📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

和風バニー

Contest Entry
Bunny Girl Paradise#Bunny Girl
More to See

Comments

A medium shot from a slightly high angle captures a woman in a diagonal pose, standing on the gravel and stone pavement of a shrine courtyard. She has a beautiful, mature face with a smug, dominant expression, looking down at the viewer with a confident smile and a small tongue poking out. Her hair is long and purple with whitish-blue highlights, styled in a half-side updo. She wears a frilled headband with rabbit ears and a collar with a short attached chain. Her attire is a Japanese-style bunny girl outfit featuring a bustier that exposes her midriff and flat chest, paired with a hakama-style ultra-miniskirt that reveals her thighs, and long front and side panels hanging from the waist. The outfit includes wide, long sleeves patterned with cosmos flowers and light purple tights paired with tabi socks and high geta sandals. She poses on one leg with the other knee raised and toes pointed inward, leaning forward while raising her hands above her head in a rabbit-ear gesture. In the background, a large torii gate stands amidst a flurry of falling cherry blossom petals. The scene is a high-quality anime illustration with bright, clear colors.
Show Parameters
Original Prompt
白を帯びた濃い青色の髪。紫の髪。ハーフサイドの髪型。ロングヘアー。余裕の笑み。他者を見下すようなドSな笑み。やや見下ろす。首輪、首輪から伸びる短い鎖。裸の肩。和風のバニーガール衣装。薄紫タイツ。秋桜柄の広い袖。長くて広い袖。兎耳の付いたフリルカチューシャ。頭の上で手を上げ兎耳のポーズ。貧乳。薄い胸。和風の胸衣装。ヘソ出し。綺麗な顔立ち。大人。内股。片足の膝を上げる。片足立ち。前屈み。小さく舌を出す。袴デザインの超ミニスカート。晒されたら太股。股に挟んだ長い前垂れ。左右に長い垂れ布。足袋に高下駄。兎の尻尾。斜め姿。 少女優先のイラスト。少女一人。女性のみ表示。男は見切れて良い。 神社の境内。外。玉砂利。石畳の床。大きな鳥居。桜吹雪。
Mode
lite
Size
768 x 1280

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