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sketch_style, black_line, flat_color, 2D_image, clear_lines, female character with platinum blonde hair and green eyes, ponytail, office worker, beautiful face and figure, programmer who is good at coding, concept of a programmer, tired eyes because she stays up late watching animation or playing games, skilled at using a computer.
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Original Prompt
백금발에 녹색 눈동자를 가진 여성 캐릭터. 머리카락은 포니테일. 직장인이고 미모랑 몸매가 뛰어나. 코딩을 잘 다루는 프로그래머라는 컨셉이야. 애니메이션을 보거나 게임을하다가 밤 늦게 자기 일수여서 피곤한 눈매가 특징이야. 컴퓨터를 잘 다루는 인물이라는 특징이 이미지에 포함되면 좋겠어.,sketch_style, black_line, flat_color, 2D_image, clear_lines
Mode
lite
Size
768 x 1280

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character: nonomi_(blue_archive), A medium shot from a slightly high angle depicts nonomi_(blue_archive) sitting on an office chair indoors, looking directly at the viewer. She has very long brown hair styled with a single side bun and sidelocks falling between her eyes, accented by a glowing green halo above her head; her expression is warm with a blush, a gentle smile, and an open mouth. She is dressed in an alternate costume consisting of a sleeveless white collared dress shirt that is tightly tucked into a short black pencil skirt with a side slit, prominently emphasizing her huge breasts through taut fabric and exposing her bare shoulders and arms. She wears white thighhighs with garter straps, creating a distinct zettai ryouiki effect with visible skindentation on her thighs. Her arms rest on the chair's arm supports, and she wears an ID card on a lanyard around her neck. The background is a detailed office setting featuring a computer monitor, keyboard, mouse, and scattered sticky notes. The visual style is an impasto-influenced anime painting with pronounced luminous highlights contrasting against rich, muted tones and a subtle retro Western illustration flair, creating a dramatic and emotional surface.
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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