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AI art "街角のアーバン・ラジオ・ガール" featuring #Black hair, #Headphones, #Scenery, #Smile, #Jacket, #Cityscape and #Wide Shot
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街角のアーバン・ラジオ・ガール

ビルの屋上から街を見下ろす彼女の姿に、どこか懐かしさと自由な空気を感じて惹かれました。夕暮れの街並みと、彼女が手にするアンテナやマイクの無骨な道具感がすごく素敵です。お気に入り登録やフォロー、そして感想のコメントもぜひ送ってくださいね！

#Black hair#Headphones#Scenery#Smile#Jacket#Cityscape#Wide Shot
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リバーニンジャ

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A stylish, vertical mixed-media illustration in an anime/manga style. The setting is the rooftop of a tall miscellaneous building in a giant city after the rain. It is not a formal broadcasting station, but a small independent radio station made from a collection of old equipment. The time is just before dawn, transitioning into morning. The protagonist is a clear adult female in her early 20s. Her occupation is a pirate radio DJ and sound engineer who introduces indie music. Short black wolf-cut hair with only the tips of some strands in vivid red. Do not use long hair, buns, or elegant hairstyles. Her personality is bold, active, and slightly mischievous. She has a confident expression, as if smirking upon finding a camera. Clothing consists of an oversized black nylon jacket, a white graphic T-shirt, khaki wide cargo pants, and red and white high-top sneakers. Large headphones around her neck. Thin bracelets and live house wristbands on her wrists. The woman is positioned toward the upper right of the screen with one foot on the edge of the rooftop, in an unstable and dynamic pose with her body leaning diagonally. In one hand, she holds a wired microphone. Her other arm is stretched wide above her head, gripping the support pole of a rooftop antenna. She is speaking happily into the microphone while looking toward the viewer. The camera is positioned even higher than the woman, an extreme high-angle bird's-eye view looking from near the rooftop antenna down toward the ground. Do not place the woman in the center of the screen. Place the woman in the upper right, and boldly expand the view of the distant city from the left to the bottom half of the screen. On the ground are wet roads, crosswalks, buses, taxis, small silhouettes of people, and umbrellas. The roads after the rain reflect the lights of streetlamps and signs. On the rooftop, haphazardly arranged are a small mixer, old speakers, cables, cassette tapes, equipment cases covered in stickers, a portable lantern, and a folding chair. A black cat is sitting on one of the equipment cases nearby. The city in the background is not depicted with realistic uniformity; instead, it is composed as a collage, as if photographs, manga backgrounds, newspaper prints, and photocopied city photos have been cut and pasted together. Across the entire screen, layer torn paper edges, misaligned printing, halftone dots, ink smudges, roller marks, hand-drawn arrows, circles, concentric circles indicating radio waves, and lightning-like lines. Do not draw legible text; instead, place black rectangles