背景側の作業員として扱い、中央の女性より小さく描き、キャラクターLoRAの造形を適用しない。左側の作業員も青い防水作業着やゴム手袋などを着用し、漁網を支えている。中央の女性と背景作業員が同じ人物に見えないようにする。 背景には小型漁船の操舵室、金属製手すり、ロープ、漁具、船上の機械類などが見え、その奥に青い海と水平線が広がっている。船体は白と緑を基調とした実用的な小型漁船で、実際の漁船らしい使用感、軽い汚れ、海水による色あせなどを持たせる。 船上には天然とらふぐ漁に使用される漁網やロープが雑然と配置され、漁獲直後の作業現場らしい臨場感を出す。甲板には海水による濡れ、魚の鱗や粘液によるわずかな光沢、細かな汚れがあり、実際に漁をしている最中のリアルな作業環境にする。 明るい晴天の日差しが船上全体を照らし、女性、漁網、とらふぐ、魚箱、船体、背景の人物に同じ自然光が当たる。濡れた天然とらふぐの体表には自然な反射光があり、虎斑模様や白い腹部が明確に確認できる。女性だけがスタジオ撮影のように浮かび上がることは避け、人物も魚も船も海も同じ自然な光の中に存在しているようにする。 カメラは船上の作業員とほぼ同じ目線の高さに置き、女性を画面中央に配置しながら、手前の魚箱に入った大量の天然とらふぐが大きく見えるようにする。女性の頭上へ伸びた腕と持ち上げた漁網、漁網の中の天然とらふぐ、手前の魚箱、船上の漁具、背景の海まで、一つの画面で同時に認識できる広めの構図にする。 女性を単なる魚を持ったモデルとして描かず、「天然とらふぐ漁の作業員が、とらふぐの入った漁網を引き上げて水揚げしている瞬間」として描写する。魚箱にも漁網にも同じ特徴を持った天然とらふぐが大量に存在し、画像を見るだけで天然とらふぐを漁獲している現場だと明確に分かるようにする。 写真全体は実際の沿岸漁業の現場で撮影した報道写真や記録写真のような自然なリアリティを重視し、魚の種類、女性の作業動作、漁網、魚箱、船上設備、海と空の関係を忠実に描写する。女性の顔や髪、衣服だけが過度に美化されたり、現代的な広告写真のようになったりせず、漁船上の天然とらふぐ漁という一つの現実的な場面として統一する。
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pro
Quality Tag
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2048 x 1536
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lowres, worst quality, low quality, bad anatomy, explicit
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響け！ユーフォニアム 新山聡美 v3 (Niiyama Satomi | Hibike! Euphonium) - AI Model cover image

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響け！ユーフォニアム 新山聡美 v3 (Niiyama Satomi | Hibike! Euphonium)
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