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Hatsune Miku, Racing Miku
Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 16
- Sampling Method
- Euler
- CFG Scale
- 4.5
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model & LoRA used
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racing_miku_\(2023\), Hatsune Miku as the Racing Miku 2023 character, is depicted in a scene where she is experiencing shyness or embarrassment. She has very long aqua hair styled in twin tails with a small braid on each side and a star hair ornament. Her hair is parted with crossed bangs framing her aqua eyes. She wears a white beret-style hat, a black necktie, and fingerless black gloves. Her outfit consists of a white and black racing suit or dress, with shorts and knee-high boots visible. Her posture is slightly defensive or hesitant, perhaps with her hands clasped or one hand raised to her face. Her expression is one of gentle embarrassment, with a light blush on her cheeks and her gaze turned slightly away from the viewer. The background could be a race track environment, pit lane, or a podium, rendered in a detailed anime style with vibrant colors and dynamic lighting to emphasize the character's emotional state.
sato
racing_miku_\(2023\), Hatsune Miku as the Racing Miku 2023 character, is depicted in a scene where she is experiencing shyness or embarrassment. She has very long aqua hair styled in twin tails with a small braid on each side and a star hair ornament. Her hair is parted with crossed bangs framing her aqua eyes. She wears a white beret-style hat, a black necktie, and fingerless black gloves. Her outfit consists of a white and black racing suit or dress, with shorts and knee-high boots visible. Her posture is slightly defensive or hesitant, perhaps with her hands clasped or one hand raised to her face. Her expression is one of gentle embarrassment, with a light blush on her cheeks and her gaze turned slightly away from the viewer. The background could be a race track environment, pit lane, or a podium, rendered in a detailed anime style with vibrant colors and dynamic lighting to emphasize the character's emotional state.
sato
racing_miku_\(2023\), a youthful female character with long, aqua hair styled in very long twintails with a star hair ornament and crossed bangs is standing with her right arm raised in a gesture of shyness or surprise. Her aqua eyes are wide and expressive, looking directly at the viewer with a bashful, embarrassed expression, her cheeks are flushed. She wears a white hat with a blue ribbon and star ornament, a white and blue racing-style jacket, a blue necktie, fingerless black gloves, white shorts, and white boots with blue details. The background is out of focus, and the lighting is bright, casting soft shadows. The style of the image is anime, capturing a moment of light-hearted embarrassment with a focus on the character's detailed outfit and emotional expression.
sato
Racing Miku (2023), a young anime-style character with long, aqua-colored hair styled in twintails with a large star-shaped hair ornament and hair between her eyes, kneels on a clean surface. She wears a white beret with a star emblem, a blue necktie, fingerless black gloves, white shorts, and boots. Her aqua eyes are cast downward, and her cheeks are flushed with a deep blush, expressing a strong sense of embarrassment and shyness. Her body language is hunched and closed, with one hand resting on her thigh and the other partially raised near her chest. The lighting is soft and even, highlighting the vibrant colors of her uniform and the details of her blushing face. The background is neutral and clean, keeping the focus entirely on the character's emotional state. The overall style is crisp and polished, typical of official character art.
sato
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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