PixAI Membership

📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details
AI art "一期一振 - 長崎くんち" featuring #Touken Ranbu, #Ichigo Hitofuri and #Create What You Love 2
Generate New ArtworkGenerate for FreeGenerate for Free

一期一振 - 長崎くんち

Contest Entry
2nd "Favorite Work" Contest#Create What You Love 2
#Touken Ranbu#Ichigo Hitofuri
Avatar image of みずは
avatar-frame

みずは

More to See

Comments

character: ichigo_hitofuri A square 1:1 composition showing a quiet, respectful moment at the grounds of Suwa Shrine during the Nagasaki Kunchi season. The environment is the visual entrance: a large traditional dragon-dance figure dominates the upper left and center of the frame, its long red-and-white segmented body curving through the open ceremonial space and its ornate dragon head raised high on supporting poles. The dragon figure is stationary rather than being performed. The stone-paved shrine court, timber shrine structures, ceremonial red-and-white elements, and autumn daylight establish the setting. Only one human figure is present; there are no performers or spectators in the frame. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions. He appears as a full-body figure in the lower-right portion of the square frame, visible from head to shoes, about eight heads tall, a balanced head-to-body ratio, natural shoulder width. His adult silhouette remains slim, composed, and naturally proportioned. He wears a refined contemporary autumn outfit suited to visiting a traditional Japanese festival: a dark navy high-collared shirt beneath a cleanly tailored deep indigo knee-length coat, straight charcoal trousers, and simple black leather shoes. The clothing is understated so that the aquamarine hair and his graceful silhouette remain identifiable against the ceremonial setting. His feet are planted securely on the stone pavement. His torso leans back only slightly as he follows the height of the dragon with his gaze. One hand rests loosely near the front of his coat at chest level while the other hangs naturally beside him. The posture conveys contained amazement rather than theatrical posing: his shoulders have opened, his chin is raised, and his entire body is oriented toward the dragon head above him. The camera is positioned slightly below his normal eye level and views the scene diagonally across the courtyard. The dragon head occupies the upper-left area, its body forms a broad visual curve toward the center, and Ichigo remains clearly separated in the lower-right third. The shrine architecture and stone court provide spatial depth without obscuring the relationship between the man and the festival object. Clear morning light falls across the dragon's painted surfaces, the indigo coat, and the warm wood of the shrine, with natural shadows grounding every object on its support surface. detailed environment, masterpiece, best quality
Show Parameters
Original Prompt
A square 1:1 composition showing a quiet, respectful moment at the grounds of Suwa Shrine during the Nagasaki Kunchi season. The environment is the visual entrance: a large traditional dragon-dance figure dominates the upper left and center of the frame, its long red-and-white segmented body curving through the open ceremonial space and its ornate dragon head raised high on supporting poles. The dragon figure is stationary rather than being performed. The stone-paved shrine court, timber shrine structures, ceremonial red-and-white elements, and autumn daylight establish the setting. Only one human figure is present; there are no performers or spectators in the frame. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions. He appears as a full-body figure in the lower-right portion of the square frame, visible from head to shoes, about eight heads tall, a balanced head-to-body ratio, natural shoulder width. His adult silhouette remains slim, composed, and naturally proportioned. He wears a refined contemporary autumn outfit suited to visiting a traditional Japanese festival: a dark navy high-collared shirt beneath a cleanly tailored deep indigo knee-length coat, straight charcoal trousers, and simple black leather shoes. The clothing is understated so that the aquamarine hair and his graceful silhouette remain identifiable against the ceremonial setting. His feet are planted securely on the stone pavement. His torso leans back only slightly as he follows the height of the dragon with his gaze. One hand rests loosely near the front of his coat at chest level while the other hangs naturally beside him. The posture conveys contained amazement rather than theatrical posing: his shoulders have opened, his chin is raised, and his entire body is oriented toward the dragon head above him. The camera is positioned slightly below his normal eye level and views the scene diagonally across the courtyard. The dragon head occupies the upper-left area, its body forms a broad visual curve toward the center, and Ichigo remains clearly separated in the lower-right third. The shrine architecture and stone court provide spatial depth without obscuring the relationship between the man and the festival object. Clear morning light falls across the dragon's painted surfaces, the indigo coat, and the warm wood of the shrine, with natural shadows grounding every object on its support surface. detailed environment, masterpiece, best quality
Mode
pro
Style
Seasonal Glow
Quality Tag
﹝Prompts﹞
Size
992 x 992
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Seasonal Glow
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.59k

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
#Attack on Titan#Mikasa Ackerman
HomeModelsMio.2Profile