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AI artwork featuring #Genshin Impact and #Arataki Itto
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Arataki Itto, Genshin Impact

#Genshin Impact#Arataki Itto
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Michael

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character: arataki_itto, asmoday_(genshin_impact), copyright: genshin_impact watercolor sketch, delicate lineart, intricate details, detailed line rendering, clean linework, detailed eyes, contrasting accents, bright colors, expressive brushstrokes, digital art, dry bristle brush texture, high-contrast glow, airbrushed soft shading, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare and light particles, picturesque art style, visible brush strokes, hyper contrast, blurred color transitions, rainbow particles, long eyelashes, a perfect face, an attractive appearance, blended brushwork texture, light particles, soft gradient shading, painterly shading, colorful lineart, impressionistic strokes., (masterpiece:1.35), (best quality:1.35), (ultra detailed:1.3), (cinematic anime illustration:1.25), (highly aesthetic:1.2), (dramatic composition:1.2), (premium quality artwork:1.25), Genshin Impact style shading, official anime-style rendering, clean lineart, refined anatomy, beautiful lighting, high-detail character art, polished illustration, a quiet empty subway carriage with a long diagonal perspective, camera angle similar to the reference image, strong leading lines from the train seats, windows and floor, cool blue ambient lighting, luminous floor reflections, atmospheric subway interior, soft bloom, subtle haze, elegant cinematic mood, Asmoday from Genshin Impact sitting calmly on a subway bench, using her recognizable in-game-inspired design, silent, imposing, elegant, emotionless, divine and intimidating, beautiful face, graceful posture, composed body language, subtle red-black divine accents, faint geometric space-distortion aura around her, soft red cubic particles, mysterious presence, she remains perfectly still and majestic, positioned as one of the main focal points of the scene, Arataki Itto from Genshin Impact is large and physically tall, clearly much too big for the tiny child-sized tricycle he is riding, the tricycle is comically small beneath him, Itto is riding from the far end of the subway car toward the camera, moving from point A deep inside the wagon to point B closer to the viewer, coming from the distant end of the carriage straight toward us, dynamic forward motion, perspective exaggeration, the motion path is clearly readable, he is approaching the viewer while crossing the aisle of the train, his oversized body awkwardly squeezed onto the tiny tricycle, knees lifted up awkwardly, energetic and goofy, very excited, silly and proud expression, “khar-zogh” vibe, chaotic but lovable energy, trying to look cool while doing something extremely ridiculous, the contrast between the two characters is the core of the image: Asmoday is calm, regal, powerful and unmoving, while Itto is loud, goofy, ridiculous and actively rolling toward the viewer on a tiny tricycle, comedic visual storytelling, strong contrast between divine stillness and absurd motion, main focus strongly on Asmoday and Itto, especially clear readability of Itto’s movement toward the camera, subway background is supportive only and should not overpower the characters, character-focused composition, Itto slightly closer to the foreground and more dynamic, Asmoday elegant in the midground, environment secondary, clean separation from background, soft cinematic depth, detailed facial features, vivid expressions, stylish composition, premium anime key visual, polished rendering, visually memorable scene Important: Itto must clearly be moving from the far back of the subway carriage toward the viewer, riding straight out of the depth of the scene on a tiny tricycle, so the direction of motion is obvious and comedic.
