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- Original Prompt
- yumia,1girl,solo,short black hair,hair ornament,small silver bell,large blue eyes,half-closed eyes,petite,cream dress,
- Mode
- flash
- Size
- 1104 x 1824
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れ
涼しげな水色ワンピースの女の子
れれれ
flat shading, soft gradient, clean lineart, flat shading, pale color, sketch, detail illustration, simple illustration, cool lighting, pale color, long black hair, messy hair, blue eyes, crossed long bangs, close-up face, human, slender, one person, facing forward, white camisole dress, black choker (with a silver bell), solo, fair skin, girl, expressionless, cute, standing, simple background, flat chest
zehu
a
A black-haired cute shy girl with green eyes and a white bow head man and a pretty white dress that is very pale and has blush underneath the eyes and on the nose
Aisling
copyright: onii-chan_wa_oshimai!
Onimai art style, high quality Japanese anime/manga-style character illustration
1. Basic Art Style & Drawing Quality
High-quality Japanese anime and manga style character illustration.
Delicate and stable line art, meticulous detailing, soft shading, translucent skin rendering, natural human anatomy, subdued color design.
Line art is thin and smooth, without unnecessarily thick outlines. Hair is drawn strand by strand with fine detail, and facial features are depicted clearly and delicately.
Skin is bright with a natural complexion. Smooth, matte texture achieved through a combination of pale pink gradation and soft shading.
Overall, use pale colors and delicate depiction, avoiding excessive chibi deformation or flashy visual effects.
Express the character's plainness, clumsiness, awkwardness, and nervousness through eye shape, small pupils/irises, eyebrow angle, and subtle tension around the mouth.
2. Basic Character Appearance
A Japanese anime-style girl characterized by black bob hair.
Petite, slender build. Narrow shoulders, slim torso, slender arms and legs. Overall clean, delicate silhouette.
Head is slightly large relative to the body, but avoid extreme chibi proportions.
Facial features are plain and modest. Do not emphasize glamorous pretty-girl charm; instead, give her a somewhat unassuming, clumsy, and approachable atmosphere.
3. Face Contour
Slightly small, egg-shaped face.
A natural curve connects from the forehead to cheeks and chin, with a soft chin that is not overly pointed.
Moderate roundness remains in the cheeks. Face width is not too wide, outline is natural and smooth.
Features such as eyes, nose, and mouth are clustered near the center of the face, forming an unflashy, simple look.
Do not make the chin extremely pointed. Do not make the facial outline overly sharp.
4. Hairstyle & Hair Color
Hair color is an extremely dark black close to pure black. In areas hit by light, add modest highlights containing dark gray or slight brown.
Hairstyle is a bob cut reaching around the chin to neck.
Forms a naturally rounded silhouette from the back to the sides of the head.
Hair has moderate volume, puffing out gently along the head shape. Ends are not completely blunt, slightly flipping outward in places.
Hair locks on left and right are not completely symmetrical, leaving natural disarray.
Fine hair strands are carefully drawn onto the hair surface, expressing smooth flow and soft three-dimensional volume.
Hair contour has moderate fine irregularities, resulting in a natural, not-too-tidy hairstyle.
5. Bangs
Thick, heavy straight-cut bangs (blunt bangs).
Broadly covering the forehead, hanging from near the eyebrows to just above the eyes.
The center of the bangs is relatively heavy, concealing the forehead with dense black hair.
The bottom edge of the bangs is not a straight line, but features irregular textures made of fine hair strands.
A few thin strands naturally separate, hanging slightly over the eyes.
Forehead is barely visible through gaps in the bangs; do not expose the forehead widely.
Crucially, the bangs hang down just above the eyes. However, both eye contours and the small pupils/irises must remain clearly visible.
Do not make the bangs too light. Do not make them thin see-through bangs. Do not change to a style that shows a lot of forehead.
6. Most Important: Eye Shape & Structure
The eyes are the most critical element defining this character's individuality.
Do not make them large, round eyes, widely expanded irises, or sparkling pupils typical of standard anime characters.
Horizontally elongated, narrow, with small vertical opening—sleepy, half-opened eyes. Pupils/irises are extremely small, leaving a large area of sclera (white of the eye). Clearly depict sanpaku eyes.
6-1. Eye Contour
Eye shape is long horizontally and narrow vertically.
The gap between upper and lower eyelids is narrow; eyes are not wide open.
While horizontal width is maintained to a degree, vertical height is kept minimal.
Eye contour is a smooth, elongated shape, not a round almond shape, but somewhat flat, as if pressed from above and below.
Upper eyelid is relatively straight, giving a slightly heavy impression.
Forms a natural line slanting slightly downward from the center of the upper eyelid toward the outer corner.
