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AI art "ハロウィン" featuring #Halloween
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ハロウィン

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Halloween Costume Night#Halloween
Avatar image of 夜想羊

夜想羊

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1girl, witch, flying broom, failed landing, sudden stop, skirt flipping up, cape flipping up, holding down skirt, embarrassed, urgent expression, diagonal composition, dynamic pose, 3/4 view, torso twisted, S-curve posture, weight on one leg, asymmetrical knees, looking back at viewer, slight head tilt, gentle smile, one hand near face, other hand at waist, motion in progress, mid-action, slight perspective, 3/4 angle, hair flowing, ribbon flowing, sleeve flowing, skirt flowing, clothing folds, simple background, limited background, flat anime shading, cel shading, two-stage shadows, sharp shadow edges, delicate but clear lineart, detailed hair strands, detailed eyes, detailed fingers, key visual, commercial anime style, doujinshi cover style, character focus, eye guidance, readable pose, white background, semi-realistic, (rich colors), anime style, oil painting, watercolor texture, real skin, realistic shading, (focus character), character details, bold black lineart, strong lines, thick lines, crisp linework, sharp details, strong contrast, sharp focus
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Original Prompt
「魔女の飛行訓練、大失敗」ホウキの急停止に失敗してスカートやマントが大きくめくれ、本人は必死に押さえている。 >break キャラクター主体の高品質アニメイラスト。人物が画面の大部分を占めるが、極端な顔アップにはせず、頭から膝前後まで身体の流れがしっかり見える構図。 キャラクターの身体全体を画面の対角線に沿って斜めに配置する。頭を左上寄り、腰を中央付近、脚を右下方向へ流すような大胆な斜め構図。人物の中心を画面中央から少し外し、静的な立ち絵ではなく、一瞬の動作を切り取ったような構成にする。 ポーズはシルエットだけでも一目で分かる明快なもの。身体を真正面に向けず、胴体を3/4方向にひねる。肩と骨盤の向きを少しずらし、肩線と腰の傾きを逆方向にして、自然なS字の流れを作る。片脚に重心を乗せ、もう片方の脚は少し前または斜めに出して力を抜く。膝の高さや向きも左右非対称にする。 顔だけは身体の向きから少し戻してこちらを見る。首を軽く傾け、カメラへ視線を向ける。表情は自然で控えめな微笑み。大げさな表情ではなく、視線と顔の角度で距離感を作る。 片手は髪、耳、頬、リボンなど顔の近くに置き、顔への視線誘導に使う。もう一方の手は腰付近、衣服の裾、または身体から少し離した位置へ配置し、左右の腕を同じ形にしない。腕と胴体の間には適度な隙間を作り、輪郭が潰れないようにする。 「ポーズを取っている人物」ではなく、「振り返る途中」「髪を直している途中」「一歩踏み出した瞬間」「服の裾を整えた瞬間」など、動作の途中を描く。主動作は1つ、副動作を1つ程度に抑え、ポーズ自体は読みやすくする。 軽いパースを使い、カメラに近い手や脚だけ少し大きくする。ただし極端な広角表現にはしない。カメラ位置は真正面ではなく、少し上または少し下、さらに少し横へずらした3/4アングル。身体の立体感と斜め方向の流れが分かりやすい画角にする。 髪、リボン、袖、スカートなどは身体とは少し異なる方向へ流し、動きを補強する。髪の流れで顔を囲み、衣装のひだやしわで肩・腰・脚の向きを説明する。細かな装飾よりも、大きなシルエットと身体の流れを優先する。 背景は限定的で、人物より情報量を大幅に減らす。シンプルな壁、床、窓、カーテン、花、光など少数の要素だけで構成する。背景面積は小さめに感じるようにし、人物の周囲には十分なコントラストを確保する。暗い髪の後ろには明るい背景、明るい服の後ろには少し暗い背景を置き、輪郭を明瞭にする。 キャラクターの顔、瞳、髪、手、衣装の順に情報量を集中させ、背景は簡略化する。人物はシャープでくっきり、背景は控えめ。浅すぎる被写界深度で身体をぼかさず、顔から脚まで人物全体の形が読み取れるようにする。 塗りは多段階のフラットアニメ塗り。ベースカラー、1段目の影、2段目の濃い影、局所的なハイライトを明確に分ける。影の境界は比較的シャープで、エアブラシ主体の柔らかい厚塗りにはしない。肌、髪、衣装それぞれに2〜3段階のセル影を使い、立体感は保ちつつアニメ的な平面性を残す。線画は繊細だが明瞭。髪の束、輪郭線、目元、指先を特にはっきり描く。 全体として、商業アニメのキービジュアルや同人誌表紙のように、人物の存在感、視線誘導、斜め構図、ポーズの読みやすさを最優先する。華やかさは露出ではなく、身体のひねり、重心、視線、手足の非対称性、髪と衣装の流れ、カメラとの距離感で表現する。 避ける要素： 正面直立、左右対称のポーズ、棒立ち、顔だけの極端なアップ、上半身だけで身体の流れが分からない構図、背景過多、人物より目立つ風景、過剰なボケ、極端な魚眼、手足の過度な巨大化、複雑すぎるポーズ、腕や脚が胴体と重なって判別しづらい構図、身体の一部が不自然にフレーム外へ切れる構図、柔らかすぎる厚塗り、フォトリアル、性的な強調。,white background,semi-realistic,((rich colors),anime style,oil painting, watercolor texture,real skin,realistic shading),((focus character),character details,bold black lineart,strong lines,thick lines,crisp linework,sharp details, strong contrast,sharp focus),
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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User LoRA

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Half Sized Girl - AI Model cover image

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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2#Attack on Titan#Mikasa Ackerman
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