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- Original Prompt
- 桃鈴ねね Momosuzu Nene ホロライブ 最高品質、傑作、超高精細、緻密な描写、美しい陰影 ホタテ貝殻のビキニ 白と淡いピンクを基調としたデザイン パールのビキニショーツ 光沢のあるパール 海をイメージしたアクセサリー イベントスタッフ風 笑顔でペットボトルの水を差し出している 両手で丁寧に渡している 親しみやすい自然な笑顔 元気で爽やかな雰囲気 自然な表情 自然な瞳のハイライト 繊細なキャッチライト 人物が画面の主役 太ももあたりまで映る構図 人物が画面の大部分を占める 夏のイベント会場 屋外特設ブース 「ミネラルウォーター無料配布」のポップ 青と白のテント ウォーターサーバー 氷の入ったクーラーボックス 積み重ねられたペットボトル 青空 入道雲 夏の日差し そよ風 来場者でにぎわうイベント会場 活気のある雰囲気 映画のワンシーン サマーフェスティバル シネマティックライティング soft facial lighting soft facial shadows 暖かな自然光 リムライト 空気感重視 物語性重視 natural body language fashion model pose editorial lifestyle photography cinematic composition focus on character storytelling movie still 35mm film ((perfect_hands:15)) ((masterpiece, best quality, ultra detailed, detailed eyes, high resolution, correct anatomy, proportional anatomy, detailed fingers, perfect hands, cute girl, dynamic angle)) ,((improve_image)),.
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 614 x 1024
- Sampling Steps
- 21
- Sampling Method
- Euler
- CFG Scale
- 6
- Negative
- bad quality, low quality, worst quality, lowres, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name, Sweat, motion lines, action lines, speed lines, dynamic lines, impact lines, shaking lines, comic lines, manga lines, expressive lines
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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