Outer corners droop slightly, creating overall subtle droopy eyes (tareme).
Inner corners are not overly sharp, remaining natural.
Do not open the eyes too wide vertically. Do not make them startled, round eyes.
6-2. Iris/Pupil Size: Top Priority
Irises and pupils are clearly smaller than standard Japanese anime characters.
Irises are extremely small in diameter, minimizing the area they occupy relative to the white of the eyeball.
Dark centers are not large circles, but small, vertically elongated or oval-like shapes.
Iris color is very dark gray to black. Outer border outline is also understated.
Pupils are placed small inside the irises, keeping the entire dark center from looking large.
Do not spread the dark eye centers to fill the eye. Do not expand the irises to match the eye's vertical height. Leave ample sclera around the pupils/irises.
Make the sclera area look overwhelmingly wider than the dark centers.
Keep dark eye centers just large enough to be recognized, ensuring the pupils themselves do not dominate the face's impression.
Express individuality not through eye size, but through the contrast between wide sclera and tiny irises.
6-3. Sanpaku Eye Depiction
Clearly depict sanpaku eyes.
Sclera area is extremely wide relative to the tiny irises, structured so white is distinctly visible especially below the irises.
Sclera is also moderately visible above, with whites surrounding the small dark centers above and below.
Arrange gaze position and small irises so sclera stands out on top, bottom, left, and right.
However, avoid a creepy look like bulging eyeballs.
Keep eyeball shape natural, emphasizing sanpaku solely by making the irises small.
Maintain wide whites while keeping the vertical height of the eyes narrow.
Important: Do not increase whites by making the eyes large; increase the ratio of whites by making the irises small within narrow eyes.
6-4. Iris/Pupil Placement
Irises are placed near the center of the eyes, but not in a completely mechanical center.
Include a very slight, natural difference in the positions of left and right irises.
Gaze is basically forward, but in a direction that conveys slight confusion or unease.
Do not pull irises extremely to the corners. No strong cross-eyed or strabismus look.
Ensure wide sclera is not lost when adjusting iris positions.
Left and right eyes have slight differences within a natural range, avoiding mechanical symmetry.
6-5. Eyelids and Eye Outlines
Upper eyelid line is drawn slightly darker and subtly thicker than the lower eyelid.
Upper eyelids have a sense of weight, forming a sleepy, languid impression.
Lower eyelid line is thin and delicate, not over-emphasized.
Eye contour is a dark color close to black, smoothly rendered.
Eyelashes are modest, not long, dense, or glamorous.
Do not excessively extend eyelashes at the outer corners.
Do not make eyeliner too thick; avoid flashy makeup.
6-6. Pupil Highlights
Pupil highlights are minimal.
No large white light reflections, no star-shaped highlights, no multiple glistening dots.
No intense gradient on the irises; keep them in understated tones of dark gray to black.
Do not make pupils shine like gemstones.
The eyes' charm comes not from sparkling pupils, but from the contrast of wide sclera and tiny irises, heavy upper eyelids, and narrow eye shapes.
6-7. Emotion Conveyed by Eyes
Gaze is sleepy, languid, and slightly awkward.
Heavy eyelids give the impression of someone not used to opening their eyes wide.
Not an aggressive glare or sharp scowl, but a nervous, slightly bewildered gaze.
A hint of anxiety and hesitation in the gaze.
Eyes not opened wide, eyebrows not sharply raised, expressing emotion through understated facial shifts.
Express a tense psychological state while maintaining tiny irises and wide sclera.
7. Eyebrows
Eyebrows are a dark color close to black hair.
Partially hidden by bangs, not overly visible in full.
Eyebrow thickness is thin to standard, natural shape.
A slight instability in eyebrow angle, expressing confusion or tension.
Slight strain near the inner ends of the brows, with the entire eyebrows subtly tensed.
Do not arch them extremely or emphasize anger.
Combine the weight of the eyes and subtle angle of the brows to create an awkward expression.
8. Nose
Nose is small and modest.
Simple anime-style depiction that does not stand out when viewed from the front.
Without emphasizing the nasal bridge, expressed naturally with small lines or faint shading.
Nose shading is not too dark, so the nose alone does not draw attention on the face.
9. Mouth
Mouth is small, not standing out on the face.
Corners of the mouth are slightly distorted from tension.
Mouth is slightly open, upper and lower teeth subtly visible.
A stiff, strained mouth as if lightly gritting teeth.
Upper and lower teeth appear modestly as thin white shapes. Do not over-detail the row of teeth.
Corners of the mouth are pulled naturally sideways into a tense shape distinct from a smile.
Lips are not emphasized, expressed with simple lines.
Do not open the mouth wide. Do not make a shouting expression.
Do
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