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ワッキー991

Published on Oct 6, 2026

ワッキー991

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anime lady line, thick clear outlines, anime style thick line art, flat color, no blur One adult Japanese woman, white blouse, bright red strap dress, white frills only on the hem of the skirt. Extremely large, heavy, very wide, rounded, fleshy buttocks. Overwhelming buttock volume that greatly exceeds the hip width, with a strong sense of weight and presence. A squatting posture, dropping the hips deeply from a standing position. Supporting herself on the ground with both feet, with the buttocks not touching the ground. The body is not tilted sideways, not sitting down, not lying down, but dropping the hips deeply straight down. Both thighs are completely closed, with both knees pressed tightly together. The kneecaps on the left and right are in complete contact, aligning the position of the knees into one. From the hip joints to the thighs, and from the thighs to the knees, there is no opening to the left or right. Only below the knee joints are they open. The shins on the left and right are opened outward from the knees, and the ankles and toes are also directed outward. Seen from above, it is a clear posture where only the shins divide into a V-shape with the closed knees as the vertex. The knees remain closed until the end, and only below the knees are they open to the left and right. The legs follow a natural human structure, with the thigh → knee → shin → ankle → toe correctly continuing for each side. Both hands hold the hem of the skirt from behind the knees. The hands are not in front or on the sides of the knees, but are wrapped behind the bent knees, with the palms and fingertips pressed against the back of the knees. The hem of the skirt is held firmly at the height of the back of the knees, stretching the fabric to the left and right along the back of the knees. The wrists and arms extend naturally toward the back of the knees. The hem is not lifted, but fixed at the back of the knees. The actual length of the skirt is made completely the same in the front and back. There is no difference in the length of the hem itself between the front and back. The hem of the skirt continues naturally as a single uniform length, without making the front shorter or the back longer. However, due to perspective from an extreme low angle, the rear hem, which is further from the camera, appears longer and hangs deeper on the screen than the front hem. This is to be depicted as an apparent difference in length caused by the viewpoint and perspective, not a difference in the actual skirt length. The rear hem extends from under the buttocks toward the back, appearing larger due to perspective. The white frills also continue along the uniform hem of the skirt body and do not change in actual length between front and back. The giant buttocks are the maximum visual protagonist of the screen. Overwhelming width and depth of the buttocks that greatly exceed the hip width, roundedness protruding greatly to the left and right, and a strong sense of weight caused by squatting deeply. The red dress stretches tightly along the shape of the giant buttocks, clearly depicting the three-dimensional bulge and the tension of the fabric. An extreme low angle just above the floor, a super-close-up looking up from a low position in the rear. The giant buttocks loom over the entire screen, placing the buttocks as an overwhelming foreground. A composition that creates a strong sense of perspective between the front hem close to the camera and the rear hem far from the camera, making the rear hem look visually longer. Looking back only with the upper body, looking down at the viewer. The face is at the top of the screen. Single person, same person, white background.

ワッキー991

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