Show Parameters
Original Prompt
(masterpiece:1.35), (best quality:1.35), (ultra detailed:1.3), (cinematic anime illustration:1.25), (highly aesthetic:1.2), (dramatic composition:1.2), (premium quality artwork:1.25), Genshin Impact style shading, official anime-style rendering, clean lineart, refined anatomy, beautiful lighting, high-detail character art, polished illustration, a quiet empty subway carriage with a long diagonal perspective, camera angle similar to the reference image, strong leading lines from the train seats, windows and floor, cool blue ambient lighting, luminous floor reflections, atmospheric subway interior, soft bloom, subtle haze, elegant cinematic mood, Asmoday from Genshin Impact sitting calmly on a subway bench, using her recognizable in-game-inspired design, silent, imposing, elegant, emotionless, divine and intimidating, beautiful face, graceful posture, composed body language, subtle red-black divine accents, faint geometric space-distortion aura around her, soft red cubic particles, mysterious presence, she remains perfectly still and majestic, positioned as one of the main focal points of the scene, Arataki Itto from Genshin Impact is large and physically tall, clearly much too big for the tiny child-sized tricycle he is riding, the tricycle is comically small beneath him, Itto is riding from the far end of the subway car toward the camera, moving from point A deep inside the wagon to point B closer to the viewer, coming from the distant end of the carriage straight toward us, dynamic forward motion, perspective exaggeration, the motion path is clearly readable, he is approaching the viewer while crossing the aisle of the train, his oversized body awkwardly squeezed onto the tiny tricycle, knees lifted up awkwardly, energetic and goofy, very excited, silly and proud expression, “khar-zogh” vibe, chaotic but lovable energy, trying to look cool while doing something extremely ridiculous, the contrast between the two characters is the core of the image: Asmoday is calm, regal, powerful and unmoving, while Itto is loud, goofy, ridiculous and actively rolling toward the viewer on a tiny tricycle, comedic visual storytelling, strong contrast between divine stillness and absurd motion, main focus strongly on Asmoday and Itto, especially clear readability of Itto’s movement toward the camera, subway background is supportive only and should not overpower the characters, character-focused composition, Itto slightly closer to the foreground and more dynamic, Asmoday elegant in the midground, environment secondary, clean separation from background, soft cinematic depth, detailed facial features, vivid expressions, stylish composition, premium anime key visual, polished rendering, visually memorable scene Important: Itto must clearly be moving from the far back of the subway carriage toward the viewer, riding straight out of the depth of the scene on a tiny tricycle, so the direction of motion is obvious and comedic.
Mode
pro
Size
1888 x 1056
Negative
(worst quality:1.4), (low quality:1.4), lowres, blurry, pixelated, bad anatomy, bad hands, extra fingers, fused fingers, missing fingers, extra limbs, duplicate characters, deformed face, poorly drawn eyes, off-model character, unrecognizable Asmoday, unrecognizable Itto, wrong outfit, giant tricycle, normal-sized tricycle, Itto too small, Itto sitting still, no motion, unclear movement direction, random passengers, crowded train, environment too detailed, background overpowering characters, stiff pose, flat lighting, messy composition, extreme fisheye, weird perspective, cropped body, out of frame, text, watermark, logo, signature

