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AI art "メイド姿の擬人化イーブイ" featuring #Fluffy Kemomimi
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メイド姿の擬人化イーブイ

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Gather Around! Fluffy Kemomimi Characters#Fluffy Kemomimi
Avatar image of 日本バブル帝国

日本バブル帝国

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character: eevee, copyright: pokemon 1girl, solo, gijinka, animal ears, floppy ears, brown animal ears, fluffy inner ears, animal tail, huge tail, fluffy tail, brown tail, cream tail tip, low twintails, twin ponytails, chestnut brown hair, two-tone hair, cream hair tips, bright brown eyes, open mouth, joyful, grin, blush, maid, maid outfit, short sleeves, dark brown dress, white apron, frilled apron, straw headdress, lifting skirt, holding cloth, dusting cloth, twirling, spinning, standing on one leg, dynamic pose, centrifugal force, from below, slightly low angle, full body, outdoor, mansion garden, flower garden, blooming flowers, flagstone path, blue sky, cumulus clouds, bright sunlight, lens flare, rim lighting, vibrant colors, From a dynamic slightly low angle in a full body framing, an energetic girl twirls joyfully on the sun-warmed flagstone pathway of a grand estate. Her balance rests on the ball of her right foot while her left foot lifts lightly in mid-spin, driving the rotational momentum that billows her attire outward. Her left hand delicately pinches and raises the hem of her short-sleeved dark brown dress and layered white frilly apron, while her right arm extends outward to steady her balance, fingers clutching a pale dusting cloth that ripples through the air. Atop her head, a woven straw headdress rests between two long, floppy brown ears that swing outward with centrifugal force, revealing dense, fluffy cream inner fur. Her chestnut brown hair is bound into twin low ponytails whose fluffy cream-dipped ends whip wide around her shoulders. She beams with an open-mouthed joyful grin, her bright brown eyes sparkling directly toward the viewer alongside flushed pink cheeks. Arching behind her waist, an enormous, plush brown tail with a fluffy cream tip curls in an exaggerated, dynamic arc following her spin, stirring up stray flower petals from the stone ground into the mini vortex of her rotation. Surrounding the path is a lush mansion flower garden teeming with colorful blooming flowerbeds, manicured green hedges, and classical stone balustrades beneath a clear blue summer sky. Intense natural sunlight shines from above, casting crisp contact shadows at her pivot foot, outlining her hair and tail fluff with a brilliant warm rim light, and creating a soft circular lens flare across the upper air. Joyful and vivacious.
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Mode
flash
Size
1536 x 2048

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.37k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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