PixAI Membership

📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details
AI art "Shikamimi" featuring #Barefoot, #Blonde hair, #Horns, #Nature, #Forest, #Looking at viewer, #Black Dress and #Girl
Generate New ArtworkGenerate for FreeGenerate for Free

Shikamimi

#Barefoot#Blonde hair#Horns#Nature#Forest#Looking at viewer#Black Dress#Girl
Avatar image of North Star

North Star

More to See

Comments

A slender woman in her early twenties has a pale porcelain complexion. Antlers grow from the crown of her head, branching wider than tall and scaled to her frame, with a smooth, matte bone-toned surface. Her eyes hold a uniform deep dark tone filling nearly the whole eye, like dark contact lenses rather than a flat shape, each with a small highlight for glassy depth. Her expression stays neutral and composed. The same pale skin continues to her feet, legs and feet wrapped in a continuous hosiery-like texture as one plane, toes merged into a compact, rounded foot shape. She stands at the threshold where the tree line opens into a clearing, body turned toward the open space while her head tilts back toward the viewer, giving the pose a shy, half-turned quality. Her expression stays quiet and approachable. One hand rests at her side, fingers curled, the other gathering a fold of her dress near the hip. Her weight settles onto her back foot, front foot lightly ahead on the leaf-covered ground, shoulders leaning slightly forward. The clearing opens directly behind her, ringed by tall trunks under an uneven canopy. Ferns and a fallen branch half-buried in leaf litter line the tree edge, curving into the lower corner of the frame. The ground beneath her mixes moss and dry leaves. Beyond her the clearing softens into brighter grass where the canopy opens, the tree line dissolving into soft green and brown shapes. The rendering blends a semi-realistic illustrative approach with a kawaii-leaning sensibility: controlled linework defines her form, her eyes and proportions carrying the softness of modern character illustration. Shading builds in smooth, layered gradients rather than flat cel blocks for a refined finish with clean edges; the forest carries the same control so the fantastical elements sit convincingly inside a grounded setting. She is framed in full figure from the crown of her antlers to the ground beneath her feet, placed slightly off center with the clearing filling the space beside her. A fallen branch in the near corner leads the eye toward her feet. Depth builds from cropped ferns in the foreground through the ground she stands on and her figure to the soft-focused clearing and tree line as background; her antlers stay inside the upper frame edge. Light enters at a low, raking angle through canopy gaps, crossing the forest floor in diagonal streaks that catch her face, shoulder and near antler, scattering into smaller patches on the ground and her dress. Her dress is a black, knee-grazing garment with a slightly asymmetric hem, a matte, finely woven fabric with structured folds. A wide belt at her waist is densely set with silver sequins of varying sizes catching the light in scattered points. The air carries a quiet, late-summer stillness, holding fine pollen adrift in the light beams and a faint haze of dust near the ground. The color temperature leans amber and moss green, warmed by the low light and cooled by the shadowed undergrowth at the edges. The mood reads as quiet and watchful, as though the viewer has startled her rather than arrived to find her waiting. The final render keeps a clean, polished illustration surface, with smooth, evenly graded shading across every dark region and controlled transitions through every lit area. Detail is carried through linework, color variation and layered shading, keeping the image crisp from deepest shadow to brightest highlight with sharp, even edges.
Show Parameters
Original Prompt
A slender woman in her early twenties has a pale porcelain complexion. Antlers grow from the crown of her head, branching wider than tall and scaled to her frame, with a smooth, matte bone-toned surface. Her eyes hold a uniform deep dark tone filling nearly the whole eye, like dark contact lenses rather than a flat shape, each with a small highlight for glassy depth. Her expression stays neutral and composed. The same pale skin continues to her feet, legs and feet wrapped in a continuous hosiery-like texture as one plane, toes merged into a compact, rounded foot shape. She stands at the threshold where the tree line opens into a clearing, body turned toward the open space while her head tilts back toward the viewer, giving the pose a shy, half-turned quality. Her expression stays quiet and approachable. One hand rests at her side, fingers curled, the other gathering a fold of her dress near the hip. Her weight settles onto her back foot, front foot lightly ahead on the leaf-covered ground, shoulders leaning slightly forward. The clearing opens directly behind her, ringed by tall trunks under an uneven canopy. Ferns and a fallen branch half-buried in leaf litter line the tree edge, curving into the lower corner of the frame. The ground beneath her mixes moss and dry leaves. Beyond her the clearing softens into brighter grass where the canopy opens, the tree line dissolving into soft green and brown shapes. The rendering blends a semi-realistic illustrative approach with a kawaii-leaning sensibility: controlled linework defines her form, her eyes and proportions carrying the softness of modern character illustration. Shading builds in smooth, layered gradients rather than flat cel blocks for a refined finish with clean edges; the forest carries the same control so the fantastical elements sit convincingly inside a grounded setting. She is framed in full figure from the crown of her antlers to the ground beneath her feet, placed slightly off center with the clearing filling the space beside her. A fallen branch in the near corner leads the eye toward her feet. Depth builds from cropped ferns in the foreground through the ground she stands on and her figure to the soft-focused clearing and tree line as background; her antlers stay inside the upper frame edge. Light enters at a low, raking angle through canopy gaps, crossing the forest floor in diagonal streaks that catch her face, shoulder and near antler, scattering into smaller patches on the ground and her dress. Her dress is a black, knee-grazing garment with a slightly asymmetric hem, a matte, finely woven fabric with structured folds. A wide belt at her waist is densely set with silver sequins of varying sizes catching the light in scattered points. The air carries a quiet, late-summer stillness, holding fine pollen adrift in the light beams and a faint haze of dust near the ground. The color temperature leans amber and moss green, warmed by the low light and cooled by the shadowed undergrowth at the edges. The mood reads as quiet and watchful, as though the viewer has startled her rather than arrived to find her waiting. The final render keeps a clean, polished illustration surface, with smooth, evenly graded shading across every dark region and controlled transitions through every lit area. Detail is carried through linework, color variation and layered shading, keeping the image crisp from deepest shadow to brightest highlight with sharp, even edges.
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1056 x 1888
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.68k

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile