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AZKi, Hololive Production
AI art by ใใ on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- masterpiece, best quality, high quality modern anime illustration, 1girl, solo, AZKI, high contrast, (((Fullbody))), wearing only bra, showing her feet to viewer, embarrassed face, barefoot, taking off her bra, (undressed), detailed hair, night hotel room, soft smooth skin, subtle blush, rosy cheeks, soft pastel colors, pink and blue lighting, cinematic lighting, clean thin lineart, polished anime rendering, soft shading, delicate shading, Detailed eyes, high-quality modern anime illustration, clean, polished rendering style, hyper-detailed anime illustration, vivid anime coloring, gradation eyes, official art style, sharp focus, game CG style, clean lineart and cel shading, cinematic depth, stylish lighting with highlights and contrasts, , Hyper-detailed anime illustration in 8K, vivid anime coloring, gradation eyes, official art style, sharp focus, anime screencap and game CG style, clean lineart and cel shading, cinematic depth, stylish lighting with highlights and contrasts, rich outfit,
- Mode
- pro
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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character: azki_(hololive), copyright: hololive
masterpiece, erotic, lustrous skin, anime style, manga, lineart, clean lineart, outline, flat color, pastel color palette, azki (hololive), long hair,
simple background with rough painting, bedroom with a bed,
flushed face, smiling shyly,
328
ใใผใใ
AZKI
NekoTsurushi Youkai
z
character: azki_(hololive)
1girl, solo, azki \(hololive\), multicolored hair, pink hair, black hair, streaked hair, colored inner hair, very long hair, long hair, double-parted bangs, hair intakes, hair ornament, lying on back, on sofa, relaxed, cat pose, paw pose, hands curled like cat paws at chest, knees bent, feet up, blushing, embarrassed, from above, foreshortening, looking up at viewer, wide-eyed, half-closed eyes, open mouth, small voice, white dress, frilled hem, bare shoulders, sofa cushion, living room, warm lamplight,
Shot from above, steep and close, looking straight down over the sofa onto her. She lies on her back in the middle of a wide, overstuffed fabric sofa, body stretched along its length with her head at the far armrest end of the frame and her feet toward the foreground; the camera is high enough that the cushions read as soft terrain around her. Her spine sinks into the seat cushion, which compresses in a shallow trough under her shoulders and hips, and one loose cushion tilted against the backrest still holds the dent her head just left. Her knees are drawn up and canted to her left, both bare feet lifted and crossed at the ankles above the cushion; her arms are bent at the elbows with both hands raised to her collarbone, fingers loosely curled inward and knuckles soft in the classic curled-paw shape, wrists slack, elbows resting on the cushion beside her ribs. Her long streaked hair spills off the seat edge toward the floor in a slow fan, pink and black strands separating and one lock draped over the armrest. The white dress is bunched and rucked under her hips, hem riding up over one bent knee, the fabric creased where her weight pins it.
Her face is tilted back toward the lens, chin lifted, one cheek pressed and slightly flattened against the cushion. Her eyes are wide open and fixed up at the viewer, caught in the exact instant of realizing she is watched: both irises bright, brows lifted and drawn together at the inner ends, mouth open on a small caught breath, corners pulled down. A hard, hot blush covers both cheeks and crosses the bridge of her nose in a solid warm flush, strongest on the cheek against the fabric. Her hands have frozen mid-paw, fingers still curled but tightened slightly, the arms stiffening as if she wants to pull them down and hasn't yet decided to.
A single warm table lamp stands at the far left beyond the sofa's arm, its light raking across the seat from the left: it catches the lifted soles of her feet, the tops of her drawn-up knees, the raised knuckle line of her curled hands and the left side of her face, and throws the right side of her face, the hollow of her throat and the crease between her hip and the cushion into soft warm shadow; a long blurred shadow of the sofa arm falls across the floor to the right. The lamp is the only light source, and beyond its pool the room recedes into dim brown-grey darkness with only the faint suggestion of a rug edge and a wall corner. Palette is warm and close: dusty rose and black in her hair, cream-white of the bunched dress, oatmeal and rust-brown of the cushions, a single hot coral-red concentrated in the blush on her cheeks. The cushion fabric shows the soft nap and slight sheen of worn upholstery where the light grazes it. Tender, flustered.
Zzz
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