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.59k
Style: watercolor sketch - AI Model cover image

User LoRA

Style: watercolor sketch
863
Style: Unfinished canvas 🐈‍⬛” - AI Model cover image

User LoRA

Style: Unfinished canvas 🐈‍⬛”
873
Effect: Glare particles ✨” - AI Model cover image

User LoRA

Effect: Glare particles ✨”
723

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AI artwork
m
character: arataki_itto, asmoday_(genshin_impact), copyright: genshin_impact watercolor sketch, delicate lineart, intricate details, detailed line rendering, clean linework, detailed eyes, contrasting accents, bright colors, expressive brushstrokes, digital art, dry bristle brush texture, high-contrast glow, airbrushed soft shading, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare and light particles, picturesque art style, visible brush strokes, hyper contrast, blurred color transitions, rainbow particles, long eyelashes, a perfect face, an attractive appearance, blended brushwork texture, light particles, soft gradient shading, painterly shading, colorful lineart, impressionistic strokes., (masterpiece:1.35), (best quality:1.35), (ultra detailed:1.3), (cinematic anime illustration:1.25), (dramatic composition:1.2), (highly aesthetic:1.2), (beautiful lighting:1.2), (sharp focus on characters:1.25), (character-focused scene:1.3), Genshin Impact style shading, official anime-style rendering, premium illustration, refined linework, clean anatomy, polished details, Asmoday from Genshin Impact, using her recognizable in-game-inspired design, sitting inside a subway train carriage, seated calmly on a bench seat, silent, imposing, elegant, detached, mysterious, overwhelming presence, divine aura, emotionless or faintly disdainful expression, graceful posture, legs composed elegantly, one arm resting naturally, long pale hair, refined face, beautiful and intimidating, subtle red and black accents associated with her visual identity, faint cubic or spatial distortion aura around her, very subtle glowing red geometric particles, not overpowering the scene, camera angle matching the reference image, diagonal interior subway perspective, medium-wide shot, slightly low eye-level cinematic framing, Asmoday positioned as the visual anchor of the composition, seated toward the left or center-left of the train interior, the subway car stretching into the distance, strong leading lines from the seats, windows, poles and illuminated floor, cool blue ambient lighting filling the carriage, luminous window glow, soft bloom, glossy reflections on the floor, quiet atmospheric subway environment, empty train, minimal background distraction, in the foreground and midground, Arataki Itto from Genshin Impact riding a tiny child-sized tricycle across the frame from one side to the other, absurdly small tricycle, comedic contrast, energetic movement, chaotic silly energy, Itto clearly recognizable with his iconic hair, horns, and personality, slightly panicked yet trying to act cool, or wildly serious while doing something ridiculous, dynamic posture, knees awkwardly raised because the tricycle is too small, comedic motion blur on the tricycle wheels, subtle speed lines, humorous visual contrast against Asmoday’s godlike stillness, the main focus is strongly on Asmoday and Itto, not the subway itself, environment kept secondary and supportive, the subway only provides mood and perspective, character readability prioritized, strong separation of subjects from background, Asmoday crisp and elegant, Itto lively and funny, visual storytelling built on contrast: divine stillness versus chaotic comedy, moody blue subway lighting with cool cyan reflections, subtle red accents around Asmoday to preserve her identity, cinematic highlights on hair and clothing, soft shadows, atmospheric depth, slight haze, high contrast but clean rendering, beautiful facial details, visually balanced composition, premium anime key visual quality, expressive body language, stylish and memorable frame, elegant surreal tone, polished and luxurious finish, masterpiece illustrationAspect Ratio: 9:16
Michael
#Honkai Series#Genshin Impact
AI artwork
m
character: arataki_itto, asmoday_(genshin_impact), copyright: genshin_impact watercolor sketch, delicate lineart, intricate details, detailed line rendering, clean linework, detailed eyes, contrasting accents, bright colors, expressive brushstrokes, digital art, dry bristle brush texture, high-contrast glow, airbrushed soft shading, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare and light particles, beautiful light, best shadow, color blink, (masterpiece:1.35), (best quality:1.35), (ultra detailed:1.3), (cinematic anime illustration:1.25), (high detail character art:1.25), (realistic environment:1.25), (character-focused composition:1.25), Genshin Impact style character rendering, official anime-style shading, polished lineart, clean anatomy, premium quality artwork, a realistic modern subway carriage interior, highly detailed and believable environment, realistic train materials, metal poles, plastic hand straps, reflective windows, realistic subway seats, clean floor reflections, soft cold blue fluorescent lighting, subtle atmospheric haze, cinematic realism in the environment, empty subway car, long perspective through the carriage, vanishing lines from the seats and windows, natural depth, realistic urban train interior, the environment should feel grounded and photorealistic while the characters remain anime-styled, Asmoday from Genshin Impact sitting calmly on