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AI art "ロボット画像にロボットがお留守" featuring #long hair, #Blonde hair and #Bicycle
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ロボット画像にロボットがお留守

もうどこから手直ししたらいいのやら

#long hair#Blonde hair#Bicycle
p6

PENTA68k

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humanoid robot riding bicycle powerfully, from front view, bicycle with two-wheel trailer attached, woman sitting on trailer with arms crossed, bicycle and trailer prominently shown from front, kimono-style traditional japanese clothing, obi sash, traditional japanese footwear, japanese-style ornamentation, red wooden bridge, edo-period wooden townhouses, numerous red lanterns, stone-paved street, japanese-style castle, high tenshukaku (castle keep), torii gate, traditional japanese streetscape, huge bluish-white glowing ring, huge glowing device, glowing mechanical structure, metal high-rise building, huge futuristic city, massive floating mechanical structure in sky, blue neon, purple neon, glowing pipes, hologram, city blending machinery and traditional japanese architecture, cyanambi, (((masterpiece:2.0))), (((ultra detailed:2.0))), delicate skin texture, delicate hair texture, beautiful detailed eyes, intricate hair details, high quality shading, blonde hair, center parted hair, straight long hair, pointy ears, small breasts, blue eyes
Show Parameters
Original Prompt
正面から見た構図。人型ロボットが自転車を力強く漕いでいる。自転車の後ろに二輪の荷台を連結している。荷台に女性が座り、腕を組んでいる。自転車と荷台を正面から大きく見せる。 着物風の和装。帯。和風の装飾。伝統的な日本の履物。 赤い木造の橋。江戸時代風の木造町屋。大量の赤い提灯。石畳の通り。日本風の城。高い天守閣。鳥居。和風の街並み。巨大な青白い発光リング。巨大な発光装置。光る機械構造物。金属製の高層建築。巨大な未来都市。空中に浮かぶ巨大な機械構造物。青いネオン。紫色のネオン。発光する配管。ホログラム。機械と伝統的な日本建築が混在する都市。
Size
720 x 960
Sampling Steps
8
Sampling Method
DDIM
CFG Scale
3
Negative
bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark
Face Fix

Model & LoRA used

1 private models used

bespoke - AI Model cover image

SDXL

bespoke
2.88k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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