reminiscent of typography, barcode-like figures, and symbolic lines as design elements. The color palette is extremely limited: black, dirty off-white, vivid vermilion red, and cobalt blue. Only a very small amount of yellow for the city lights. Emphasize overlapping color planes and registration errors like Risograph printing rather than smooth gradients. The art style is an original expression fusing modern anime/manga with 1970s-80s punk ZINEs, Risograph printing, silkscreen posters, the bold diagonal compositions of Russian Constructivism, modern street editorials, and cut-and-paste collages. Only the character's face should have clear modern anime expression. Everything else should be intentionally rough and imperfect. Avoid the uniform depiction typical of clean AI illustrations; actively retain paper stains, ink gaps, misalignments, and uneven outlines as if cut by hand. Do not use elements from the previous session: libraries, old books, armillary spheres, greenhouses, indoor settings surrounded by plants, classical researchers, seated figures, or low-angle shots looking up. This time, use the vertical screen to emphasize the vertical drop: "sky, woman, rooftop, building wall, and the distant road far below." Not a neat, beautiful world, but a single image where one can feel the noise, rain, music, paper, ink, and the smell of the city. Capture the moment: "Just before the city wakes up, starting a broadcast alone, not knowing who is listening."
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縦長のスタイリッシュなアニメ・漫画調ミックスメディアイラスト。 舞台は雨上がりの巨大都市、その高層雑居ビルの屋上。 正式な放送局ではなく、古い機材を寄せ集めて作った小さな自主ラジオ局。 夜明け直前から朝へ変わり始める時間帯。 主役は20代前半の明確な成人女性。 職業はインディーズ音楽を紹介する海賊ラジオのDJ兼サウンドエンジニア。 短い黒髪のウルフカット。 毛先の一部だけ鮮やかな赤。 これまで頻繁に使った長髪、お団子、上品な髪型にはしない。 性格は大胆、行動的、少し悪戯好き。 カメラを見つけるとニヤッと笑うような自信のある表情。 服装はオーバーサイズの黒いナイロンジャケット、 白いグラフィックTシャツ、 カーキ色のワイドカーゴパンツ、 赤と白のハイカットスニーカー。 首には大型ヘッドホン。 手首には細いブレスレットやライブハウスのリストバンド。 女性は画面右上寄りの屋上の縁に片足を乗せ、 身体を斜めに傾けた不安定で勢いのあるポーズ。 片手には有線マイク。 もう片方の腕を頭上へ大きく伸ばし、 屋上アンテナの支柱を掴んでいる。 マイクへ向かって楽しそうに話しながら、 こちらへ視線を向ける。 カメラは女性よりさらに高い位置、 屋上アンテナ付近から地上へ向けた極端な急俯瞰。 女性を画面中央には置かない。 画面右上に女性、 左側から下半分には遥か下の都市を大胆に広げる。 地上には濡れた道路、横断歩道、バス、タクシー、 小さな人影と傘。 雨上がりの道路が街灯や看板の光を反射している。 屋上には小型ミキサー、 古いスピーカー、 ケーブル、 カセットテープ、 ステッカーだらけの機材ケース、 携帯用ランタン、 折り畳み椅子などを雑然と配置。 近くには黒猫が機材ケースの上に座っている。 背景の都市は写実的に均一描写せず、 写真、漫画背景、新聞印刷、コピー機で複製した街の写真を 切り貼りしたようなコラージュとして構成する。 画面全体には破いた紙の断面、 ずれた印刷、 網点、 インクのかすれ、 ローラー跡、 手描きの矢印、 円、 電波を示す同心円、 稲妻のような線を重ねる。 文字そのものは明確に描かず、 タイポグラフィを思わせる黒い矩形、バーコード風図形、 記号的な線だけをデザイン要素として配置する。 配色は極端に限定する。 黒、 汚れたオフホワイト、 鮮烈な朱赤、 コバルトブルー。 都市の光だけごく少量の黄色。 滑らかなグラデーションより、 リソグラフ印刷のような色面の重なりと版ズレを強調する。 画風は現代アニメ・漫画を核に、 1970〜80年代パンクZINE、 リソグラフ印刷、 シルクスクリーンポスター、 ロシア構成主義の大胆な斜線構成、 現代ストリートエディトリアル、 切り貼りコラージュを融合したオリジナル表現。 人物の顔だけは明瞭な現代アニメ表現。 その他は意図的に荒く、不完全にする。 綺麗に整ったAIイラストのような均一な描写を避け、 紙の汚れ、インクの欠け、位置ズレ、 手作業で切った不揃いな輪郭を積極的に残す。 直前の回で使用した 図書館、古書、天球儀、温室、植物に囲まれた室内、 クラシカルな研究者、座った人物、 下から見上げるローアングルは使用しない。 今回は縦長画面を 「空・女性・屋上・ビル壁面・遥か下の道路」 という垂直方向の落差として使用する。 整った美しい世界ではなく、 雑音、雨、音楽、紙、インク、都市の匂いまで感じるような一枚。 「街が起きる少し前、誰が聴いているかも分からない放送を一人で始める」 という瞬間を描く。
Mode
pro
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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