Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

シャナと愉快な仲間たち・遊園地の思い出

『灼眼のシャナ』のシャナを中心に、みんなで遊園地へ遊びに来たような楽しい一枚です!元気いっぱいのシャナの笑顔を見ていると、私も自然と笑顔になっちゃいます。この賑やかな雰囲気が大好きです!気に入ったらいいねとフォローお願いします。コメントで感想も聞かせてね!

#Shakugan no Shana#Shana
More to See

Comments

character: shana, orga_itsuka. A medium shot from a slightly low angle captures a family of four dressed in cosplay, standing together in a bustling amusement park. On the left, the younger twin girl is dressed as `shana`, featuring long red hair tied in a high ponytail and a spirited expression. Beside her, the elder twin girl has long white hair and a gentle gaze, dressed as Izumi from Lucky Star. The mother stands behind them, a woman with black hair tied in a ponytail and a disciplined expression, dressed as Yamada Asaemon Saki from Jigokuraku. To the right, the father is depicted as `orga_itsuka`, a formidable man with short white hair in a crew cut and a sharp, masculine gaze. The family is surrounded by a lively amusement park atmosphere, with colorful carnival rides, floating balloons, and other visitors in Halloween costumes blurring into the background. The lighting is bright and festive, with a vibrant color palette and a clean anime art style, evoking a joyful and heartwarming family outing.
Show Parameters
Original Prompt
四人の家族がハロウィンコスプレで ハロウィン衣装で賑わう遊園地で遊ぶ 双子の妹は灼眼のシャナ(赤髪ポニーテール) 双子の姉は白髪長髪の泉(らきすた) 母は黒髪ポニーテール(地獄楽の山田浅右衛門佐木切) 父はオルガ・イツカ(白髪角刈りの精悍な偉丈夫) アニメイラスト描いて
Mode
lite
Size
1024 x 1024

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