a subway bench, using her recognizable in-game-inspired design, elegant, silent, divine, imposing, emotionless, regal posture, beautiful face, refined feminine features, soft but intimidating expression, mysterious aura, faint red-black spatial energy, subtle cube-like divine particles around her, perfectly composed body language, quiet overwhelming presence, one of the main focal points of the image, Arataki Itto from Genshin Impact is much closer to the camera, large in frame, riding a tiny child-sized tricycle in a ridiculous and comedic way, clearly too big for it, exaggerated scale contrast, awkward knees, chaotic movement, goofy proud expression, funny and energetic, moving from the far end of the subway car toward the viewer, now already much nearer to the foreground, almost entering the viewer’s space, strong sense of forward motion, Itto is one of the main focal points and should visually dominate the foreground more than before, his closeness to the camera makes the comedy stronger, dynamic approach toward the lens, silly confidence, lovable idiot energy, the image should strongly contrast the two characters: Asmoday remains still, elegant, divine, quiet and overwhelming, while Itto is loud, absurd, chaotic and moving toward the camera on a tiny tricycle, visual storytelling through contrast, Itto closer to the viewer, Asmoday slightly farther back in the midground, both characters clearly readable and emphasized more than the background, important: the environment must be realistic and believable, but the main focus must remain on Asmoday and Itto, especially Itto in the foreground; Itto should appear clearly closer to the camera than Asmoday, with readable movement from the back of the wagon toward the front, cinematic depth, stylish lighting, expressive faces, dramatic composition, memorable premium anime key visual. Important: make the subway interior realistic and grounded, but place Itto noticeably closer to the camera in the foreground while Asmoday stays seated in the midground.
Michael
#Genshin Impact#Arataki Itto
AI artwork
m
character: arataki_itto, asmoday_(genshin_impact), copyright: genshin_impact watercolor sketch, delicate lineart, intricate details, detailed line rendering, clean linework, detailed eyes, contrasting accents, bright colors, expressive brushstrokes, digital art, dry bristle brush texture, high-contrast glow, airbrushed soft shading, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare and light particles, beautiful light, best shadow, color blink, (masterpiece:1.35), (best quality:1.35), (ultra detailed:1.3), (cinematic anime illustration:1.3), (high detail character art:1.3), (dramatic horror atmosphere:1.25), (boss fight aura:1.3), (realistic environment:1.25), Genshin Impact style character rendering, official anime-style shading, premium quality artwork, sharp lineart, polished rendering, cinematic composition, a dark, eerie, realistic subway carriage interior at night, abandoned subway wagon, horror atmosphere, dim blue and cold white train lighting, flickering fluorescent lights, deep shadows between the seats, long empty aisle, metallic reflections, grimy windows, subtle foggy haze, ominous darkness filling the far end of the carriage, claustrophobic atmosphere, unsettling silence, realistic train materials, realistic seats, metal poles, hand straps, photorealistic subway environment, creepy and tense mood, the environment feels haunted and threatening, Asmoday from Genshin Impact sitting on a subway bench like a final boss before the battle begins, unmistakable in-game-inspired design, elegant and terrifying, divine and oppressive, calm but overwhelming, boss fight presence, silent domination, beautiful yet intimidating face, cold gaze, regal posture, terrifying composure, an aura that makes the whole train feel dangerous, subtle red-black dimensional energy, floating geometric cube-like power fragments, faint crimson spatial distortions, ominous glow around her, dark godlike presence, overwhelming pressure, she should feel like the true monster in the scene, like the player has just entered her domain, overwhelming and majestic, one of the main focal points, Arataki Itto from Genshin Impact much closer to the camera in the foreground, large in frame, riding a tiny child-sized tricycle in a ridiculous and comedic way, clearly too big for it, awkward knees, chaotic posture, exaggerated forward movement, moving from the far end of the subway car toward the viewer, now very near the foreground, funny and absurd, goofy determined expression, lovable idiot energy, he should feel like he is trying to bravely pass through a terrifying boss arena while looking completely ridiculous, strong sense of motion, dynamic approach toward the camera, one of the main focal points, strong visual contrast: Asmoday is still, godlike, terrifying, and feels like a terrifying boss encounter; Itto is loud, chaotic, close to the camera, and hilariously out of place on a tiny tricycle, the scene should feel like a bizarre boss-fight cutscene, with Asmoday dominating the atmosphere and Itto dominating the foreground action, focus primarily on the two characters rather than the environment, especially Itto in the foreground and Asmoday in the midground, realistic dark subway environment only supports the mood, cinematic depth, intense shadows, moody lighting, oppressive atmosphere, horror tension, high visual storytelling, unforgettable dramatic scene
Michael
#Genshin Impact#Arataki Itto

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